Dark Knight Sparknotes

In 2010, Davis Guggenheim released one of the years most talked about documentaries, Waiting for Superman. His film was an eye opening, to many, look at the failings of the U.S. school system. The film follows five students across the U.S., who range in grade level from kindergarten to eighth grade, as they try and escape the public school system through a lottery for a chance admission to a charter school. Guggenheim lays the blame for the failing public education system at the feet of the various teachers unions, and makes a plea for the public in general to get involved in reforming the system. By analyzing Waiting for Superman through a sociological perspective, issues of inequality will be explained using the theoretical approach

The main conflicts in the world of The Dark Knight Returns revolve around escalating crime in Gotham city and forces of the authority attempting to control it. The authority should be a moral force and represent justice. The figures that represent the authority should be selfless and work only to promote the integrity of law and order. Authority proves to be contradictory in Miller’s novel as the authoritative figures express qualities of vigilantism and overall moral ambiguity.

In the film, The Dark Knight directed by Christopher Nolan, The Joker, one of Batman's most dangerous enemies whose aim is too push Batman to his ultimate limits, to break his personal rules and strict moral code. This, being the Jokers only reason to live, he has no fear of death and pain. The Joker is characterised as a calculating and logical criminal, a rebel with minimal empathy or moral and a nemesis who commits purposeless crime. Together these characteristics are developed through specific and appropriate use of technical aspects, such as, camera movement, camera angles, props and dialogue. Together these techniques create a character who is an extraordinary to watch, as he causes chaos in Gotham City, all to get

Since 1982, there have been over 85 mass shootings in the United States. Of those 85 shootings, three quarters of the weapons used were obtained legally. That means that our background check system has failed. If purchasers were required to undergo a mental health evaluation, numerous lives would be saved. Many mass shooters have shown previous signs of mental instability. Take Jared Loughner, the man who opened fire at a public constituent meeting in a Tucson, Arizona supermarket parking lot wounding 13 people and killing 6. Loughner had been showing signs of mental illness for years. He was even suspended from college for disrupting class and showing bizarre behavior. The college told him he needed to be cleared by a mental health professional before he could return. Instead, Loughner dropped out of school. In addition to his disruptions at school, he had many run ins with law enforcement. In fact, on the day of the shooting,

Explain the difference between internal and external conflict and provide an example of each from a book or movie from outside this class.

When you think of psychology what is the the first name that comes to mind? My guess is that you thought of Sigmund Freud. Even though none of his theories of dreams or sexuality have any empirical evidence, he is still one of the most influential figures in all of philosophy. One of Freud’s ideas that does have substance is the idea that our minds are dynamic and contain both conscious and unconscious memories, thoughts, and desires. Freud labeled these phenomena the id, ego, and superego. While the nuances of this theory are complex and somewhat monotonous, they are brought to life in Christopher Nolan’s The Dark Knight. The chaotic and childish joker (id), the pure and valiant Harvey Dent (superego), and the one responsible for finding a balance between the two, Batman (ego).

Throughout “The Dark Knight” by Christopher Nolan crime and deviance is seen throughout the film. Crime and deviance in The Dark Knight has two faces as society accepts crime for those whose are helping them and at the same time punishes those who are punished. Society in Gotham accepts crime when the Batman commits it to help for the betterment of society; however, crime is not accepted when it is committed by mob bosses, gangs, criminal cops, and most importantly through the joker. The forms of deviancy/crime which are seen throughout the film is the Labeling Approach, Human Rights Approach, and Human Diversity Approach.

The Dark Knight (2008) is the second movie in The Dark Knight Trilogy by Christopher Nolan. It deals with serious issues such as order vs. chaos, good vs evil, corruption,escalation, justice,heroism and faith. In this paper, I will examine the implicit meaning of the movie, and I will analyze three important scenes, in which Nolan uses mies-en-scene, cinematography and sound to reinforce the themes of the movie.

Batman: The Dark Knight directed by Christopher Nolan is non-stop action thriller that continually did the unexpected. The film is based off of the original Batman comic book but additionally changes the perception of the everyday world as good to naturally bad. Throughout the movie, Batman stands for honesty and goodness while the Joker is a symbolism of chaos and evil. Both sides are forced to make quick-witted decisions in order to stop the opposing vigilante from doing his desired work. The citizens of Gotham are put in the heart of this circumstance and feel obligated to go against their values to stop the chaos. Numerous people habitually pursue their dreams and values but often become blinded from their

Why didn’t he just tell him the truth, that he went to save Rachel instead, that the Joker deceived them? Would it have really helped resolve the situation at all? Two face then shoots Batman, and when he goes to shoot Gordon’s son, Batman chooses to save Gordon and kills Harvey by knocking him off the building, which leads to another lie. Harvey goes on to

Scouring and systematically combing my 10 year-old self through the plentiful aisles the realm of Blockbuster comprises, I scavenge through copies of movies (which are now all household favorites) ranging from the very inception of the Dark Knight Trilogy, “Batman Begins,” to more lighthearted (yet equally deserving) films like “Ferris Bueller’s Day Off.” I probe my way around the vast expanse of the store, grasping my mother’s hand like my life depended on it, as it very well did at that moment, until I reached my long sought-after destination: one of Alfred Hitchcock’s copious masterpieces, “Psycho.” Despite myself possibly being too young at the time to watch such a film of this nature, it didn’t stop me in the slightest from indulging in the many commanding yet haunting scenes it had to offer. My being older now however (both physically and mentally) enables me to ponder and comprehend the mastery that truly is this movie as well as delve into Norman Bates’s steadfast descent into unwavering madness; a concept shared yet developed in an intriguing, yet diverging manner in both “The Turn of the Screw,” written by Henry James, and the poem “I Felt a Funeral in My Brain,” composed by Emily Dickinson. Both pieces entertain this notion of terrifying insanity, with the narrator’s plunging into a black hole of overwhelming instability. After all, we all go a little mad sometimes.

The image above, is the official movie poster for the 2008 film “The Dark Knight” released months in advance to accumulate interest in the live action version of the famous gotham hero Batman. It was designed by BLT Communications for the 2000s reboot of Batman and is the second film in the “Dark Knight” trilogy from the Warner Bro. production company.

Christian Bale plays Bruce Wayne also known as Batman, the protagonist who protects the citizens of Gotham City, but at the same time throughout the movie he is forced to be in difficult situations and has to make difficult decisions. At the same time the police department considers him a vigilante, because Batman acts outside of the law fighting crime differently. The Dark Knight is a plot of a classical paradigm film, but it has some aspect of formalism. In Understanding Movies -13th Edition, “Formalist movies are stylistically flamboyant. Their directors are concerned with expressing their subjective

Now in these days everyone one likes to read comic books since they became part of our society. What makes them interesting is how entertaining they could get giving us different points of views on different stories of superheroes. Many of us believe that “Classic superheroes stories are wildly fun, suspenseful and exciting” (Tom and Matt Morris) forgetting the idea of what really makes a hero. Different perceptions of superheroes are considered based on their wrong actions and way of thinking. Frank’s Miller Batman: The Dark Knight Returns is one of the comic books that make us “rethink the conception of the superhero and press each of us to reconsider some of the fundamental moral principles

When comics were first coming out, they were not all that popular but in todays’ world, they have become very popular and well known. Several of these comics have been turned into films, which is one of the many reasons why the popularity has been rising over the years. One of the most well known comics is Batman: The Dark Knight Returns. This comic was composed and released in 1986 by Frank Miller. With the usage of Frank Miller’s powerful, intense lines and the artwork done by Klaus Janson’s and Lynn Varley’s it has elevated this comic up to the very top of mainstream comics. In Batman: The Dark Knight Returns, the skillful illustrations on the pages successfully create the thought that there are underlying meanings, which makes the atmosphere a very intense one throughout the comic. The work of art that is presented on the pages in this comic are embedded in such a way that the pages become the continuum for the meaning. One of the main themes that are imbedded on the pages through the artwork in this book is the ideological struggle between Bruce Wayne and Batman.