The Death and Madness of Ophelia

Hamlet’s madness is eerily similar to Ophelia’s, which may give Hamlet’s madness credibility. “Shakespeare,” according to Lidz, “carefully places Ophelia’s madness in apposition to Hamlet’s, illuminating the causes of each by making Ophelia’s plight the female counterpart of Hamlet’s dilemma.” (Lidz 88) Ophelia, throughout the play,

By his cockle hat and staff and his sandal shoon.” (V. IV. 23-26) This shows how Ophelia has became crazy over Hamlet’s inability to show affection towards her and him rejecting her. Ophelia’s madness soon spirals into her commuting suicide by drowning herself in the river. This can be linked to Nietzche’s statement that there is some madness in love, as Ophelia’s love for Hamlet caused her to become crazy. Hamlet also shows signs of madness due to his relationship with Ophelia. Throughout the play it is unknown to the audience if Hamlet truly has feelings for Ophelia. It is not until Act V that the audience becomes aware of Hamlet’s true feelings when he finds out about Ophelia’s death, Hamlet states, “ I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum. What wilt thou do for her?” (V.I. 255-257) This shows how Hamlet become mad with rage and sorrow as he hears of her death, finally revealing his true feelings. This relates to Nietzche’s statement that there is some madness in love, as Hamlet has not been able to show his true feeling for Ophelia, and once he become aware of her death he is filled with sorrow. This madness is shown when Hamlet develops a plan to fool everyone to thinking he is crazy.

The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim

There are a variety of factors that can contribute to one’s demise. In the context of the play Hamlet by William Shakespeare many possibilities can be identified that pertain to Ophelia’s sudden death. Ophelia’s death was triggered by her mental breakdown due to the loss of her father. In the midst of her inner turmoil, her depression worsens as she learns that Hamlet, the man she loves departs to England. When she dies, Gertrude reports her death to Claudius and Laertes. Gertrude, The Queen of Denmark, is responsible for Ophelia’s death. By looking at Gertrude’s over protective relationship with Hamlet, her lack of initiative on the situations around her in a time of tragedy, as well as her vivid account of Ophelia’s death, evidence that

Thesis Statement: The origin of Ophelia’s madness is rendered through examination of her relationships with her father Polonius, her brother, Laertes, and her lover Hamlet.

      When one refers to madness in Hamlet, most would think of Hamlet's madness, or at least that that he was pretending to possess. Although Ophelia does go insane and ultimately commits suicide, the central lunacy of the play revolves around Hamlet himself. Hamlet's plan to act mad is completely unexplained. It is safe to

The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.

Even in death, she displays yielding and passive behavior: Ophelia does not have the intention of committing suicide, though she fails to save herself from sinking. She is essentially a casualty of a society that enforces unreasonable expectations for its women and is never afforded the liberty of thinking for herself and making her own judgments and decisions. Her passive death represents the lack of control she has over her own person and the dependence she has developed on other people. Therefore, Ophelia is mentally unstable and not capable of realizing that her life is on the line. Ophelia is trained by the men in her life to be compliant with their demands, preventing her from practicing her autonomy and enabling her to be easily manipulated by Hamlet.

    Ophelia's downfall continues throughout the play, and her final plunge into the waters of madness and suicide culminate around her father's death. Hamlet, while talking threateningly to his mother, accidentally slays Polonius who was hiding behind the curtain in his mother's room. Hamlet thought it was Claudius he heard coming to his mother's aid when she cried for help and lunged at the curtain with his sword, killing Polonius. "O, I am slain!" were his final words. After Ophelia learns of her father's death at the hands of her estranged lover, she goes

In William Shakespeare’s, “Hamlet”, Hamlet’s love interest and Polonius’ daughter, Ophelia, died a passive and sudden death. While hanging wreaths from a willow tree, Ophelia fell from the tree and drowned in a brook. Although her death was claimed to be accidental, it is unknown if she committed suicide because she made no attempt to save herself. Her death represents the life she lived and the relationships she had with other people like her father and Hamlet. Ophelia’s death symbolizes her life with being controlled by her father, her honor and privilege of being buried in sacred ground, and the sudden termination of the relationship she had with Hamlet.

Ophelia can be portrayed as having little power, which is evident in her obedience to her father in 1.3. However, Ophelia's final act is of defiance in her use of flowers to mark the bad qualities of other characters. The symbolism of the flowers is a very feminine way to express that the corruption of Denmark is disguised, much like how the pretty flowers represent something deeper. Ophelia dies a tragic death, but it is unclear whether or not it was suicide, but Shakespeare's imagery depicts her death in a frail beauty, much like the flowers earlier in the act represent qualities such as innocence are

Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As  a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on  several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”.  As the progress of the play foreshadows a significant end to his insanity that he acts upon.  As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

Ophelia experiences alienation throughout Hamlet, although she ends her life with suicide, unlike Hamlet. The queen places blame on Ophelia for Hamlet's madness and states: "...for your part, Ophelia, I do wish that your good beauties be the happy cause for Hamlet's madness..." (Shakespeare 140). The queen lightens her feelings of guilt for the murder and places the guilt upon Ophelia. Gertrude, the queen, knows that she has committed something wrong with the plot of killing Old Hamlet and therefore finds an outlet through Ophelia. Also, to try to discover Hamlet's cause of insanity, Claudius and Polonius use Ophelia to get closer to him and find out that perhaps they could conclude that his

Ophelia is shortly affected by the protagonist’s mad conduct. And immediately she goes to her father, Polonius, to explain how she is “so affrighted” as a result of Hamlet’s visit: