The Devil In The White City: An Analysis

Daniel Burnham had to overcome many manmade and natural obstacles in building the World’s Fair. The most important obstacle Burnham had to overcome was time. He was only given three years to build the World’s Fair. Daniel Burnham hired four

     The Fair, with its mix of East and West and everything in between, became a microcosm of the country that was building it. In it, you see all the conflicts that were going on in the country at the time. Probably the most obvious is the labor that built the fair. At this point in history, the working class of the country, and indeed the world, were slowly, but unstoppably moving toward unionization, fairer working conditions and change that is very much the same as the working class of today. You also saw the unchecked, without government regulated capitalism, and the very strong personalities of the men who ran the fair. In my opinion, it was the personalities of the leaders of the fair, as much as anything, that resulted in its amazing pace and scale of construction being pulled off. Burnham is a

Throughout parts I and II of the novel, Larson switches between the plotline of Burnham and the plotline of Holmes. The 1893 Chicago World’s Fair is introduced in chapter two. In this chapter we are also given more

Holmes feels that Anna is suspicious of him so he shows her of the city of Chicago and gets rid of her suspicions. Burnham continues to design the fair others believe that the model of the building isn’t good enough. Holmes is happy with how the world's fair is bringing many crowds of people because it’s giving him victims. Part 3.Ch

The Columbian World’s Exposition of 1893 marked an important time in American history. The overall fame of the World’s Columbian Exposition, or also known as the Chicago World’s Fair, is in large part due to the spread of ideas and inventions that originated at the fair itself. The novel, The Devil in the White City by Erik Larson, depicts a clear portrait of the fair’s impact in the time leading up to, during, and after the exposition. The fair established itself as a metaphorical historical monument, in the way that it honored the past and served as a memorial to Columbus, and the way that it impacted future societies and events. The fair began as a show of superiority on part of American society, over all other countries, like France or England. Regarding competition, the fair sought to “Out-Eiffel” Gustave Eiffel, architect of the Eiffel Tower, for architecture, and to outclass the rest of the world in all other fields. The fair also served to foreshadow the growing powers of America both intellectually and militarily; the spirit and ideas shown at the fair showed the emergence of intellectual superiority that would only serve as a sample of the achievements of society that were yet to come. The intellectual productions of the fair can be attributed to the architectural firm coordinating the event, Burnham and Root. The firm was headed by Daniel Burnham and John Root, both accredited as the brightest in their field. Under their management, the Chicago World’s Fair

The constant comparison between good and evil in The Devil in the White City shows the reader that the affiliation of evil with good is inevitable. In ¨Evils Imminent¨ Larson divulges that evil is everywhere. Although Holmes a murderer, and Burnham a world renowned architect, both share many qualities and passion in their profession. Their main difference is their reason for their drive, Burnham works for the greater good and Holmes working to fulfill his need to kill. Erik Larsen's main purpose in The Devil in the White City is to reveal the conflict between good and evil is inevitable through the comparison of Daniel Burnham, a lofty successful architect, and Henry H. Holmes, a greedy scheming

Furthermore, Burnham has the passion to succeed in architecture in hopes of building the White City. “He found his calling, he wrote in 1868, and told his parents he wanted to become the ‘greatest architect in the city or country’ ”(Larson 19). Burnham has a dream to be the best, and he uses his passion for a respectable cause. Through his architectural capabilities, creativity, and innovation, he is able to affect millions of people that attend the fair and the ones who do not. As he begins to take his blueprints and put them into reality, he gives hope and inspiration to all Americans during a time of depression. Burnham uses his unique ingenuity to make the unrealistic White City that is unlike anything America has ever seen, and he shows his originality to as many people as possible. As Burnham oversees and creates the new White city, he develops a new,

The Magic of Mister Daniel Burnham would be the tool that would be behind the greatest fair that Chicago has even seen in the history of its city. Daniel Burnham was forty-three years old at the time he would receive news that Chicago would be the site of the fair, and he worked as an architect in Chicago. He was one of the best architects in Chicago because he and James Root were the first to design the towering building that would make cities build upwards, the skyscraper. That high achievement was would test Daniel Burnham and James Root even more so because of the fair that they were tasked to construct and build up eventually. The

The motives of a person reflect who they are. In the book, Burnham had a goal to make the Chicago World’s Fair the best it could be. One way he did this was by noticing the need for a clean water supply. He believed “that the fair’s workers and visitors needed a better, safer supply [of water]” (138). This action made the exhibition a greater success and more appealing. Burnham also chose to use Westinghouse electricity to illuminate the White City better than the previous arc lights could. His actions were meant to help the country as a whole. Erik Larson showed how there are people who strive to use their

The Devil in the White City reads, “As word spread that a young, handsome, and apparently unmarried doctor now stood behind the counter, an increasing number of single women in their twenties began to patronize the store”(Larson 46). You can’t build a log cabin without wood, and you can’t be a serial killer without victims. Victims are an essential part to the art of murder. As a result, he had a plentiful picking because he was “young, handsome and apparently unmarried”.  These attributes make Holmes a very charismatic person. While Holmes was being escorted to his death, the novel reads, “This was a difficult moment for his guards. They liked Holmes. They knew he was a killer, but he was a charming killer”(Larson 386). Even though the guards knew Holmes was a despicable person, they still liked him and found him “charming”. His charisma was such a potent attribute, even if people knew the real him...as seen in the text….they stilled “liked him”. They knew he had murdered innocent women and children, but still founded him “charming”. As can be concluded from the examples, Holmes’s charisma served him well in becoming a long time anonymous perpetrator.

The theme of appearance vs reality is prominent throughout The Devil in the White City. The novel was written in 2 storylines; one for the protagonist, Daniel Burnham, and another for the antagonist, Dr. H. H. Holmes. During the 1800’s, Burnham and his partner Root were promising, young architects trying to make a living for themselves in Chicago. On the other hand, Holmes was a conniving murderer who had traveled throughout the east before seemingly settling down in Chicago. When the prospect of the World Fair arose in Chicago, both men saw this as a huge opportunity. Burnham became a considerable leader, builder, and organizer of the fair; at the same time, Holmes used the fair to attract victims. Larson portrayed both men as having

The Devil in the White City Throughout the book “The Devil in The White City” Larson creates a lot of suspense and conflicts in different manners, realism and naturalism are one of the biggest ones. You can see this clearly when The Great Chicago Fire took place, the fire at the fair, the soil in Jackson park and the destruction that happened there while building the fair, and of course just men versus normal everyday things. This keep the reader wanting to know what happens in the end. People take for granted nature, no one really thinks “oh no I cut a tree down now nature will come back for revenge” but think, what if nature could do that.

The attachment “Murder, magic, and madness at the fair that changed america” to the title hardly does the novel justice. Erik Larson’s The Devil in the White City, a nonfiction novel that surrounds the 1893 Chicago World’s Fair, also known as The World’s Columbian Exposition. The novel follows the lives of two real men, Daniel Burnham, the architect who builds the 1893 Chicago World's Fair and H.H. Holmes, the serial killer who exploits the fair to find his victims. Many new inventions were introduced at the fair, such as Juicy Fruit gum, the Ferris Wheel, and many other novel ideas that impacted the lives of many people for generations. The beautiful fair Burnham creates provides the perfect distraction and lure for Holmes’ activities. In his novel The Devil in the White City, Erik Larson suggests that good and evil coexist in the world by using charged language, imagery and juxtaposition to show although people view the fair as a perfect dreamland immune to evil, it still lurks outside in the dark, influencing the rest of the world.

Tucker Max’s famous words state that “the devil doesn’t come dressed in a red cape and pointy horns. He comes as everything you’ve ever wished for.” H. H. Holmes, a main character in Erik Larson’s 2003 novel titled “The Devil in the White City,” exemplifies Max’s statement. This novel recreates the lives of Daniel Burnham, the architect of the 1893 Chicago World’s Fair, and H. H. Holmes, the mastermind serial killer who takes advantage of the fair to find his victims. Larson demonstrates the contesting forces of good and evil within the World’s Fair among his use of figurative language, allusion, and imagery to emphasize that evil can lurk in the shadows as well as in plain sight.

The book The Devil In the White City by Erik Larson re-tells the story of Chicago’s World Fair, while H.H. Holmes, also known as “America’s first serial killer”, emerges as a dark force within the fair. Switching back and forth between the experiences of the head fair administrator, Burnham, and the other directors along with the evils of Holmes, the reader begins to understand the world of tragedy and crime that lies behind the public’s excitement. From a devastating storm to the deaths of multiple builders, suspense builds as tragedy is followed by more tragedy. Through the use of contrasting ideas and ethical clauses highlighted by symbolisms and descriptions within the book, Erik Larson creates an underlying argument that one’s pursuit of pride and success often causes destruction and comes at the price of another’s well-being.