The Daughters Of Edward Darley Boit Analysis

This essay reviews the painting by William Bouguereau’s The Elder Sister. It reviews the elements of design and principles practiced in the artwork. This essay assesses the correct use of the elements and the influence that they have on the entire perception of the painting. The artist has applied an amazing background as well as perfect balance of the piece. The elder sister's arm balances with her leg, the baby's foot balances with older sisters foot, the clouds balance with the bushes. This explains the initial acclaim of this painting. Upon viewing the picture one gets a feeling that the artist meant to depict a young girl who is captivated by her little sibling. This is clear from the use of the angelic almost celestial background that unquestionably creates an affectionate mood. The enchanting smile across the young girl s face communicates the elder sisters bliss. The painter has accomplished quite a bit with the use of the fundamentals in this painting.

Mme Charpentier and her Children was a portrait and painted in the 1878 by Auguste Renoir a painter who resided in Limoges. The subject is identifiable because she is in the center of the room. The paint that was used was oil and work of art is impressionism. Also In this essay I am going to depict or take apart this work of art by breaking down each element. For example, the subject and general observation of the work of art. Along with the shape and form, medium and technique, the composition and the color of a work of art. Light and shadow and texture of a piece of art work. All of these elements create one single piece of art work.

The mother in the photograph catches the viewer’s eye at first glance, straight in center view with Lange’s lens. Due to the subject focus, the mother and her children, it is safe to declare that the mother knew the photograph was being taken although her eyes linger away from where Lange would be standing. With her children hiding behind her, looking down, the viewer is forced to look at their filthy hair and disheveled appearances. By not giving Lange or her lens their direct attention it forces those viewing the image to look at the subjects themselves and not make eye contact with them. By doing so it is easier to notice the stressed lines on the mothers face, the torn and grimy apparel hanging off of each person and the dirt covering the only visible child’s face, the baby in her

The three most significant art principles I found in this painting are the contrast of the light and dark areas, the focal point being his aunt, and the sense of unity conveyed. The contrast of colors shows the natural cast of shadows within an

Edith Bolling was born to a family of Virginian Aristocracy in Wytheville in 1872. She was the 7th child in a family of 11 kids. At the age of 15 she went to study music for a year at Martha Washington College and a second year at a different smaller school. Edith met a businessman by the name of Norman Galt in Washington when she was visiting a sister. They were soon married and for 12 years, their childless marriage was content. Mr. Galt died unexpectedly in 1908 and Edith left the jewelry firm the two had up to a manager that kept the finances up to par. Not long after the death of her husband, Edith met Woodrow Wilson who had also recently lost his spouse, Ellen. The widower President Wilson was very fond of Edith and found her intelligent.

The viewer can see and feel the bond between the mother and the child. I also think the artwork is beautiful and makes a deep impression on the viewer, because of the innocence and peaceful appearance of the infant. The woman has such an intense gaze with the way she is looking at the infant; it gives each viewer an opportunity to interpret it in their own way, concern or admiration, all part of motherhood. The woman’s body language is intriguing because she is replicating the infant’s arm position, maybe to find her own peace. In my search, I discovered that Berthe Morisot was a famous female artist in the 19th century, and in making a choice, this piece of art quickly caught my

The overprotected nature of the children's life is revealed in several visual elements in the painting. First, and most obvious, the mother leans over the children as she puts them to bed. The father also stands close, looking down at them, with a fond smile on his face. While it is clear that they love their children, the parents' physical orientation towards their children can be said to hover. Another interesting element in this regard is that the father accompanies the process of putting the children to bed. He stands next to his wife as she works with the children. He does not help, but gives the impression that his

Borden, Douglas, and Trudeau all remain resilient in the face of political obstacles under their leadership, kept Canada as a united nation.

Sargent was a friend of the girls’ parents, Edward Darley Boit and Mary Louisa Cushing Boit. Edward Boit was a Harvard-trained lawyer, but left his profession to become a painter and Louisa Boit gained a large inheritance from her family who had the legacy of Boston’s China trade. Although they were originally from Boston, Louisa was a very social and vivacious woman who preferred to live in Europe rather than the United States and the painting was painted in France in their elegant house on the avenue of Friedland in the eighth arrondissement, a very luxurious neighborhood much preferred by wealthy Americans. Mr. and Mrs. Boit went to Sargent to paint the portrait of their daughters and when Edward and Louisa first approached Sargent to

Another attracting feature of this painting is that it appeals to your emotional side. Personally, I have an elder sister and we share a connection that is really rare. I have a picture of her, holding me as a baby with a huge smile on her face and this painting ultimately reminds me of that; giving me nothing but pleasant memories. That is what William is trying to do here. He uses the soothing and caring facial expression of the young lady together with the tenderness of the sleeping baby to capture his viewers and appeal to their caring and emotional side.

Next, each room of art were unique. When I get into each room, some things that surprise me that each room was very exclusive, original and uncommon. Also, the rooms were very enlightened and I personally felt that each room had something for everyone in the family. Another thing that I noted of the museum was the accessibility of each floor, so anybody can go and have a great time without

Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink

The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the

To begin, the proportion of the woman’s gaze accentuates perfection. The eyes introduces a sense of nobility to the piece acquiring a softness at the gaze. Painted with a spherical shape, it allows the appearance to emerge mysteriously throughout the portrait and I quote “Through their roundness, therefore, the mind, knowing itself, is sometimes forced to reveal the secrets thoughts of their