The Devil In The White City Figurative Language

Devil in the White City written by Erik Larson is a true story based on the building of the most important fair in the United States of America, the 1893 Columbian Exposition World’s Fair in Chicago. Erik Larson also told the story of the psychopathic murderer; H.H. Holmes used his World’s Fair Hotel as an evil castle to lure in young women who came to see the fair. The story starts off with Larson describing that Chicago won the Congressional vote to host the World’s Fair and beat out its competition New York City. In only two short years, the White City was built. The fair brought in an estimated 40 million visitors in the only six months it was open. Daniel Burnham was the chief architect of the World’s Fair. Burnham had the staggering

The 1893 Chicago World’s Fair, more formally known as the Columbian Exposition, was a fair constructed to celebrate Columbus’ arrival in the New World. Chicago was known as the White City, but did not appear as pure and spotless as its name suggested. For instance, there were many ways one could get killed. “Fire took a dozen lives a day...There was diphtheria, typhus, cholera, influenza. And there was murder.” (Larson 12). These unstoppable causes of death was one of the reasons Chicago’s reputation was tarnished. Furthermore, the Panic of 1893 struck and greatly affected the city of Chicago. The Panic’s effects included “financial crises”, “bankruptcy”, and “high rates of unemployment and homelessness”. (Panic of 1893). Because of the city’s economic depression, the fair would decide whether Chicago’s circumstances would improve or deteriorate. Eventually, the 1893 Chicago’s World Fair displayed what America would soon become in an industrial, military, and economic perspective.

     The Fair, with its mix of East and West and everything in between, became a microcosm of the country that was building it. In it, you see all the conflicts that were going on in the country at the time. Probably the most obvious is the labor that built the fair. At this point in history, the working class of the country, and indeed the world, were slowly, but unstoppably moving toward unionization, fairer working conditions and change that is very much the same as the working class of today. You also saw the unchecked, without government regulated capitalism, and the very strong personalities of the men who ran the fair. In my opinion, it was the personalities of the leaders of the fair, as much as anything, that resulted in its amazing pace and scale of construction being pulled off. Burnham is a

How can two people be so different, yet so similar? The World’s Columbian Exposition was a major event in the 19th century. The fair was something that’s never been done before in history triumphing the famous Eiffel Tower. As spectacular as the fair was there were murders being committed without any signs of slowing down. The Devil in the White City tells a story between the architect Daniel Burnham and the infamous serial killer H.H. Holmes. Erik Larson uses imagery, diction, and comparisons to characterize and show how similar their traits and goals were during this time.

Throughout parts I and II of the novel, Larson switches between the plotline of Burnham and the plotline of Holmes. The 1893 Chicago World’s Fair is introduced in chapter two. In this chapter we are also given more

The thought of Chicago hosting the world’s fair would be daunting at first, but it could turn around the reputation of Chicago from one of a city of gloom and darkness, to one of a city of light and progress from the Great Chicago fire of 1871, and that city would be fascinating for years to come. Chicago would get an economic shot in the arm from the revenue that it would get from hosting the 1893 World Fair and it would make Chicago into a great city of America. The event and also the transformation that would happen to the city of Chicago would not have happened if it would not be for one great man who had taken up the challenge to make sure to host this 1893 World fair.

White’s displeased attitude towards the fair is certainly felt on page 145 when he states, “The voice of Mr. Kaltenborn in the City of Man says, ‘They come with joyous song,’ but the truth is there is very little joyous song in the Fair grounds. There is a great deal of electrically transmitted joy, but very little spontaneous joy. Tomorrow’s music, I noticed, came mostly from Yesterday’s singer. In fact, if Mr. Whalen wants a suggestion from me as to how to improve his show and I am reasonably confident he doesn’t), it would be to snip a few wires, hire a couple of bands, and hand out ticklers.” In this statement one can see that White feels that people are losing their connection to the simple and beautiful things in life. Instead people are focusing on what they want to make them happy and not the pleasure that can come with what they have. Lastly towards the end of this essay White states,” My own memory of the Fair, like David’s, has begun to dim. From so much culture, from so much concentrated beauty and progress, one can retain only a fragment. I remember the trees at night, shivering in their burlap undershirts, the eerie shadows clinging to the wrong side of their branches.” Most people would overlook the details embedded in nature that White has

The motives of a person reflect who they are. In the book, Burnham had a goal to make the Chicago World’s Fair the best it could be. One way he did this was by noticing the need for a clean water supply. He believed “that the fair’s workers and visitors needed a better, safer supply [of water]” (138). This action made the exhibition a greater success and more appealing. Burnham also chose to use Westinghouse electricity to illuminate the White City better than the previous arc lights could. His actions were meant to help the country as a whole. Erik Larson showed how there are people who strive to use their

The decisions of holding a world’s fair had finally officially announced to public. The colorful flyers and the significant graffiti were posted around in Seattle. People were excitingly held the flyers and keenly waiting for the count down of Alaska- Yukon- Pacific exposition started. There were different designs of the flyers. The one

Larson’s, The Devil in the White City, recounts a defining time period for America. Larson sheds light on the ageless conflict: Good v.s. Evil, as he recounts the events that took place at the fair that changed America. With America falling behind in global dominances and its need to strive, Daniel Burnham tries to successfully construct the Chicago World's fair and hopes it will spark the turn of the century. As Burnham tries to builds up the White City, and while H. H. Holmes flourished in the dominant Black City, Larson takes the reader on a tour of both cities. As Holmes lives in the shadows of the Black City, he successfully murders many people without any suspicion. Holmes’s ability to manipulate, his charisma, and his bravado marks

The fair is a narrative poem that explores the sensual bombardment of a travelling circus by recreating the sights, sounds, and smells visitors experience. The poem is split into two parts. The first, an atmospheric description of the thrill and excitement of the rides and the effects on the senses. Whilst the second takes a dramatic turn to the worst when a horrible fate befalls a poor young girl in a field beyond the fair.

March 31st, of 1889 marked an important day in not only France’s history, but America’s history as well. The Eiffel Tower was unveiled that day, during the Exposition Universelle in Paris, joining “the palace of machines,” and other larger than life feats of “the iron architecture [that] dominated the fair” (Expo 1889 Paris). As a nation, America was embarrassed and determined to show their dominance in the realm of iron and steel working. Thus, the idea for the Chicago’s world fair was born, giving the US “a needed opportunity to out-Eiffel Eiffel” (Larson 15). Before long, it was decided that the fair would be called “The Columbian Exposition”, honoring the 400th anniversary of Columbus’s sail across the Atlantic. During its six months of operation the fair was an unequivocal success and “had a powerful and lasting impact on the nation's psyche” politically, socially, and economically (Larson 373). Consequently, despite having certain economic implications, the 1893 Chicago World's Fair, to a large extent, was an event that both influenced millions and acted as a transitional period for America in several different manners.

Larson’s use of charged language exemplifies the coinciding good and evil in the world, especially the fair, at that time. Americans at the time describe the fair as an “inexhaustible dream of beauty” (252) which assures them that nothing evil can happen while such a monumental event in American history occurs. Larson’s word choice of “dream” and “beauty” expose to the reader that the grandeur of the fair blinds the people to the fact that

When acknowledging the turnout of Chicago’s fair, Larson uses figurative language to demonstrate the contesting forces of good and evil and to examine the extent to which Chicago stretched the fair’s potential. Larson writes, “Chicago has disappointed her enemies and astonished the world” (30). Larson uses personification when he says that “Chicago has disappointed her enemies…” and is giving Chicago a human behavior. This strategy emits a positive connotation to the reader . The use of figurative language makes the reader look at Chicago as having achieved a great honor by hosting the fair. It also shows that Chicago can create something so miraculous in a time of such hardship and need for ingenuity and amidst the evil waiting within the shadows of the White City. When describing the tension in the top floor of the Rookery while the architects were revealing their drawings for the fair, Larson writes “As the light began to fade, the architects lit the library’s gas jets, which hissed like mildly perturbed cats” (115) and he uses figurative language to help the reader grasp the importance and anticipation of this moment. By comparing the library’s gas jets to “mildly perturbed cats,” the reader gains a sense of agitation, anticipation, and the anxiety that the architects were feeling in that moment. Larson creates a negative and rather comforting connotation by using this simile to describe the room’s tension. The way that Larson describes this moment leads the reader to imagine it to be

From the beginning, Larson uses methods of comparing and contrasting to create a juxtaposition between the beauty of the fair and the problems it causes. This becomes apparent due to the continuous tone shifts moving from an objective re-telling of events to eerie descriptions of devastation and violence. One example is the chapter “Night Is The Magician” when compared to the chapter “Storm and Fire”; the first alluringly describes the fair stating that it was “beautifully unlike” anything visitors were used to seeing. While the other chapter describes the fire that broke out at the fair and resulted in the deaths of several firemen present. The difference between the tone used in these chapters effectively highlights not only Larson’s argument, but also the large gap between what the public experienced and the distress experienced by those running the fair. Along with changes in tone, diction with conflicting connotations furthers the duality of the book. In times of success the author uses words with a more lively connotations such as “otherworldly” or “majesty”, while other chapters seem very hopeless due to diction like “degradation” or “wobbling”. His use of alternating story lines contributes by giving readers a look into Holmes’ vicious methods of killing, while continuing to provide a more detached look at Burnham, Root, and Olmsted’s deterioration as they become inundated