The Divine Powers Of The New Kingdom

In the past, there were many believers and followers who have a faith in spirits or spiritual energy. Up to the present time, there are two concepts occurring which have both similarity and difference – Mandate of Heaven and the Divine Right of Kings. In addition, the first term was popular among East Asia, especially in China, while the Divine Right of Kings gained popularity within Europe region. As a result, the commonality can be defined from the originate power and the differences can be discussed in term of kings’ conditioning to authorize.

“If God does not exist, then everything is permitted,” in other words, if there turns out to be no God then nothing is morally wrong.

To start at the beginning or the Canon of these works of art would be to go to the Prehistoric times. To give some background about this time, the prehistoric period was art found when people were still living in caves and just starting the first civilization of humans. According to Smarthistory.org the oldest collection of ornamentation was found in Africa and being over 82,000 years old. The sculpture I'm going to be talking about from this period is the sculpture called “Lion-Human”. The Lion Human to me looks like a tall older man with the characteristics of a lion with a long mane with a long pointed nose. The artist used expressionism to show that the man had the qualities of a man but also had the inner workings of a lion. It was probably how he

The divine command theory states that “An act is morally required just because it is commanded by God and immoral just because God forbids it” (Shafer-Landau, The Fundamentals of Ethics, p.67). In interviewing an Elder of a local Jehovah’s Witness congregation on the ethics involved in religion, he agreed that the divine command theory is correct, and that there are many commands and things that are forbidden in the bible that are considered to be God’s standards for the way we live our lives. But, when asked the modified version of the Euthyphro Question: is an action morally right because God commands it, or does God command an action because it is morally right, (Shafer-Landau, The Ethical Life, p.57) he picked the latter. Despite agreeing with the statement that the divine command theory makes, picking the latter is not uncommon even if the first affirms the theory. The statement that God commands an action because it is morally right, “implies that God did not invent morality, but rather recognized an existing moral law and then commanded us to obey it” (Shafer-Landau, The Fundamentals of Ethics, p.67-68). This does not make the Elder’s message wrong, in fact most theists don’t follow the divine command theory. This is based on the fact that if the theory were true, whatever God says is a command, and therefore morally right, but God could have said that rape, murder, and stealing is morally right if that was the line of thinking.

The sculpture portrays the God of Harvest, Dionysus, with his loyal satyr follower, Pan. A considerable amount of detail when into the carving of Dionysus; the multiple grapevines in his hair, his ceremonial staff Thyrsus, the goatskins and the cup of wine he’s holding are all symbols of Dionysus. The composition is very asymmetrical, and creates a contrapposto arrangement, which is distinctly Grecian (Gardner). It was carved out of beautiful fine marble, which also had another purpose in the way of making this piece of art last for many years. Along with the tree trunk between the two men providing support at the base, and the elongated arms providing more structural stability. The God’s head is even reinforced by his hair to make sure the head doesn’t break off. This sculpture is visually and aesthetically pleasing, but doesn’t serve a useful function, like textiles or furniture. Therefore, it is considered a figurative piece of art, which art that is very clearly modeled after real object or person(s), and is therefore representational

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

The purpose of such votive statuary placed in temples was to urge the donors might to remain in a state of everlasting prayer. For example, The relief scene beneath Ur-Ningirsu’s bare feet, of kneeling men bearing full baskets, may represent bearers of ritual offerings.

The statue shows the God in a good light and as a muscular and fit being, but at the same time is portrayed in an extremely unrealistic way.

Ancient Egypt was one of the earliest, longest-lasting and significant civilizations in world history. Egypt was located in the Nile River Valley. Egyptian history divided into three separate periods, such as, the old kingdom, the middle Kingdom, and the new Kingdom. Each Kingdom has different things that make it unique, and there are some facts and certain characteristics of life that they all shared. This paper will shows how each kingdom civilized how it changed the Egyptians.

Sayre the author says, “The Buddha is the most extensive collection of large-scale sculptures in the world and can be found an hour north of New York City in the lower Hudson Valley at Storm King Art Center (“A World of Art”). Zhang seems to like the traditional aspects of chinses culture, because he re-used an ash material form other artists, to create his own sculpture. The techniques he used to create the sculpture is casting, assemblage, and construction. Without using these three additive techniques of sculpting, the artwork wouldn’t have been fragile, and not overwhelming in size. The subject of the “three Legged-Buddha” is another conflict with the governmental rules and regulations, and it has drawn a lot of attention due to its strong message that it conveys. When I initially examined the art piece for the first time, it looked like a huge dismantled, three legged human figure. I thought it was a symbol for keeping your body in better shape over your mind. The most amazing part of the sculpture is how extremely large it is compared to the electrocution sculpture. After reading and interpreting the sculpture it struck me that it was made for ceremonial gathering, where incense placed and burned from inside of the sculpture, and pours out of the head. I think that the artist was trying to involve the visitors in his sculpture. Since Zhang Huan

This sculpture is of a women breast feeding her child. The face of the two people is elongated, as well as the breasts of the mother. This is common to all African Art because they wanted representation of what is being expressed. In this particular sculpture, a supernatural power is being called upon. The power has been asked to protect the mother and child, and to

Amun-Re is often referred to as the most important and powerful god of Ancient Egypt. Amun-Re was the god of the sun. “Amun-Re is the main name of the sun god, but also has three different names in which describe the phases of life that Amun-Re goes through each day.”(Budge, Pg. 92) When examining the ancient Egyptian god Amun-Re, four main points must be understood, including: the origin of Amun-Re, the characteristics of Amun-Re, how Amun-Re was worshiped, and how Amun-Re impacted Egyptian life.

Is the churches moral teaching of value only to Catholics or to everyone, and either way, why?

The Kingdom of Heaven is an epic film directed and produced by Ridley Scott, and written by William Monahan, filmed in Morocco. The story of the Kingdom of Heaven is set during the Crusades of the 12th century, and is basically about the life of Balian, a French blacksmith, who defends the Kingdom of Jerusalem against the Muslims and reclaims the city from the Christians. In this story, I could travel back in time to experience life during the era of the Crusades and learn more about the perspective of duty between the Christians and Muslims.

Both the sculpture and the text depict Laocoön’s movements at magnifying detail in their respective medium. For instance, the sculpture depicts Laocoön with a dynamic pose. The priest’s limbs spread out in agony, filling up a viewer’s the visual space, leaving a lasting impact. The creases of Laocoön’s muscles achieve in depicting the strain and tension the priest is exerting on his limbs and torso, showing the tremendous effort the preist puts in to break free of the serpents. Simultaneously, Laocoön’s toes grip onto the floor, trying to regain his stance. By filling up