The Development Of The Fisheries And Tourism On The Monterey Coast Essay

The author of American Catch, Paul Greenberg starts us on a journey through america's seafood industry from the early days of abundant seafood to the present condition of our fisheries. America has about 94,000 miles of coast and about 3.5 million miles of rivers, but about 91 percent of our seafood is imported. Here in America 39 percent of citizens call themselves coastal folk, but Greenberg argues we have lost touch with the complex ecosystems of the nation’s shorelines. Estuaries and salt marshes are strange crossroads where salt and freshwater currents meet to be home for oysters, shrimp, and crab. They are also home of dozens of varieties of fish. Greenberg complains about our nation’s destructive relationship with its own shoreline and tells Americans they must desire to “build a bridge back from the plate back to the estuary. This requires us to not just to eat local seafood. It requires the establishment of a working relationship with salt marshes, oyster beds, the natural flow of water from river to sea, and the integrity of the ocean floor.”.

Enstad mentions words such as “invisible” (57, 58), “unanticipated” (61), and “threaten” (60). These words indicate the unknown which stirs a sense of terror among her readers. The unknown remains a mystery, and there is no way to predict its movements. By doing so, she underscores the direness of the spread of this toxicity by pushing against this fear. Enstad even blatantly acknowledges the emotions she’s evoking by jeering that after reading her essay, readers might want to “sanitize one’s own environment” (63). As an author, she empathizes with her audience’s thoughts on her essay which allows her to relate to her audience thus, igniting a need to take charge and further analyze this toxicity that plagues Americans. It is common for a community of people to begin scrambling for solutions to an issue when the danger is imminent compared to a future problem. On the other hand, Kim’s article not only brings together a community for a common cause like Enstad’s but, she appeals to a different emotion through her use of a history strand. Kim’s history strand consists of phrases such as “imperialism” (3), “political turmoil” (4), and “immigrant” (4). She motivates her Asian American audience to unite due to the shared histories of the community. The cultural roots of Asian Americans are not often portrayed in American media and is not commonly discussed. Kim

In the novel Longboat Bay are the starting and the main setting. The characters Abel and his mother Dora lives on the land of Longboat Bay. The lands have been the Jacksons land for more than a century and have been taking care of it since now. Abel lives in a place with no main electricity from the city and no water except rainwater. The land around them is a national park and behind the house is the orchard. This is shown in the quote “and all the land around them was a national park.” And “there were orange and lemon trees in the orchard as well as olives and mulberries.” The sea is “rich in life” and the author invites the reader to want to care for the sea. This technique shows the beauty of the sea and the land around it.

The intersection of dominant ideologies of race, class, and gender are important in shaping my social location and experiences. By exercising my sociological imagination (Mills, 1959), I will argue how my social location as an Asian American woman with a working class background has worked separately and together to influence how I behave, how others treat and view me, and how I understand the world. The sociological imagination has allowed me to understand my own “biography”, or life experiences by understanding the “history”, or larger social structures in which I grew up in (Mills, 1959). First, I will describe my family’s demographic characteristics in relation to California and the United States to put my analysis into context. I

What this novel does not touch on is the harsh levels of discrimination that some Asian-American families faced during the 20th centuries, some people telling at them to go back to Vietnam, Korea, or wherever they came from, some refusing service, perhaps throwing them out for being different, similarly to how African-Americans were treated during that time, and similar to how some Muslims are being treated today. However, more insidious than moments of outright hostility, and maybe more powerful, are the constant weak reminders that you’re different, that you’re not one of them. The “sign at the Peking Express” (Ng 193), the “little boys on the playground, stretching their eyes to slits with their fingers” (Ng 193), you even “saw it when waitresses and policemen and bus drivers spoke slowly to you, in simple words, as if you might not understand” (Ng 193). All these tiny things, these little reminders that you’re not the same as everyone else around you, may have more impact on the people being discriminated against than blatant in-your-face

Trask is able to use logos to prove how tourism has affected the Hawaiian culture. Trask refers to Hawaii as a “She” who “Rubs off” on the visitor with her magical presence. The beauty of Hawaii is used as an escape from “Rawness and violence” for most Americans though, Trask mentions that the land has a “Western sexual sickness” (Trask 1993). “Of course, all this hype is necessary to hide the truth about tourism, the awful exploitative truth that the industry is the major cause of environmental degradation, low wages, land dispossession, and the highest cost of living in the United States” (Trask 1993). Trask says that the areas of Hawaii which were “sacred” to the Hawaiian’s have now been turned into top of the line hotels. The beaches that were once full of fishermen and their nets are used for recreational activities like surfing getting a tan and jet skiing. On most of the beaches owned by resorts, the beaches are reserved for hotel residences only. In the essay, Trask gives the readers logos as to how tourism is changing the land. For example, thirty years ago the ratio of Hawaiians outnumbered the tourist 2:1. Today,

Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture.  As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.

In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American,

“Rules of the Game” written by Amy Tan is a short story that focuses on the conflict in identity that Chinese Americans face when growing up with influences from both the cultures. The physical and social settings of “Rules of the Game” create an atmosphere which helps to bring out the true essence of the story. Amy Tan’s “The

Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

His recounting is unique because Davis was the son of a Polynesian mother and a Boston ship captain and even though he has an Asian heritage he is still staunchly against the Chinese. In his book he writes about his life as a prosperous merchant in San Francisco from 1845 until 1909 and details the different governments in California and the issues that Californians faced. He cites several reasons for disliking the Chinese, one is a visit to Chinatown where “the smell from the filth that surrounded their habitations was so offensive that he [a friend] and I were glad to retreat to the street above us and into the pure air.” Another example is morally tinged and he explains that the Chinese “presence was demoralizing to the youthful people of the young State.”[2] Unlike Brewer, Davis also gives an economic reason to exclude the Chinese and explains that they “will, unless they are kept out of the country, in time obtain the control of all branches of business, the same as they have done in Manila.” Which would be a tragedy because “Their immorality is of the most iniquitous character.”[3] Like Brewer, Davis cites moral reasons to discriminate against the Chinese, but he also asserts that if the Chinese remain they will take over economically. This scare tactic is cited by many of the authors for the desire of people to exclude the

Another occasion Nguyen acknowledges the fact that not only was she choosing between her culture and a foreign culture, but instead she was trying to fit into all of them at once, and she was failing miserably at it. Nguyen displays throughout the memoir that she had a fair amount of exposure to Mexican due to Rosa, her step-mom. Nguyen confesses to the readers “it was too much for me to synthesize white American culture, Mexican American culture, and my own Vietnamese culture all at the same time… in wanting to belong everywhere I ended up belonging nowhere at all” (Nguyen 176). This statement is in itself evidence of how dangerous it can be for some people to choose between cultures. Nguyen also mentions that she doesn’t know how to convey

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

In this essay I am going to examine examples of multiculturalism and polyculturalism from the novel “I Hotel” by Karen Tei Yamashita. For the examples I choose I am going to explain why and how these are examples of multiculturalism or polyculturalism. Also, I am goint to explain how the novel presents a new form of identification and how the examples of polyculturalism are related to such a new form of identification. I Hotel: A Novel, consists of ten novellas. Each novella introduces interesting stories of various social and ethnic movements, comprised of diverse participants, such as Asian Americans, African Americans, Native Americans, Latino Americans, Russian immigrants, college students, factory workers, intellectuals, etc., which orbit around a shelter in San Francisco for new immigrants and low income working class people of color, called the I Hotel. Based on then years of research and over 100 interviews with real people who were involved in the multi ethnic political movements, Yamashita seeks to illustrate people’s struggles to create strong political grounds for “hyphenated Americans,” as well as their frustrations toward the bureaucratization of ethnic identification as a tool for dividing people. In particular, Yamashita represents this period of civil rights movements as linked to the critiques of capitalism and solidarity along class lines, instead of focusing only on the cultural heritage of race and ethnicity. Now let start defining what is