The Demon Lover Literary Analysis

Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is

In Garry Disher’s novel, The Divine Wind, the protagonist, Hartley Penrose, reflects on his life growing up in Broome during World War Two. In many ways, his ‘story’ is about the changing nature of friendships during his teenage years. Friendship plays a significant role in the novel but does not make up the whole story. Love, war, and betrayal however also plays a substantial role in Hart approach towards his peers throughout the novel.

The events in Elisabeth Bower's 'The Demon Lover'; can be explained naturally. The story being as vague as it is leads most to concur with the title of the story and imagine that there is a supernatural aspect in the story. In the short story, Kathleen has returned to her home in London that has been abandoned during the bombing of World War II. She is not expected, yet she finds a letter addressed to her on a table in the hallway. Twenty-five years has past since the leaving of her former lover during World War I. Kathleen's lover is had been presumed dead after months of being missing in action and she has moved on. She is now married to a William Dover and living the countryside with her immediate

Although the lovers remain silent, "The wind's incomplete unrest / Builds and disperses clouds about the sky", which symbolizes first an eternal yearning for something deeper than is there, and secondly a "clouded," obscure vision of what this something may be. The previously mentioned yearning is shown also by a definition of clouds as "a type of the fleeting or unsubstantial" (Oxford English Dictionary). Whatever it may be that is being searched for cannot be found by lying inert letting time pass by. While this second stanza contemplates the apparently unattainable, the final two seem to convey a feeling of hopelessness in knowing that the clouds may never subside.

Charlotte Mew explores the theme of lack of intimacy during the course of her poem, The Farmers Bride. Various techniques are used to represent the stilted relationship the speaker and his ‘maid’ succumb to. Likewise, The Manhunt, written by Simon Armitage uses various metaphors and semantic fields of war and anguish to illustrate the speaker’s yearning to ‘feel the hurt’ her partner is experiencing and take the pain away. Although, the ambiguous ending doesn’t satisfy this.

In "The Demon Lover," by Elizabeth Bowen, Kathleen Drover returns to London from her house in the country in order to gather some things that she and her husband had abandoned during the bombings of the war. It is a humid, rainy day in late August and her once familiar street is now mostly deserted. The caretaker of her house is supposed to be out of town for a week and her arrival is assumed unknown. Mrs. Drover enters the old musty house and discovers a letter addressed to herself and it is marked with the present date. Curious to know if the caretaker is back in town and a little annoyed by the letter seeming to have no urgency in being mailed to her, she proceeds upstairs to her old bedroom to read it. In utter shock and complete

All three versions of “The Demon Lover has the same common messages: to be careful in trust, be careful of the vows you make, and that the decisions of the young often come back around negatively. All three pieces exemplify these messages heavily. Of all of the works maintaining these themes, Elizabeth Bowen’s “The Demon Lover” displays these messages the most vehemently. Bowen’s version of “The Demon Lover” take on the principles of Harris’ “The Demon Lover” and makes the ideals more noticeable to the novice reader.

The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary

The Man I Killed is the story of the man that Tim O’Brien killed. However, this story is not true. He later mentions that he did not in fact kill the man, yet he was present and that was enough. This story, according to him, is told to show the reader how he feels, because O’Brien feels as though the truth is that by doing nothing, he killed the man, so in his story, he does kill the man. Imagery is the biggest literary device seen in this story, but diction also helps make the story seem more true, it helps the reader to truly believe that O’Brien did in fact throw the grenade that killed the man. This story is told from O’Brien’s point of view, which would be first person, despite the fact that the word “I” is

Carl Deuker was born in San Franscisco on August 26, 1950. He was raised in Redwood City, California. He is the son of Jack Deuker and Marie Milligan Deuker. He attended the University of California, Berkeley majoring in English. He describes himself as a classic second-stringer who wasn’t very athletic. Carl is currently teaching junior high English and physical science in Northshore School District outside of Seattle. He is also, the author of Heart of a Champion, Night Hoops, Painting the Black, High Heat, Runner, and Swagger. On the Devil’s Court was a YA book of the year in South Carolina.

Many people read for some sort emotion the words invoke. Whether it is joy, sadness, fear, or anticipation, readers love being able to feel the emotions the characters feel without actually going through the same experiences. This is especially true for horror and suspense stories. Elizabeth Bowen’s short story “The Demon Lover” is able to invoke a lot of emotion through different literary elements, which is why it is so popular. Elements such as point of view, suspense, and foreshadowing really put the readers on the edge of their seats.

Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.

In “September, 1918”, Amy Lowell shows her readers an interesting and illuminating poem. That war can be an ugly time and the people that experience it often seems to live in a “broken world” (19). To fight an evil, sometimes war is needed, nonetheless it is still costly to the people living through the war. Some in a literal sense, like soldiers fighting in a war, while some in a physical sense by the world that they now see and live in. I find the poem truly interesting though, in how the author shows that even in war we can still hold onto hope for more promising days. Lowell portrays a melancholy mood throughout her poem that makes her readers thinking about war but also the hope of it being over.

“The Devil and Tom Walker” by Washington Irving, “The Black Cat” by Edgar Allan Poe, and “Prey” by Richard Matheson all utilize grotesque or bizarre occurrences and a mysterious nature as their two themes. These authors used these themes for individual purposes that were not the same but all to give a lesson. Washington Irving wrote about how money can’t buy you happiness, Edgar Allan Poe wrote about how you cannot hold on to the past, and Richard Matheson wrote about how you cannot take control of your loved one’s life.

In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.