The Difference Between Representation And Presentation

One of the strongest literary images I experienced was while reading from Of Wolves and Men by Barry Holston Lopez.While reading the story Barry Holston Lopez was describing what the wolf looked like, he said:"The wolf weighs ninety-four pounds and stands thirty inches at the shoulder. His feet are enormous, leaving prints in the mud along a creek". In my opinion, Barry Holston Lopez did an astounding job describing what the wolf looked like. One of the reasons this was so memorable was because for me it was so easy to imagine what the wolf looked like due to of how well Barry Holston Lopez explained it in such detail. This really contributed to the main idea of the text because it helped you experience the story so much

This essay will evaluate the question distinctively visual images convey distinctive experiences, Evaluating the idea that visual images give us distinct experiences and how certain experiences can change our destiny.

While women have achieved equality along with political and social independence in many ways over the past century, contemporary feminist movements continue to blossom as gender expectations and stereotypes remain deeply embedded in our culture. Today and in the past, feminist notions about the social norms that limit women's possibilities have yearned for expression and have found this through various artistic outlets. The Yellow Wallpaper by Charlotte Perkins Gilman, The Story of An Hour by Kate Chopin, and the 1944 Film Gaslight are three artistic works that relay feminist themes in a unique way. These three works differ in certain aspects, but all ultimately embody the same underlying theme of the oppression and liberation.

Since the beginning of time, artists have labored extensively to find innovative ways to convey sentiment, passion, and feeling. Telling stories and trying to unlock the minds of people through different avenues of artistic labors. Art touches and affects people in unique ways; it can have special or unusual meaning on the person depending on how one views it. Artists’ rendering of their art is interpreted in numerous ways by others who view it unless it is explained by the artist on its meaning giving a clear example of what they are portraying. Two people looking at the same painting, sculpture, portrait, or photo may come to different views on the arts meaning even though they are looking

First I will define imagery, followed by metaphors, rhythm, structure and the importance of figurative language. Imagery is associated with mental pictures but it can be more complex than just a picture. “ The Things They Carried,” Tim O’Brien tells the story of each soldier by simply describing what he carries. Users of vivid description hold the readers interest. (Crossroads, p.23). Another example would be Anton Chekhov in “ Misery”, users of abstract concept in his story such as misery and a society that doesn’t care about an individual’s pain.

“Light can be found in even the darkest of times, if only one remembers how to turn on the light” - Albus Dumbledore from J.K. Rowling’s “Harry Potter” Like J.K Rowling, Elie Wiesel and Edgar Guest use imagery to reveal how they feel about the experiences they went through.

Women’s Rights has been a point of contention for a very long time. Especially during the late 19th and 20th century, it was a seemingly unorthodox idea in a patriarchal society. This is what makes Charlotte Perkins Gilman’s The Yellow Wallpaper a feminist piece still analyzed to this day. It was a story that was arguably ahead of its time, as was Gilman, with her utopian feminist ideals. She wrote the book with some introspection of her own postpartum depression. The Yellow Wallpaper has been deemed a classic feminist literature piece due to its layers of deeper meaning, achieved through Gilman’s use of symbolism, character, and setting, construed by many to represent the struggles faced by women in the late 19th century.

Among the problematics that guide my understanding of the possibility of visual rhetorics are three. Each might be considered to exists within/bring together the nexus of history, images, and power. This nexus helps to form a framework for an economy of verbal and visual images that, in turn, might become the fabric of a visual rhetorics. The first is what I want to call the "enigma of unrepresentability." The second is that images become especially important for us when they can be read as "self-reflexive." Finally, the third, is the "ideological privileging" of the visual that renders its apparatus, quite literally, hard to "see." Let me briefly elaborate on each.

Most artists express themselves through their work: their choices of creative projects, their development of projects, and the individual inner artist as an underlying basis for their work. All artists create with pure devotion to esthetically pleasing an audience, a client, a customer or ultimately aesthetic pleasure for a viewer or listener.

In John Berger’s essay “Ways of Seeing,” he shares his view on how he feels art is seen. Mr. Berger explores how the views of people are original and how art is seen very differently. By comparing certain photographs, he goes on to let his Audience, which is represented as the academic, witness for themselves how art may come across as something specific and it can mean something completely different depending on who is studying the art. The author goes into details of why images were first used, how we used to analyze art vs how we do today, and the rarity of arts. He is able to effectively pass on his message by using the strategies of Rhetoric, which include Logos, Pathos, and Ethos.

Charlotte Gilman’s “The Yellow Wallpaper” and Kate Chopin’s “The Story of an Hour” both take place primarily in domestic spaces representative of the attitudes and feelings of each character. “The Yellow Wallpaper” tells the story of a young woman’s decent into depression and madness, commonly attributed to the excessive and unnecessary control her husband exerts over her. “The Story of an Hour” delves into the conflicted mind of a young woman after hearing the news of her husband’s death and her subsequent liberation from his constraint. Kate Chopin and Charlotte Gilman’s stories showcase the misogynistic oppression of women at the turn of the century through their depictions of domestic spaces representative of the confinement many women

Georgia Johnston will put down Freudian ideology of hysteria and psychology of women by exploring “Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’ – to show how Gilman represents meaning- of the other, the outsider, the subjugated- as nonunified, many-sided, repeating and reflecting, changing.” Johnston shows the contrast of Freudian theory, women lack in body parts, to the narrator in “The Yellow Wallpaper” is a female but a subject who expresses

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.

The first poem in the collection is called ‘Body of a Woman’ and being the opening poem, it holds the responsibility of giving the reader an overall appearance of the collection as a whole. This is because this is the first impression the reader sees when opening the book and that imprints itself into the reader’s mind. The persona of the poem is presented as possessive and dominant. This is

We will be drawing a distinction between three different account or theories：the reflective, the intentional and the constructionist approaches to representation. Most of this text will be exploring the constructionist approach with two