The Discovery Of The Project

Back in my school years I used to visit many historical museums, where I learned a lot about the culture and society of the past. As I have always been interested in history and arts, all that was a breathtaking experience for me. I believe that these museums is the best way to get closer to lives of our ancestries and it can help us to see the world in a different way. However, to be more knowledgeable about the world we live in, it’s also extremely important to be familiar with modern art. So this time I decided to experience something new and started searching for a museum which would contain works of contemporary artists. Tampa Museum of Art was a great option. This Museum was founded in 1979 and since then it has curated three exhibitions covering the Classical World to Mid-Century Modernist works,

In the Super Project case, Crosby set out to argue that the current methodologies being utilized by General Foods Corporation to determine which capital investments to pursue did not always fit the bill. Crosby advocated using alternative methods for evaluation of Super including: 1) Incremental Basis, 2) Facilities Used Basis, and 3) Fully Allocated Basis. He provided the Corporate Budgets and Analysis management team with documentation that articulated each of the methods he used, the results obtained, discussion points, and ultimately his conclusions. As can be seen from the illustration below, each alternative provided vastly different outcomes, thus begging the question – which method should General Foods use?

On the other hand, to develop the change ability of the gallery as one of the strengths of Tate, bringing bright ideas coming from the new generation of artists must be one of the priorities.

Cleveland has been fortunate enough to have become home several popular museums, including The Cleveland Museum of Art. The museum is filled with impressive masterpieces from the beginning of human documented time to today’s world. This free exhibit offers an exciting, enjoyable experience to those of all ages and those of all backgrounds. From the interactive futuristic portions of the building, to the delicate works of the past, there is something at this museum to please each person’s artistic mindset.

architects and the pursuit of a highly complex design with a compressed schedule (centenary of

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

The Frick Collection and The Metropolitan Museum of Art are both very distinct art museums. If you visit the museums or their online websites, it becomes very apparent that they differ in historical backgrounds, in their curatorial departments, in the way in which they were founded and then funded and in the collections of art that they house. I visited both museums and it was evident to me that they bore many differences, and at the same time, they were also similar in some aspects.

The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new

Here we mainly talk about three buildings. The first building of the Art Center was built in 1943 and actually was the first museum built in the United States and is a distinctly modern building. Its name is Saarinen Building. It’s an S shaped building located on the crest of a small hill. The S shape creates a battery of wings connected to Saarinen’s building from east to west side, include different aspects of the center such as the auditorium and the classrooms. The building has a flat roof which constructed of reinforced concrete and clad in Lannon stone from Wisconsin. There’s an ongoing program called Smart Sunday which is for families. The purpose is to engage in a variety of community’s children and their families and it’s responding to either a permanent collection object or temporary exhibition such as tony feher. The second building is I.M.PEI building built in 1968 which is the Chinese-American architect designed. It slopes down at the south side of the Saarinen’s open courtyard. It’s made of two materials class in concrete primarily. I.M.PEI took the same concrete and bush hammered stone from Saarinen building. But after 25 years later from 1943, there was a need to expand and large-scale works. So actually this building is totally different than the Saarinen building, it’s massive, open, and heavy. And Jackson Pollock painting which painted in 1943 is an example of why this was needed

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.

“How do you make a building for contemporary art that stays contemporary in the future without stooping to a neutral language? And how do you attract a big public without compromising the selfish, private, exclusive time we all want to have in a museum?” These questions, put forward by Elizabeth Diller of Diller Scofidio + Renfro, represent the urbanistic motivation supporting the construction of Boston’s Institute of Contemporary Art (ICA). In such a manner Boston’s ICA engages, not only with the urban citizen, but also the urban landscape in which the site is located. The ICA conveys the idea of architecture as art in itself. As a presenter of art to the urban citizen and because of its open design, the inside allows the citizens to not only appreciate the art within the building but also see the art of the building’s natural environment and setting.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

In July 1994 Tate foundation launched an international competition to design modern art museum in former Bankside station site.

 [PDF]Case Study: Transport Corporation of India Limitedsiteresources.worldbank.org/.../t...পাতাটিকে অনুবাদ করে দেখাও(TCI), as a major cargo transport company, recognized the importance ... The information in the TCI case study is based on personal interviews with TCI Foun- .... cess to medical records, it also supports analysis providing useful insights.