The Day In Shadow By Nayantara Sahgal

Nobody fully understands what drives people to undertake a mission, but it often causes people to take many risks. For example, Farah Ahmedi climbed a mountain on a prosthetic leg with a sick mother just to reach freedom. Rikki-Tikki fought for his life to save his family. John Steinbeck eavesdropped on people's conversations just to get material for his book. These stories show different people who had each set a goal for themselves. Ahmedi and Rikki-Tikki fought for their lives to survive and save their loved ones. While Steinbeck traveled to great lengths to write his book. Their goals may be different but they all had set a goal and they all eventually accomplished their goal.

In the thrilling book Shadow House: You Can’t Hide by Dan Poblocki, it is 210 pages of bone-chilling, and terrifying mystery solving for 4 teens trapped in the Larkspur House. The book is read in an omniscient point of view that really expresses each main character, Poppy, Dash, Amuzi, and Marcus.

The main theme in the book, The Dark is Rising, is obviously the conflict between the dark and light. It is one of the many suspenseful fantasy books about the battle between good and evil, Susan Cooper wrote about the dark, light, and the mystical powers.

The quote "Character is what you are in the dark" - Dwight Lyman Moody has a few meanings. Mostly it means that you're different when you're alone. When you're around people they are influences of some sort. If you get into a situation when you're with people you might react differently than if you were alone, resulting in a different outcome. A lot of the time people aren't their true self around friends, or family, or whoever it may be for many reasons. A big reason is they don't want to be judged. Maybe they wanna look "cool" or get popular for something. Maybe they think they'll be looked at differently for being who they truly are. So basically fear of what others think keeps us from being who we really are. Fear can make us act different,

The Long Shadow is a book written by three research sociologists; Karl Alexander, Doris R. Entwisle, and Linda Olson. Karl Alexander is John Dewey Professor and chair of the Department of Sociology at the John Hopkins University. The late Doris R. Entwisle was a research professor of Sociology at the John Hopkins University. Linda Olson is an associate research scientist with the Baltimore Education Research Consortium (BERC) and the Center for Social Organization of Schools at the John Hopkins University. This book was originally published on April 14, 2014 and in this book, these professors followed the lives of 790 children growing up in various neighborhoods throughout Baltimore, Maryland. I would consider this book a case study because it took over twenty-five years of research, interviews and surveys to finally get it done and then later on published. The three main subjects researched in this book are a family’s background, disadvantaged urban youth, and the transition to adulthood. And in this paper, I will present my central findings of this book.

Do you like horror books? Well if you do you’ll like this one. The book “After Dark” by James Leck, is about a boy named Charlie Harker, who has just finished school. He soon finds out that he’ll have to help renovate a old family inn his family owns. There are 252 pages in this book. ``The point of view in this book is third person objective. The genre of this book is horror.

Darkness at Noon, written by British novelist Arthur Koestler in 1940, is a criticism of Stalinism and the methods used by the Communist Party in the USSR. The novel was set in 1938 during the Stalinist Great Purge and Moscow show trials. Even though the story depicts actual occurrences, it does not specifically name either Russia or the USSR, but the characters do have Russian names while other generic terms are used to depict individuals and associations. For instance, the Soviet government is alluded to as "the Party" and Nazi Germany is alluded to as "the Dictatorship." Joseph Stalin, a terrorizing dictator, is represented by "Number One." The novel is a strong and moving picture of a Communist revolutionary caught up in the terror

A shiny, crisp red fruit hangs enticingly off a lush verdant branch; a sly, seductive serpent and a woman in the nude converse under the sacred tree, and then Eve tentatively reaches up and plucks the juicy crimson fruit, a look of panic only reflected on her face once she realizes the gravity of her decision. She picks the forbidden fruit and her ignorance is ripped away from her like a newspaper on a windy day, and this single act started a trend of succumbing to temptations throughout human history. Even in the novels The Hours and The Awakening, the characters are tempted by someone else or a different idea; however, some of these characters exhibit strong self control and avoid their demise. The fine line between success and failure when it comes to avoiding temptation is most obviously demonstrated by Edna Pontellier and Laura Brown, and these two women showcase the destructive power of seduction and the strength of will it takes to deny the enticement. The allure of the unknown is not exclusive to the female sex either, many men in the novel also suffer from it, namely Robert Lebrun. The secret snare of temptation is interwoven throughout the stories, and the sliver of thread can be glimpsed between the inky words.

Ruta Sepetys is the author for Between the Shades of Gray, a novel that captures the truth of Siberian camps and the annexation of the Balkans by Stalin. Ruta Sepetys got the idea to write this fictional story when she visited her family in Lithuania and got the chance to discover more about her heritage. She got very fascinated about her family’s struggle to keep memories of her grandparents because of the annexation of Lithuania to the USSR. This conflict urged her to find out more about the feelings and people’s memoirs during this period in World War II so, she started interviewing the survivors from the Siberian gulags and gathered information to write her novel. The book was also inspired by her father, Jonas Sepetys, who escape

This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.

An analogy has been drawn about how she was in the past and how is she now. She was a carefree person, demanding love in her life, wanting to take care of her children and become a house wife and now she works as a schoolteacher, has become a responsible person concerned about her husband and child, struggling for her son’s life, bearing tantrums of her sister-in-law and living in a small house in a small city. On the other hand, Komal, sister-in-law of Anjali is a character shown who seems to be frustrated from her life from the time she has lost her husband. The book has depicted another face of an Indian woman, who lives her entire life following the customs that the society has decided for a widow. Anjali tried to make her first marriage successful by taking care of small things like making her husband, his favorite cardamom chai and best of meals while Prakash’s second wife Indu was never concerned about any of his likings and gave priority to her own personal

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

In a postmodern world it is worth contemplating in what we can put our faith. Does culture, religion, or God merit our trust? Or is this a world of mechanical and biological evolutionary processes void of any meaning and purpose? The Sunset Limited, “a novel in dramatic form,” by Cormac McCarthy, is a dialogue between two persons who approach each other from opposite worlds to answer these questions. Black, a born-again believer and ex-con, and White, a nihilistic college professor, attempt to determine whether belief in God is viable in this world and if life is worth living. Despite Black’s efforts to convince him otherwise, White remains a Depressed Self who denies God’s existence, affirms his view of the world as deranged, and leaves to complete his suicide.

“In a Dark time” by Theodore Roethke gives a retrospect into the inner turmoil’s of finding oneself through a haze of doubts in till reaching a moment of clarity. Each section of the poem describes a different emotion, or inner thought that spirals from fear of death, to emotions of desire. The use of imagery between nature and uncertainties of the narrator give a glimpse into Roethke’s own mind during the time he wrote this poem. Without hundreds of pages Roethke created a poem that connects readers to their own self-doubts and struggles of finding ones way again.

According to Judith Butler’s theory, gender is a social concept and not a natural part of being, therefore making it unstable and fluid. Gender identities are produced through what Butler calls “performativity,” the repetitive acts of expression that form and define the notions of masculinity and femininity. These repeated performances are engrained within the heteronormative society and impose these gendered expectations on individuals. In this respect, gender is something inherent in a person, however Butler writes “gender is always a doing, though not a doing by a subject who might be said to pre-exist the deed.” In Olga Tokarczuk’s House of Day, House of Night identity is undoubtedly central to the characters’ stories, specifically the strict social constructs of gender that is snarled with one’s identity. Tokarczuk’s novel presents a mosaic of stories that put into question heteronormative gender roles, while offering an alternative way of existence. Analyzing House of Day, House of Night with Judith Butler’s gender theory demonstrates the characters struggles within the rigid constructions of gender and how some ultimately deal with moving past such restricting expectations.