The Discovery Of The Lyre

| In the industry of hand crafted goods their pottery showed various types of patterns carved or painted onto them, even stones had fine pictures painted onto them. They usually wrote in a special ink, they had various forms of writing like hieroglyphics, and self-explanatory characters. They usually carved these onto animal bones or tortoise shells. Architecture was built into houses made of wood or carved out of the earth into rows. They listened to folk music and palace music. With their practice in bronze they made fine musical instruments, people engaged into music but they were divided into 3 sections; Wu, music slavery, and Gu.

As a result of fulfilling desires, civilized Sumerians were required to use the resources around them at their disposal. A “tablet-box of cedar” and a “clasp of bronze,” would have required cedar trees to be cut down and bronze to be made from mined iron and copper. Unfortunately, due to overconsumption and necessity of these items, an irreversible amount of environmental degradation occurred, providing evidence that yet again, civilized Sumerian culture represented through the “tall, magnificent, and terrible,” King Gilgamesh is the worst version of humanity.

Color plays a large role in The Sound Box of the Great Lyre. The front panel exudes energy and fervor from the vibrant colors used. The dark black color comes from the bitumen used in the piece and takes up most of the background. The light tan color comes from shell used for the figures and objects of the panel8. The contrast between the light and dark figures adds a sense of liveliness to the piece. Although Lapith Fighting a Centaur may have been previously painted, its modern-day appearance only gives off the marble tint. This lack of color makes the viewer rely on the relief’s use of shape to add dynamism. The defined muscles and flexed limbs give the piece fluidity and movement against the cascading cloth in the backdrop. The piece looks like it was paused during an intense struggle due to its uncomfortable placement and posture of the figures. Even though The Sound Box of the Great Lyre is not a high-relief or three-dimensional piece, the use of compositional lines emanates generated power. The way the figures strain and twist amongst each other gives off that same theme of energy and movement. These energetic characteristics seem fitting to the medium of the piece, given that the music box relies on energy and movement to create

During 3000 BC, Sumerian was the first cyclical empire, even though they came to a fall the Sumerian people made an impact on Western Civilization. This empire kept history alive, but never forgotten. The wheel was one of their many inventions which are still used today for cars, and manual labor like wheel barrels and lawnmowers. The epic poem Gilgamesh is still a book read today in English classes. This epic poem is inspiring and was an actual historical figure. The Sumerians contributed several ideas, the first organized religion temples and priests. The Sumerians also gave us the biblical story of the Garden of Eden, which was a story about a river dividing itself into 4 river heads, two of the four being the Tigris and the Euphrates River. The water supply was an accommodating way of trade. The Sumerians were the first international traders. They also invented writing, the Sumerians wrote of cuneiform blocks, now student can write on paper but it was a start being able to write thoughts down. The Sumerians had countless clever ideas; they also invented the potter’s wheel, which was used for making pottery to store food and goods. The plow was used for farming and the sailboat was used for traveling up or down the river, for trading or

Many pieces in Mesopotamia represent the status of the kings as being a greater figure than the common people and even an alike or greater figure than the gods. One piece that depicts the high status of the ruler is the “Fragment of the victory stele of Eannatum”, from Girsu, Iraq. ca. 2600-2500 BCE. On the stele, is Eannatum, who is the ruler who leads the battle, and obtained the city of Umma. He is depicted larger than the army, except Ningirsu, who chose him as the ruler. The audience of the stele is the people of Sumer, but more importantly, his enemies. The second piece that depicts propaganda in Mesopotamia is the “Head of the Akkadian ruler”, from Nineveh, Iraq, ca. 2250-2200 BCE. The hollow-cast sculpture made with Cooper is believed to be an Akkadian king. The sculpture demonstrates propaganda in Mesopotamian art because it reflects the idea of absolute monarchy, and focuses on the kings, instead of the city-state. However, the head was vandalized as its eyes were gouged, and its beard and nose were slashed by the Medes because they were opposers of the absolute monarchy. In addition, another example of propaganda in Mesopotamia is the “Votive disk of Enheduanna”, from Ur, Iraq, ca. 2300-2275, in which the Alabaster disks represents the daughter of King Sargon, Enheduanna in which the cuneiform inscriptions which mentions that she is the daughter of Sargon, who is the king of the world. Moreover, the disk also mentions that she is the

When analyzing the biological, cultural, and social, aspects of the ancient Sumerians and modern day humans we see a profuse amount of distinctions and contrasts. Modern humans live in advanced and culturally diverse societies which in comparison makes ancient Sumer’s way of life seem very plain. The two groups evidently share many differences , but the author, Samuel Kramer, argues that in the face of oblivious contrasts, the roots of these two societies are still very fundamentally analogous. Kramer then expands his point to say modern humans and ancient Sumerians are similar and comparable on the content of their character, their reactions to war and conflict, and with the similarity of their social class system.

The artworks of Ancient Mesopotamia and Ancient Egypt are both strikingly different and similar at the same time. Consistent is the theme of serving the different gods the two cultures believed in. In Mesopotamia the various city-states each had their own protective deity, and in Egypt they sometimes differed from one dynasty to the next. Whatever the case, with the beginning of kingdoms and rulership came the need to justify a position of power and establish a hierarchy. And as more time passed came also the human need to leave an impression on their world. Looking at the example of the statues of Gudea from the Neo-Sumerian period and the Temple of Ramses II from the New Kingdom of Egypt in the 19th dynasty, will show how both rulers of

The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.

This is proof of the Sumerian architectural abilities. The architecture in Mesopotamia are considered to have been contemporary with the founding of the Sumerian cities, but there was some complexity in the architectural design during this Protoliterate period (c. 3400-c. 2900 BC). This is shown in the design of many religious buildings. Typical temples of the Protoliterate period--both the platform type and the type built at ground level--are, however, much more elaborate both in planning and ornament. The interior was decorated with cones sunk into the wall, covered in bronze. Most cities were simple in structure, but the ziggurat was one of the world's first complex architectural structures.

In 1950, V Gordon Childe drew up a list of traits of to what he considered to be the common characteristics of early civilizations. According to Fagan & Scarre, a recent archaeologist Charles Redman divided Childe’s list into primary and secondary characteristics. The primary characteristics included cities and states, together with full-time specialization of labor, concentration of surplus, and a class-structured society. For the secondary, the characteristics included symptoms or by-products of these major economic and organizational changes: monumental public works, long-distance trade, standardized monumental artworks, writing, and the sciences (arithmetic, geometry, and astronomy)(Scarre and Fagan 2003). One of the most common characteristics involve was a large, dense population living in a city. This essay well state and describe two early cities in Mesopotamia and explore the layouts and characteristics of these two cities. Also, whether each city is unique or share common characteristics with each other. The two cities are Maskan-shapir and Ur.

Egypt and Mesopotamia were two civilizations existing during the time period of 2000-1200 BCE. These civilizations were shaped by their environment, involved with trade, and faced changes in government after the 100 year drought; however, they differed in that Egypt was shaped by the Nile, traded goods for goods and changed their outlook on the pharaoh who was ruler of all; whereas, Mesopotamia was shaped by the Tigris and Euphrates, traded money for goods, and had a ruler over rulers. It is undeniable that the natural environment of ancient Mesopotamia had a profound effect on the earliest civilizations known to the world. Humankind’s ability

The artifact I chose during the museum tour was the artifact called Parthian Rhyton. The Parthian Rhyton is from Iran from the time 150 BC – AD 225. It is made up of Silver with mercury gliding. This artifact reflects the style of its culture by having the goat in an attack position with the head down lets up this piece reflects power and strength. The piece identifies it as being from a particular civilization and time of the naturalism of the goat, with its carefully detailed horns and swirling coat, is characteristic of such vessels in the subsequent Parthian period (247-224 AD), along with the highlighting of such details the vegetal design at the throat of the vessel with mercury gliding. The visual clues

Forming a cultural entity that lasted for more than 3,000 years. Mesopotamia was the birthplace of the worlds earliest known cities. The mesopotamians developed one of the earliest writing systems. Sophisticated mathematics and astronomy, the sail, and the wheel. They also Divided time units into 60 parts ~ a concept that led to our 60 minute hour.)The exhibit not only focused on the historical events that took place in the fourth millennium but it also gave incite to the people that made these accomplishments possible . Which leads me back to humanities and understanding the meaning, purpose, and goals that furthers the appreciation of singular historical and social phenomena—its just / an interpretive method of finding “truth”—rather than explaining the causality of events or uncovering the truth of the natural world.

The British Museum in London holds many ancient pieces of art. There are so many galleries and exhibits inside the museum that several pieces do not get the attention they deserve. One such piece resides in the Assyrian exhibit inside the museum. It is a collection of three alabaster panels that act as registers of a narrative story. The expertly carved reliefs illustrate the great lion hunt performed by an Assyrian king in an arena. So much emotion is portrayed in the brutal imagery of the lion hunt. These great alabaster slabs once resided in an Assyrian palace in present day Nineveh. The reliefs were excavated in the 1840’s by Hormuzd Rassam, employed by Austen Henry Layard of the British Museum. Rassum found the palace by secretly digging at night because the site was originally claimed by French archeologist Victor Place. Since the excavation, the lion hunt reliefs have been displayed in the British Museum. The lion hunt reliefs features so many qualities ranging from historical to artistic. In this report the topic of why the reliefs were made, how they represented the king, the symbolism of the lion, and artistic prowess of the piece will be exposed.

Through the development of writing, mathematics, metalworking, detailed law codes, and the wheel, Mesopotamians have shown their ingenuity with many different achievements. The world as we know it could not survive without writing. I am writing right now in order to do this paper, and the economy and so much of our lives is dependent on writing. Although it goes hand-in-hand with writing, mathematics is also a very important achievement of the Mesopotamians. Mesopotamians based their math system on sixty, but it is just as important and influential regardless. Metal work is another great achievement