The Depressing Life of an Old Woman in Death in the Woods by Sherwood Anderson

Porter's "The Jilting of Granny Weatherall" depicts the story of a dying woman's life. Throughout her eighty years of life Mrs. Weatherall has had her fair share of disappointments, heartaches, and unfavorable outcomes. This short story is written in a manner that allows the reader to get an outside view looking in; similar to looking at the story through a window as if being acted out in front of you in the theater. The story is eloquently written and leaves the reader with a sense of familiarity towards the family. The populations of readers who have had the pleasure of experiencing this pathetic story have come to relate their own experiences and disappointments towards the story and have empathetic feelings towards the main

When we have strong love for others, we take risks, we go against our beliefs, we put ourselves in danger, and we let our loved ones go. Without love, there would be none of that. In this book, The Dead and the Gone, written by Susan Beth Pfeffer, a comet smashes the moon closer to earth and it creates all sorts of problems. Alex, a teenage boy with two sisters, starts a long journey of survival and risks. This story is so realistic, at times was hard to read. You start to ask yourself these tough questions, like what you would do in a specific situation. Through out the whole story, love is definitely a recurring theme. It shows you how well love can hold a family is distress together.

The storyteller is able to keep his or her memories fresh and alive through the act of telling stories. At the age of forty-three, Tim O’Brien is still able to remember his childhood friend, Linda, who died when he was nine. “Even now I can see her walking down the aisle of the old State Theater in Worthington, Minnesota. I can see her face in profile beside me, the cheeks softly lighted by coming attractions.” Linda is given the gift of life through death by the power of the story. She not only lives in the mind of Tim O’Brien, but now Linda can live in the mind of anyone of whom he tells the story to. O’Brien’s audience is even graced with the pleasure of imagining what Linda looked like, “There were little crinkles at her eyes, her lips open and gently curving at the corners.” The audience can nearly see Linda, nine years old, standing in a childlike manner before

A horror story should have some elements to grab the attention of audience such as suspense and mystery. However, it is a challenge to achieve this goal especially in a short story, but that did not seem to be an obstacle for Stephen King, who is famous for writing horror fiction stories. Jeffrey W. Hunter, who is editor of Contemporary Literacy Criticism, believes that Stephen King is a marketing phenomenon for the large number of books he has sold. One of his first works was “Strawberry Spring,” which was published along with other short stories in a book titled Night Shift in 1978. In the same manner as other Stephen King’s writings, “Strawberry Spring” is a story loaded of mystery where death is one of the main components. The story begins with a narrator’s memory about what happened eight years ago when he was in college in 1968. The narrator remembers how a serial killer who was called Springheel Jack came into action during strawberry spring which is a natural phenomenon that only happens every eight years. Four young women were murdered in that year. Despite the efforts and investigations of police, the murderer was never caught. After eight years, the strawberry spring has come back and the killer, as well. Without a doubt, first person narrative point of view, setting, and symbolism are crucial elements that make “Strawberry Spring” a fascinating story.

The short story, “Doe Season” written by David Michael Kaplan is about a young girl’s loss of innocence and hesitation towards womanhood. In this story, the protagonist, an eight year old girl joins in on a hunting trip with her father and some friends. During this trip, Andy learns that being one of the boys may not be what she aspires after all. A few literary elements Kaplan uses helps readers better understand the story while reading such as, the characters, setting, and symbolism.

In a world usually depicted as a “man’s world,” a woman’s role is not considered as significant and thus can be repressed. It is why a feminist perspective or criticism comes into place, especially in literature. By definition, a feminist criticism consist of scrutinizing “the ways in which literature reinforces the economic, political, social, and psychological oppression of women.” (Tyson) In Gail Godwins’s A Sorrowful Woman, the leading female character is concentrated in her efforts in distancing from her structured lifestyle. A feminist would critic Godwins story by as the female character is in pursuit of peace and happiness and wants to escape from the role she has been implanted. The critic would concentrate on the experience woman

Margaret Atwood’s “Death By Landscape” is a short story about the powerful of feelings guilt and regret. The author camouflages other underlying themes like fear and forgiveness by using the powerful landscapes in the Canadian wilderness.

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

(P1) In Aria Beth Sloss’ short story, “North, the narrative is told from the perspective of a child as he/she talks about his/her parents. The narrator opens the piece by telling the reader that his/her father, Thomas, was an explorer who left for an expedition and “was never heard from again” (Sloss 2). The narrative then continues into a description of the relationship between the father and mother. The mother, Mary, was considered a “wild woman” (Sloss 5) growing up. Her family had concerns that she was unsuitable for any man. Upon meeting each other, the narrator’s mother and father found common ground in that they both loved adventure and had “a habit of disappearing” (Sloss 5). As the story progresses into the couple’s married life, the father is described to be a man “in love” (Sloss 7) with the wilderness like a “schoolboy” (Sloss 7). He cannot be home from expeditions long without getting restless.  As days pass, the father spends his time planning his next adventure, a hot air balloon ride to the Arctic, something that he claims will “write his name beside Darwin’s in the history books” (Sloss 13). The father does not tell Mary of his plans and she does not tell him of the loneliness that has struck her “sudden as a storm” (Sloss 13) from his lack of presence. One day though, Mary and Thomas have sex and Mary feels as though “something dangerous is running through her” (Sloss 21). Days later, she learns she is pregnant, but does not get to tell her husband as he

In the short story “Sea Oak,” George Saunders presents a family that is struggling with life in the poor neighborhood of Sea Oak. The narrator works as a male stripper in Joysticks, run by Mr. Frendt. The story also revolves around Auntie Bernie, who dies, resurrects, and dies again after advising the narrator, his sister Min, and their cousin Jade to adopt unorthodox and immoral means of making it in life. Two main themes that emerge in Saunders’ work are grief and loss that people suffer in life, and how the society teaches to deal with them, including the loss of a fruitful life, lack of wealth and success, as well as death.

In “Lives of the Dead”, O’Brien’s own innocence is preserved through the memory of Linda, a memory that remains untarnished by the inevitable corruption that results from life. O’Brien’s writings “save Linda’s life. Not her body--her life” (236). Storytelling and memories preserve the value of Linda’s existence while simultaneously allowing O’Brien to process death and destruction in a way that maintains a degree of optimism regarding his own life and future. Juxtaposing the images of body and life emphasizes his desire to save the idea of Linda while accepting the loss of her physical presence. O’Brien rejects the idea of death as absolute and final; instead he suggests that “once you are alive, you can never be dead” (244). Linda’s death solidifies her importance in O’Brien’s own development; she teaches him about life and real love as much as in death as in life. O’Brien’s paradoxical statement defines the lasting impact of Linda on him; her presence in his stories keeps her alive through memory; memories that even her death

‘The Grave’ by Katherine Anne Porter is a story that illustrates the initiation of a child from innocence to experience. The underlying theme behind the central idea of innocence to experience is the cycle of life and death and rebirth. This theme is illustrated in the young protagonist, Miranda, and her epiphany on the concept of the cycle of life and rebirth. The dominant tone in ‘The Grave’ is melancholic, and that tone is created through the language elements of symbolism, diction, and imagery. The story’s tone is also supported by the fiction element character.

of them ninety feet high; which made it dark at noonday, and a retreat for all

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.