The Diary Of Lady Murasaki

In her novel, When the Emperor was Divine, Julie Otsuka develops the concepts of memory and identity as they applied to Japanese Americans 70 years ago. Before WWII, the featured family saw themselves as American rather than Japanese. Three years of internment later, they are not so sure. Their heritage, an aspect of their identity once only present in their heirlooms and the food they ate, had been perverted by society into a monstrosity malicious enough to justify their mass incarceration. The disparity between the life they once lived and the life the life they lived in the camps leaves them hollow, shells of their former selves, even when they finally return home. Thus, with her skillful incorporation of motifs of darkness and

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

People sometimes have tough ordeals. Some may act negatively toward the problem, but the people that act positively toward the problem are able to see hope in places where they wouldn’t expect it to be in. People have been through cruelty, yet they continue to stay positive. People still have the positivity to cling onto their last hope, or even continue to think positively when there is no hope at all. People like Anne Frank, in Anne Frank: The Diary of a Young Girl, continue to stay positive throughout the horrible ordeals that have happened. Some of the Japanese in Dear Miss Breed: True Stories of the Japanese American Incarceration During World War II and a Librarian Who Made a Difference have continued to stay hopeful while in internment

In Buddhism, the three marks of existence are three characteristics of all existence and beings. And they are impermanence, suffering and non-self. Impermanence doctrine is one of the foundational premises of Buddhism, which asserts that all physical and mental events are not metaphysically real, that they are not constant or permanent, they come into being and dissolve. Therefore, Buddhism declares that in this world there is nothing that is fixed and permanent. Everything is subject to change and alteration.

Marc Rosenbush’s film, Zen Noir (2004), is at first glance a film thoroughly ensconced in the themes of Zen Buddhism. Set in a dark and brooding film noir atmosphere, the film depicts the story of a deeply troubled detective, at the end of his rope, who finds himself at a Zen monastery in order to solve a murder. But once there, he realizes that things are not quite what they seem to be. As the film unfolds, we find that the world Rosenbush has created for us is wildly symbolic, and it becomes clear that the monastery is a symbol of the detective’s psyche and that he was not investigating a murder, but his own fear of death and loss. If this introspective, psychological element of the film is recognized, the Buddhist themes of the film become conflated with allegories of navigating the Western psyche. It is the contention of this paper that when the psychological themes of this film are investigated, we will find that the alleged Buddhist theme of enlightenment in the film must compete with a symbolic depiction of Jungian individuation.

In Giles Milton’s novel, Samurai William, the reader is taken to the other side of the globe to experience the history of old world Japan. Though out the book, Milton provides reason for complex historical events and actions, while still communicating the subtleties and mysterious customs of the Japanese. The novel also closely examines the wide range of relationships between different groups of Europeans and Asians, predominantly revolving around the protagonist, William Adams. The book documents the successes and failures that occur between the two civilizations, then links them back to either the positive or negative relationship they have. As the book goes on, the correlation is obvious. Milton shows us the extreme role that religion,

The Buddha in the Attic by Julie Otsuka provides an interesting perspective to the American experience through the eye of Japanese women around the time of World War 2. The author uses a number of unique writing techniques which originally confused me, but once accustomed created an immersive and intimate reading experience. Otsuka also inserts a number of metaphors and symbols throughout the novel with various possibilities for explanation depending on the opinion of the reader.

In The Heart of Understanding, Thich Nhat Hanh’s uses simple but powerful words and real world examples to illustrate the profound Buddhist philosophy from the Prajnaparamita Heart Sutra, an important representative of Mahayana Buddhist literature. The Mahayana school of Buddhist teachings emphasizes the doctrine of Sunyata- emptiness. The doctrine of emptiness, one of the most important Mahayana innovations, focuses on the relational aspect of existence. Thich Nhat Hanh coins and introduces a new word- interbeing to explain the state of emptiness. This idea of interbeing not only illustrates emptiness well but also provides understanding of other fundamental Buddhist ideas such as No-Self, impermanence and non-duality.

This piece represents the very tenets of Buddhism at its most extreme. Those that wish to evade the suffering of the human existence should remove themselves from the materialism of it to the fullest extent possible. This is one of the

Now twenty-one years of age, Ona had long ago mastered the art of dodging advances from gentleman callers to the president’s house. Men who often took every opportunity they could to behave in ungentlemanly ways toward her. Her most successful strategy was to keep close to Miss Nelly. When that was not possible she endeavored to never be caught alone in corners. With men who were frequent guests, she knew who to steer clear of, but there were often new callers she had no knowledge of. Some of them abused the General’s generosity with his liquor.

The author who brought to us The Tale of Genji, a novel now regarded as the first written novel in history, left behind an arguably more treasurable artifact: a diary that opens a window into history. The Diary of Lady Murasaki by Lady Murasaki Shikibu gives the reader a glimpse of the imperial court during eleventh century Japan and presents the past in an illuminated vision. Being an attendant in the imperial court, Lady Murasaki is frequently involved with the activities of elite Japanese women. Her day-to-day interaction with the nobles and elites enhance her account with the curious perspective of an elite female. As a woman, Lady Murasaki's descriptions are oriented around clothing

Nō drama plays an important role in Japanese literature. It was an important entertainment in the old days. It also was significant in reflecting the Buddhist view of existence.1 Most of the Nō dramas were written according to popular novels or prose works. In this essay, I would like to introduce two Nō dramas, Atsumori and Nonomiya, as well as the respective sources references.

Buddhist religion comes from the 5th century, and emphasizes the importance of an open and focused mind. One of the core beliefs of Buddhism is that the judgement of another person is often due to deflection of one’s own moral weakness and failings. Traditional Noh playwright Zeami Motokiyo, uses this moral as a theme in his Noh play Atsumori. He exploits the downfall of a priest’s judgement of those society sees as lesser through a social inversion of the priest and grass cutters. By using traditional aspects of a Noh production, in combination with western production aspects Atsumori explores the theme of judgement.

They are the ritualization in Japanese culture, women’s implicit expression of love, women’s hierarchy in 18th Japan, and how the landscape of Japan influences the prosperity of Geisha culture.

It is no secret that for centuries, the Japanese woman has been, to most observers, a model of elegance and graceful beauty. A picture of a kimono-clad, modest, and often silent woman has been plastered everywhere, allowing for the upmost passive subjection. If we look deeper into this image of woman, can we tell if this picture is complete? How do these women painted in representative images far in the modern world? The ideal woman in Japan is expected to be both a good wife, and a wise mother. Though these seem like reasonable expectations, there is a much deeper meaning to them that has shown signs of being outdated. During the 1800’s and 1900’s, women were subjected to society’s vision of them, and could not break free for fear of the