The Dichotomy And Duality Of Suicide In Shakespeare's Hamlet

William Shakespeare’s “Hamlet” is a play illustrating a prince seeking revenge for his father tragic death. Hamlet, the prince, is left clueless about who has killed his father until some night watcher gives him some news about a ghost that looks like his dead father. Hamlet decides to go see the ghost for himself and is shocked with what the ghost has said to him. The murder of his father was not an accidental snake bite, but instead Hamlet’s father was the murdered by his uncle, Claudius, the new king of Denmark. Hamlet becomes angry at Claudius for killing his father and is also angry at his mother, Gertrude, for betraying his father and marrying Claudius. Hamlet begins to act insane because he wants to distract the people around him so he can avenge his father’s death.

Hamlet’s inability to act upon his emotions begins in the wake of his father’s death and his mother’s instantaneous/hasty marriage to Claudius. Criticized for his prolonged mourning of his late father and insistence from his mother to move on, Hamlet must momentarily seize publicly grieving for his father and in a lengthy expression of torment, contemplates suicide as he agonizes over the dreads of life and the reality that “[he] must hold [his] tongue,” in regards to his mourning (1.2.164). For the sake of his mother’s request, Hamlet anguishes over having to refrain from speaking of his grief, only to deliver a prolonged speech of his woes of mourning. While everyone in the kingdom of Denmark embraces the new king,

17. When Catherine Earnshaw returns to Wuthering Heights, she is more dignified, well-behaved, and dresses better. She is altogether more refined.

Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.

In two of his soliloquies, Hamlet questions whether life is worth living. With characteristic ambiguity and indecision, he wavers as he considers both the Christian and the classical perspectives on suicide. Much of the debate surrounding Shakespeare’s treatment of suicide in Hamlet develops from interpretations of those soliloquies. Focusing primarily on his most famous soliloquy at the start of act three, much critical debate has arisen over the subject of his ruminations, whether on suicide or revenge, as critics draw parallels of development in what is seen as the oppositional thematic relationship between self-murder and murder of the king. Although Hamlet’s spiritual conscience and his

While it is true that Prince Hamlet is grieving the loss of his father, his actions and thoughts indicate that his sadness is not the primary motivator behind his behavior. His strong rage and uncertainty, particularly toward his mother and uncle, indicate that there may be deeper psychological disorders at play in addition to grief. Furthermore, his drive for seeking revenge for his father's death extends beyond the ordinary grieving process, implying that his actions may be motivated by anything other than grief. While mourning may be part of his mental condition, it is apparent that other circumstances are also impacting his actions. While Prince Hamlet is grieving the loss of his father, his actions and thoughts show that his sadness is not the fundamental motive for his behavior.

It is clear that the death of his father and his mother 's remarriage has taken an enormous mental toll on him and that he desires death to free himself of the burden laid upon him by the ghost. He romanticizes it, saying that suicide is the brave and courageous option akin to “[taking] arms” against troubles. However, he can’t commit to the idea of death, saying “To sleep, perchance to dream: ay, there’s the rub / For in that sleep of death what dreams may come” (III, i, 66-67). He craves death, which would allow him to escape all the “natural shock / that flesh is heir to” (III, i, 63-64) but the more he ponders it, the further he is from reaching a decision. Ironically, the argument within his mind about how he should free himself of the ghostly burden — murder, or death — is impeding him from carrying out any action on it. At the end of his most famous soliloquy, Hamlet hasn’t made any decisive choice and therefore is in limbo regarding death due to his overarching rationale. His inaction proves “[his] endless reasoning and hesitation and the way in which the energy of his resolutions evaporates in self-reproaches” (Morgan 259). Moreover, Hamlet tackles the decision of interpreting what is real and what is false when he questions the ghost’s true nature. At first, Hamlet is certain

It is this mourning that becomes the foundation of conflicts to come. After an encounter with his father’s ghost, Hamlet learns of his uncle’s treachery and is at first filled with rage, “Haste me to know’t, that I with wings as swift, as meditation or the thoughts of love, may sweep to my revenge.” (Hamlet aside, Act I, Scene V, p.1651), but it is Hamlet’s struggle with himself that leads to not act upon his words as fast as he had clamed to.

“This above all, to thine own self be true” (Shakespeare 1.3.78). Suicide and selfhood: two issues that Hamlet ruminates on throughout Hamlet. Shakespeare reveals the connection between these two ideas through his references to Christianity throughout Hamlet. By juxtaposing characters’ treatment of suicide and murder--two equally grave sins in a world ruled by Christian morals--Shakespeare Shakespeare presents suicide as a worse sin because it represents something greater: the annihilation of the self. Shakespeare introduces suicide as a tantalizing possibility; however, Hamlet ultimately deems it to be unacceptable because of his Christianity.

Hamlet continues on and almost complains on the state of the world, calling it stale, flat, and unprofitable, showing how truly miserable he is. Hamlet considers suicide as a possible option of escape from his life in a painful world, but feels as though religion is preventing him from doing so. Hamlet then provides us with the roots for his pain and the reason for his contemplation of suicide. Hamlet is is troubled by his mothers marriage to Claudius, but especially how quickly the two were married after his father's death. He continues to express his dislike and hatred for Claudius calling him a satyr, while praising his father and saying how excellent of a king his father was. In one of the final lines of the soliloquy Hamlet comments on how the marriage is a bad omen for Denmark, "It is not, nor it cannot come to good," (I. ii. 163). For the first time we are introduced to the idea of suicide which will continue to present itself as the play develops.

again, displays how strongly he feels about these suicidal thoughts. Hamlet then talks about how he does not like his uncle for becoming king and his mother for marrying him so

There is no such thing as a perfect family but, looking at Hamlet’s family, it is as far from perfect as it can get. Soon after Hamlet’s father death, his mother remarried his uncle. Hamlet cannot express his pain and betrayal at this new arrangement. His mother remarried without considering Hamlet’s feelings with her new partner; showing the audience his mother’s heartlessness. Hamlet speaks to himself, “A little month, or ere those shoes were old with which she followed my poor father's body, like Niobe, all tears—why she, even she (O, God, a beast, that wants discourse of reason would have mourned longer!), married with my uncle, my father's brother, but no more like my father than I to Hercules” (Hamlet I.ii.147- 153).

In the infamous soliloquy, “To Be or Not To Be,” Hamlet contemplates committing suicide in order to end the pain and suffering that he is experiencing: “To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die: to sleep;” (Shakespeare) This is by far one of the most renowned quotes from Shakespeare’s Hamlet.

The death of King Hamlet effected many individuals lives to the point where great changes were made. Especially in regards to his son, Hamlet, who took the death – murder- of his father personally in both mental and emotional ways. By doing so, Hamlet portrays and experiences the death and loss of his father by acting out in manners in which magnify his isolation and alienated actions. These would include excluding and distancing himself, turning on those closest, and taking on measures one would never do so when thinking rationally or clearly.

William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action