The Death Of The Moth Annie Dillard Analysis

In the story Transfiguration by Annie Dillard, her view on life is that energy and sacrifice are necessary to leave a legacy behind, which she shows through the moth. This idea of a legacy is shown when the moth burns, it brings out a burst of color and happiness. When Dillard is talking about the moth when she went camping, she begins to say “and then this moth essence, this spectacular skeleton, began to act as a wick.” ( Dillard 10). By saying this, she is saying that the moth left an essence that she noticed. By the moth leaving an essence, Dillard noticed and remembered, so that is what left a leaving a legacy in Dillards eyes. So when the moth took the risk of dying in the candle it left behind a legacy that is shown by the moth acting

The Moths by Helena Maria Viramontes is a short story about a relationship between a teenage girl and her abuelita. Although, the title seems unfitting for a story about a loving relationship between family members the significance of the moths, in this story, has a much deeper meaning than one would think. Like many other aspects of the piece, the insects have a symbolic meaning in order to convey the author’s feelings during the time of her grandmother’s death. Throughout the story we see the use of multiple descriptions, settings, as well as dialogue in order to pass a message to the audience. The Moths is not only a story about death and brokenness, but a story about cures and peace. Upon further examination of this narrative, the story presents symbolic attributes about the main characters personalities, descriptions, and religious imagery that tell the story about a cure for brokenness, a rebirth of hope, and coming of age.

In the short stories, the “Death of the Moth,” Annie Dillard and Virginia Woolf discover a moth flying and observes it. The short versions has two versions and both author tries to explore the theme of life and death and explains their perspectives on it. Both of the short stories have similar titles, but both pieces exhibit several differences. Annie Dillard starts off her short story by beginning the death of the moth and realizes the value of life. Virginia Woolf tells us that she sees the moth as a pathetic creature and sees that death is a powerful force that no one can stand up to. Both authors go into great detail pertaining to life and death.

Annie Dillard, the author of "Death of a Moth" and Virginia Woolf, the author of "The Death of the Moth" have different perspectives on the subject of life and death.

Many people attempt to avoid death, and many times those people are successful; however, more often than not, when people face the predicament of dying, they are not fortunate enough to escape the misfortune. Whether a person surpasses the curse of death at one point in time, eventually they will come to meet death; death is inevitable. Virginia Woolf, author of the essay, “The Death of the Moth,” captures the message death is inevitable. Throughout the essay, Woolf follows the short life of a day moth. In following the moth, Woolf comes to the realization that regardless of what she attempts to do to proliferate the decay of the moth, the moth will still succumb to death. To encapsulate the theme in the essay, Woolf uses numerous

A trickiest aspect regarding growing up is considering death. It's something individuals truly don't like to think about, but thinking about mortality is pretty much an inevitable part of coming of age. Everybody does it at some point—you know because we're all going to die someday, as are our loved ones. You know the drill: Our grandma show us, cherish, then they get super old and die, and after that we slither into the bathtub with their corpses. It's just the circle of life. What's that? You've never taken a bath with a dead person? Well then you might be a little surprised by how things unfurl in Helena Maria Viramontes' 1985 short story "The Moths," a story about a youthful Latina girl who feels at odds with pretty much everybody in her family except her cherished Abuelita.

In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.

Woolf experiences a wave of mixed emotions, thoughts, and reminders while patiently watching the phenomenon unfold in front of her. The author describes the moth’s movements as it flies corner to corner and perceives it as life’s most primal form, for she states: “ . . . the world had been thrust into his frail and diminutive body” (410). As she continues to observe the fluttering creature, the moth is seen as a metaphor for life itself for it is "nothing but life" (410) and “a form of the energy” (410). The reference of energy connects to what she introduces in the beginning of her essay by recognising that both the moth and herself—as well as all humans—are given life by the same vibrant energies. Through this realisation, Woolf develops

Life is a constant struggle against the ever present chill of death. Fear, betrayal, and cowardice all stems from life’s distaste of death. Human beings naturally rebuke the unknown, so it is only logical that people fight the inevitability of death. However, most people are ignorant of the reality of one day dying, prompting writer Virginia Woolf to write the essay, “The Death of the Moth”, in order to convey the frailty of life whilst also showing the awesome might of death. In the essay, her main purpose is to show that the moth embodies the human race, and that death is an inevitable fact of life no matter how much the human race struggles to stay alive. Woolf is able to get her purpose across by

The poems, “I heard a Fly buzz-when I died” and “Because I could not stop for Death” both give details of what the women experienced with death. In “I heard a Fly buzz-when I died” it is safe to say the woman took death with a grim sight calling it a “…Fly…” (12). The fly in the poem can be viewed as death since flies often gather around dead things and death itself. In, “Because I could not stop for Death” the description of the woman’s grave as her “…House…” (17) gives insight as to how comfortable she is in her resting place. A home is usually visualized as a place of warmth and happiness. Although both poems are about death, both poems give different views of death.

Annie Dillard and Virginia Woolf both wrote beautiful essays, entitled “Death of A Moth,” and “Death of the Moth,” respectively. The similarities between the two pieces are seen just in the titles; however, the pieces exhibit several differences. While both Dillard and Woolf wrote extensive and detailed essays following deaths of moths, each writer’s work displays influence from different styles and tone, and each moth has a different effect on the respective writer; Dillard utilizes more blunt, and often graphic description in her writing, contrasting with Woolf’s reverent and solemn writing. Dillard is affected by allowing her to contemplate the concept of eternity and purpose

Dillard also accomplishes to draw a strong parallel between herself and the symbol of this essay. As Dillard reads by candlelight, a “golden female Moth, a biggish one” flies into her candle, bringing itself to its own demise. Dillard closely analyzes this majestic Moth that has suddenly flapped itself to the center of her world. In paragraph five, after she has witnessed the Moth burn into bits and pieces, Dillard says “that candle had two wicks, two winding flames of identical light, side by side”. Dillard then begins to draw similarities between herself and the ill-fated moth. The moth was “golden” and “biggish” before she had flew into the fire, much like the writer that Dillard was like before she became a victim of writer's block. Dillard also draws a connection to religious figures in paragraph six, when she says “She burned... like a hollow saint, like a flame-faced virgin gone to God.” A parallel that can be

In the short story “The Moths” by Helena Maria Viramontes, the author uses symbolism and characterization to paint the scene of a girl in a literary fiction that has lost her way and ends up finding herself within her Grandmother through the cycles of life. Through the eyes of an unnamed girl we relive a past that has both a traumatic ending and a new leash on life; however, we do not get there without first being shown the way, enter “The Moths”.

Woolf’s essay was published a year after her death by suicide. As per my thoughts, she wrote it close to the time of her death. Woolf’s claim was that nothing has any chance against death. She supports that claim not only with the image of the short life of the (one-day) moth, but also with reminders that the same energy that sends the moth fluttering against the window pane also “inspired the rooks, the ploughmen, the horses, and even, it seemed, the lean bare-backed downs.” The warrants that underlie the claim are the undisputed facts about the moth’s limitations:

"The Death of the Moth," written by Virginia Woolf, explains the brief life of a moth corresponding with the true nature of life and death. In this essay, Woolf puts the moth in a role that represents life. Woolf makes comparisons of the life outside to the life of the moth. The theme is the mystery of death and the correspondence of the life of the moth with the true nature of life. The images created by Woolf are presented that appeal to the eye. For instance, the moth's body during the death is appealing to the eye. The image makes the reader more interested. The essence of true life is energy. As Woolf describes, "I could fancy that a thread of vital light became visible. He was