The Devil In The White City Analysis

Using descriptive diction such as “eerie” and “swamp” readers can imagine an unpleasant city rustling with filth and crime. Larson exposes that Chicago had “auras of mosquitoes” in its midst. Readers automatically see Chicago as a filthy and troublesome town when they associate it with mosquitoes. This view of Chicago created by Larson further achieves his purpose to show the downside of Chicago during the time the World Fair was being constructed and attended. When the World Fair was finished, Larson described the nights, “the lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted” (254). Larson says the lamps “laced” the walkways in the white city which allows readers to picture the city in a whimsical way. The feeling of the word “laced” sits with readers in a positive way. Thus, Larson can achieve the purpose of forcing readers to see the white city in a luxurious fashion. Also, Larson mentions that the lighting was “elaborate.” Readers see the white city as a sophisticated and lavish place rather than how they see the black city. Larson again is able to persuade readers into believing the magic of the white city. Larson calls upon imagery to construct the two sides of Chicago.

Devil in the White City written by Erik Larson is a true story based on the building of the most important fair in the United States of America, the 1893 Columbian Exposition World’s Fair in Chicago. Erik Larson also told the story of the psychopathic murderer; H.H. Holmes used his World’s Fair Hotel as an evil castle to lure in young women who came to see the fair. The story starts off with Larson describing that Chicago won the Congressional vote to host the World’s Fair and beat out its competition New York City. In only two short years, the White City was built. The fair brought in an estimated 40 million visitors in the only six months it was open. Daniel Burnham was the chief architect of the World’s Fair. Burnham had the staggering

Larson’s use of charged language exemplifies the coinciding good and evil in the world, especially the fair, at that time. Americans at the time describe the fair as an “inexhaustible dream of beauty” (252) which assures them that nothing evil can happen while such a monumental event in American history occurs. Larson’s word choice of “dream” and “beauty” expose to the reader that the grandeur of the fair blinds the people to the fact that

Throughout parts I and II of the novel, Larson switches between the plotline of Burnham and the plotline of Holmes. The 1893 Chicago World’s Fair is introduced in chapter two. In this chapter we are also given more

In Erik Larson’s essay, The Devil in the White City, (2003), he investigates the way that Holmes used the World fair to lure in his victims. Erik larson establishes his ideas by developing the main characters in separate plots. Larson explains how the World Fair ended up in Chicago and how it was constructed and designed, in order to connect the fair to Holmes and show how he used it to lure in his victims. This novel was intended for anybody interested in a historic crime depicted in a narrative based mystery, and its intense, optimistic tone helps the audience picture the suspense before and during the fair. This essay is going to analyze how Erik Larson used a description of blue eyes to create a theme, and develop the two main characters.

From the beginning, Larson uses methods of comparing and contrasting to create a juxtaposition between the beauty of the fair and the problems it causes. This becomes apparent due to the continuous tone shifts moving from an objective re-telling of events to eerie descriptions of devastation and violence. One example is the chapter “Night Is The Magician” when compared to the chapter “Storm and Fire”; the first alluringly describes the fair stating that it was “beautifully unlike” anything visitors were used to seeing. While the other chapter describes the fire that broke out at the fair and resulted in the deaths of several firemen present. The difference between the tone used in these chapters effectively highlights not only Larson’s argument, but also the large gap between what the public experienced and the distress experienced by those running the fair. Along with changes in tone, diction with conflicting connotations furthers the duality of the book. In times of success the author uses words with a more lively connotations such as “otherworldly” or “majesty”, while other chapters seem very hopeless due to diction like “degradation” or “wobbling”. His use of alternating story lines contributes by giving readers a look into Holmes’ vicious methods of killing, while continuing to provide a more detached look at Burnham, Root, and Olmsted’s deterioration as they become inundated

Larson’s, The Devil in the White City, recounts a defining time period for America. Larson sheds light on the ageless conflict: Good v.s. Evil, as he recounts the events that took place at the fair that changed America. With America falling behind in global dominances and its need to strive, Daniel Burnham tries to successfully construct the Chicago World's fair and hopes it will spark the turn of the century. As Burnham tries to builds up the White City, and while H. H. Holmes flourished in the dominant Black City, Larson takes the reader on a tour of both cities. As Holmes lives in the shadows of the Black City, he successfully murders many people without any suspicion. Holmes’s ability to manipulate, his charisma, and his bravado marks

When acknowledging the turnout of Chicago’s fair, Larson uses figurative language to demonstrate the contesting forces of good and evil and to examine the extent to which Chicago stretched the fair’s potential. Larson writes, “Chicago has disappointed her enemies and astonished the world” (30). Larson uses personification when he says that “Chicago has disappointed her enemies…” and is giving Chicago a human behavior. This strategy emits a positive connotation to the reader . The use of figurative language makes the reader look at Chicago as having achieved a great honor by hosting the fair. It also shows that Chicago can create something so miraculous in a time of such hardship and need for ingenuity and amidst the evil waiting within the shadows of the White City. When describing the tension in the top floor of the Rookery while the architects were revealing their drawings for the fair, Larson writes “As the light began to fade, the architects lit the library’s gas jets, which hissed like mildly perturbed cats” (115) and he uses figurative language to help the reader grasp the importance and anticipation of this moment. By comparing the library’s gas jets to “mildly perturbed cats,” the reader gains a sense of agitation, anticipation, and the anxiety that the architects were feeling in that moment. Larson creates a negative and rather comforting connotation by using this simile to describe the room’s tension. The way that Larson describes this moment leads the reader to imagine it to be

In the novel, The Devil in The White City, the author, Erik Larson, utilizes a back and forth organizational pattern between the two main characters, Daniel H. Burnham and H.H. Holmes. It showed how their lives contributed to the 1893 Chicago World’s Fair. Larson began the novel where the story actually ends in 1912 on the Olympic, a sister ship of the Titanic. The character, Burnham, waits for a response from his initial message to his friend Millet, aboard the Titanic. What Burnham doesn’t know at that time, is that the Titanic sunk and his friend Millet is dead. This is the point to which the story begins. Burnham flashes back to the building of the World’s fair while waiting for his friend’s response.

The Columbian World’s Exposition of 1893 marked an important time in American history. The overall fame of the World’s Columbian Exposition, or also known as the Chicago World’s Fair, is in large part due to the spread of ideas and inventions that originated at the fair itself. The novel, The Devil in the White City by Erik Larson, depicts a clear portrait of the fair’s impact in the time leading up to, during, and after the exposition. The fair established itself as a metaphorical historical monument, in the way that it honored the past and served as a memorial to Columbus, and the way that it impacted future societies and events. The fair began as a show of superiority on part of American society, over all other countries, like France or England. Regarding competition, the fair sought to “Out-Eiffel” Gustave Eiffel, architect of the Eiffel Tower, for architecture, and to outclass the rest of the world in all other fields. The fair also served to foreshadow the growing powers of America both intellectually and militarily; the spirit and ideas shown at the fair showed the emergence of intellectual superiority that would only serve as a sample of the achievements of society that were yet to come. The intellectual productions of the fair can be attributed to the architectural firm coordinating the event, Burnham and Root. The firm was headed by Daniel Burnham and John Root, both accredited as the brightest in their field. Under their management, the Chicago World’s Fair

Although it faced many obstacles in construction, time, and many other aspects, the Chicago World’s fair was immensely successful and served as a great boast of American pride. The Devil in the White City by Erik Larson is a nonfiction novel, taking place during the building of the Chicago World’s Fair in 1893, also known as The World’s Columbian Exposition. Each chapter of the novel alternates to show the lives of the two real men during this time: the main architect of the fair, Daniel Burnham, and the charming behind the scenes serial killer, H. H. Holmes. In The Devil in the White City, Erik Larson effectively utilizes juxtaposition between “the Black City” and “the White City,” metaphorical figurative language, and detailed imagery in order to portray the dreamlike qualities of the White City.

Write an essay discussing the historical insights presented in Erik Larson’s Devil in the White City, being sure to answer the following questions: In what ways does the Chicago World’s Fair of 1893 represent the contrasts and conflicts of the Gilded Age? What is the Fair’s lasting imprint on American society & culture, & what new trends does it signal for the twentieth century?

The thought of Chicago hosting the world’s fair would be daunting at first, but it could turn around the reputation of Chicago from one of a city of gloom and darkness, to one of a city of light and progress from the Great Chicago fire of 1871, and that city would be fascinating for years to come. Chicago would get an economic shot in the arm from the revenue that it would get from hosting the 1893 World Fair and it would make Chicago into a great city of America. The event and also the transformation that would happen to the city of Chicago would not have happened if it would not be for one great man who had taken up the challenge to make sure to host this 1893 World fair.

Erik Larson states, “The juxtaposition of pride and unfathomed evil struck [him] as offering powerful insights into the nature of men and their ambitions.” This quote relates to the premise of his book The Devil in the White City, which tells two different stories based around a central theme of the World’s Fair in Chicago in 1893. One tells of the adventures and horrors that came with being the important figures behind the production of something as great as the exposition. The story focuses mainly on the architects, and even closer on the man who became the official leader of it all, Daniel Burnham. Intricately woven into the tale of the building of the fair is a story that is powerfully more

Larson’s purpose of writing this book is shown through a clear design within the book’s texts. “…this book is about the evanesce of life…ineluctable conflict between…the White City and the Black.” He shows through the continual shifting of perspectives between Burnham and Holmes. Burnham says this, at the beginning of the fair’s construction, “1893 will be the third great date in our country’s history.” Burnham represents the good and the white city. But then Larson flips a switch showing the dark side of Chicago through Holmes. “Jack the Ripper became the embodiment, forever, of pure evil...devoured these reports from abroad but none with so much intensity as Dr. H. H. Holmes.” Larson used this comparison to build up the readers sense of how deviant Holmes really was which he originally hid with artificial