The Directing And The Setting

5. Terry is partly a victim of circumstance due to being around the wrong people and not being smart. He was involved with the murder of Joey, because he raced pigeons with Joey and had a connection to get him on the roof top, which Johnny took to his advantage.

The objective of the creative project is to familiarize with the aspects of mise-en-scene by means of implementing them in a practical form. The creative project two will showcase how certain degree of changes made with respect to features of mise-en-scene can bring about a differentiation in genre and scenic atmosphere without any alterations brought about in the script. Following aspects such as settings, props, décor, actors, lighting, costume, makeup, space, time, and focusing on the rules that bind these commandments together, effort will be made to bring across authenticity in describing the genres as well as in the creation of scenic atmospheres.

This paper will discuss various elements of mise-en-scene, specifically; character development, lighting, performance, costume, makeup in the film "Casablanca".(Michael Curtiz,1942) The setting of the story sets the tone for the entire film. Shots of tanks and planes show the violence of war that coincides with the cutthroat city that is Casablanca. From there, those sentiments are reinforced when a man is shot in the street while another man pick pockets someone whom is distracted. The mood of the movie stays on the dark side of things when we enter Rick's Café, where we meet our protagonist played by Humphrey Bogart. In this scene we are treated to the jaded portrayal of night club owner. We see his utter disregard for a French woman

The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals, 3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart’s focus shifts and 7)Kim Novak’s characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the reaction shots (point of view shot) which are seen through the eyes of the main character.(1st person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic (technical) film form of Vertigo makes the film much more

In the start of the film, Terry has no identity. Everyone thinks of him as a bum. He is an ex-fighter whose glory days are behind him. He is angry and relies on his tough exterior as a safety net. His identity is controlled by Johnny Friendly, known mob leader. In one of the early scenes, the audience is introduced to Terry and Johnny Friendly in a bar. Johnny Friendly is hitting some man because he tried to cheat Johnny of the money that he owed him. It is obvious that Johnny, the intimidating mob leader has much effect on Terry and everyone else. Throughout the altercation, Terry sits in the bar quietly, acting submissive to Johnny after witnessing the extend in which Johnny induces fear in people. Johnny knows of his power and reminds the other members of their place. Terry accepts his place as a yes man and doesn't dare to stand up to Johnny. His eyes are fearful of Johnny’s power and the consequences of acting against Johnny. After Joey Doyle’s death, the Waterfront Crime Commission approaches Terry to see if he knows of what happened to Joey. Terry is defensive and hard with the officers. He mentions that he has no involvement in the death. Even though Terry is reeking of guilt about setting up Joey, he doesn't tell the officers because of the fear of retaliation by Johnny. He isn't ready yet to stand up to Johnny Friendly.

Understanding movies comes from describing and analyzing the cinematic, theatrical, and literary elements that combine to create meaning. These steps create a basic understanding of the artistic and technical elements found in moviemaking. In addition, the major characteristics of different film genres and classic movies will be analyzed. The purpose of this paper is analyzing the Academy Award winning film Chicago. This paper will describe the six steps that a person should think about when watching a movie. These steps include, (1) analysis of the narrative: story, plot and meaning; (2) theatrical elements, (3) cinematography, (4) editing, (5) sound and the (6) complete package.

Bart Layton built this doc not from one perspective, but from a collection of them. Some stories, like “The Imposter” need a panoptic approach to connect the audience to the film. The themes of manipulation, identity and love are the main themes conveyed by Layton. These themes are communicated through sounds and visual imagery.

On the Waterfront is a film directed by Elia Kazan which illustrate the difficulties that the protagonist, Terry Malloy, has struggled in the early period of 1950s. Terry Malloy was a former prize-fighter who was bought up in a dark and brutal world of men. Since his career has ruined by the corrupted union which was controlled by Johnny Friendly, Terry was being recognized as a ‘bum’ within both the longshoremen and the mobs. This poor environment has created a false philosophy within Terry himself, ‘Do it to him, before he does it to you’. However, after he met Edie and Father Barry, Terry realized how wrong his philosophy was. Thus Terry, with his remaining conscience was able to stand up against Johnny Friendly and gain a new

Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

On the Waterfront is a film where a young man has to struggle between conflicting choices in the harsh brutal waterfront days of the 1950s. Director Elia Kazan chose to shoot the film in black and white, to use as a contrast between the obvious right and wrong state of affairs on the waterfront. However obvious it is, the decisions Terry Malloy must make are not so easy. Sticking to the waterfront ideals of being "D and D" and self-preservation, Terry is seen as selfish, uncaring and also as someone with no brains, no honour; essentially "a bum." Throughout the film

A picture is worth a thousand words, that’s the common theme that is increasingly true in our world today. Many movie adaptations of great classic stories and literature works have been created with great visuals. Question is, do the adaptations really carry the same meaning and weight of the original written works or are the adaptions meant to open new perspectives for the audiences? This paper will, through the examining the settings, character, tone and storylines, compare and contrast the book version and movie adaptation of the classic short story " Bartleby, the Scrivener: A Story of Wall Street " by Herman Melville.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

“On the Waterfront” was photographed in such a captivating way. Boris Kaufman had a vision ahead of his time. Many scenes in the movie are understood, not just through the script, but from the cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the rooftop at Joey’s pigeon coup. This scene portrays the moment in which I believe was the catalyst for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will speak about is when “Kayo” Dugan is killed. When the preacher is giving his speech to all the longshoremen. That speech was a testament of one man speaking out for what he knew was right. The third scene that I will choose for this essay is where Terry walks to Friendly’s dock office. After the fight, Terry’s march to work puts you on the edge of your seat. Each scene has depth that few movies achieve.

An individual detailed analysis on the style, editing techniques Mise-en-scene and cinematography in the film "Eternal sunshine of the spotless mind".