The Divisiveness In The Vietnam War Film

The Vietnam War that commenced on November 1, 1955, and ended on April 30, 1975, took the soldiers through a devastating experience. Many lost their lives while others maimed as the war unfolded into its full magnitude. The book Dear America: Letters Home from Vietnam by Bernard Edelman presents a series of letters written by the soldiers to their loved ones and families narrating the ordeals and experiences in the Warfield. In the book, Edelman presents the narrations of over 200 letters reflecting the soldiers’ experiences on the battlefield. While the letters were written many decades ago, they hold great significance as they can mirror the periods and the contexts within which they were sent. This paper takes into account five letters from different timelines and analyzes them against the events that occurred in those periods vis a vis their significance. The conclusion will also have a personal opinion and observation regarding the book and its impacts.

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

He feels Yanagi’s pain through the connection but he does not draw attention to it. To be in the heat of a powerplay game such as the one boiling over in Konoha right now is a moment of extreme delicacy and ruthlessness; attachments are withheld, persons numbed down. The rampant mentality is this: eliminate those who are likely to get in one’s way, even if they are friends, or valuable allies. Nobody who lived through the Warring States Era would be unfamiliar with this tenet: do what must be done. And if Tobirama was forced to choose among the Yamanaka twins, he would keep Yanagi alive, simply because she is now the more valuable of the two, even though Yanagi herself and most definitely, not Osamu, would admit it. For to dabble in politics is to know who has value, worth and utility, and who do not.

Tim O’Brien’s book, The Things They Carried, is about a platoon of soldiers fighting in the Vietnam war and the life of the alpha company. This book also talks about the experiences each soldier has during the war. This war created many lasting physiological and emotional effects on the soldiers that is shown throughout the novel in the various stories told by O’Brien. O’Brien’ purpose is that the Vietnam War created lasting emotional and physiological effects on the soldiers. My purpose is to explain how O’Brien effectively uses repetition and description to support his purpose.

The Vietnam War was a major controversy for the United States compared to World War 1 and World War 2. With both of the previous wars that the United States had been a major part of they had brought the people of the country together to fight  and work hard to show their support to the soldiers that were fighting. During these two wars we saw the rise of women in the workforce as they came into the picture of taking the jobs that the men held while they went away to fight in the way. And then there was the avid signing up to fight. Men as young as teenagers signing up to fight in both of these wars. The difference is that with the Vietnam War it was met with disdain from the public and also the soldiers as well. With this war people

The Vietnam war was an absolutely brutal time in American history. The war lasted for the majority of the 1960s and left many young men dead. The short story “The Things They Carried” by Tim O’Brien and the film Dear America: Letters Home from Vietnam give us just a glance into the war by giving using the three themes of fear, pressures, and blame/guilt to embody the concept of war and how it absolutely changes a person. War not only destroys countries, but it destroys people.

The Anti-war movement started during the 1960s and shaped America’s public opinion on conflicts for years to come. As in all American conflicts, the will of the people controls the actions of the military. Without Homefront support, the American war machine dies. American pop culture during the 60s and 70s, sought to change public opinion against the Vietnam War. Through blatant Anti-war lyrics to their actions, the popular artists and musicians of the era changed the mindset of a generation to oppose the military actions in Vietnam.

The infantry soldiers of the war the wised up to their situation wrote many interesting letters. These “grunts” knew what they got themselves into and their letters reflect this. Most of them wrote letters home the described their everyday routing during the war. Back at home a lot of pressure was being put on politicians to end the war. Unlike previous wars many believed this wasn’t their place and believed America shouldn’t have gotten involved. The letters sent home during this time was a way to persuade people to fight to end the war. Although, not as important as other things the letters sent during this time are still important as they describe the reality of the Vietnam War. One of these letters was very detailed and describes what was important to him even if it wasn’t important to others. Cameron MacDonald wrote this letter while in Vietnam in October 1968. MacDonald begins his letter to his mom stating, “We’ve been running around these mountains every day without a break.” He starts the letter by expressing something that is very important that most people don’t talk about; the fatigue from walking. The constant walking soldiers must endure

The story by Tim O’Brien shows how the soldiers are themselves and can also be serious. O’Brien also sees how Vietnam changes the soldiers and how they see the world now. There will be people that will ask if it’s true or not true they can asks what happened. There can be different ways to tell a story but they can ask what happen. O’Brien would know which story he really believes. O’Brien will give use by looking at Rat’s point of view, and Sanders point of view of Lemon death and how Rat copes with a letter. Here are three points’ that will go with O’Brien story the history, biography and literary criticism.

War may seem like a heroic ideal, but the mountain is very steep. George Washington had us settle at Valley Forge in December 1777. Washington had mostly six and nine-month men that are debating to not reenlist. Reenlisting means to stay at Valley Forge and fight in the war, but I am considering to not reenlist. I will not reenlist due to the amount of deaths, lack of money, and the amount of exposure to the harsh elements.

While on Patrol the platoon hears Viet Cong singing resulting in the U.S. opening fire. During the fire fight Lieutenant Carrol was killed. He was hit under the arm. Sergeant Simpson asked Perry to write a letter home to his family informing the family of Carrol death. Captain Stewart liked the letter Perry wrote to Carrols family. Lobel is blaming himself for the death of Lieutenant Carrol. From the fight, they have a Viet Cong in custody from the Second platoon. Peewee receives a letter from Perry’s mom. Peewee didn’t really care to read the letter. The company received a new person named Turner. In another fire fight Perry was responsible for setting up the clay mores. However, when he did place the clay mores he placed them in the wrong direction. The Viet

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

The Vietnam film is a specific sub-genre of the conventional Hollywood war film that arose as a result of the 1960s counter culture. According to Elliot Stegall’s article Ideological, Dystopic, and Antimythopoetic Formations of Masculinity in the Vietnam War Film many American war films depicted the glorification of war and emphasized the concept of American masculinity (Stegall). Previous to the Vietnam period, Hollywood war films stuck to contemporary tropes. These films often re-enact the idea of good versus evil in which the male hero of the film triumphantly fights for their country against a vilified enemy; thus reinforcing the American ideology of conquering the frontier (Schweitzer 67). The hollywood war films are often enjoyable

Fifty-eight thousand were killed, a pair of thousand captured, and three hundred fifty thousand; maimed and wounded, just about everyone throughout this country still feels the results of this conflict. Today, the kids in the country rest uneasy in response to the senselessness of this struggle. A different generation of school students, staff and young parents bring a singular perspective to the analysis of the implications of this specific war. These square measure the sons and daughters of the boys that fought to their death inside the jungles of South East Asia..

After nearly fifteen years of troops committed to the conflict beginning in 1959 and withdrawal in 1975, a number of films were made about Vietnam (Goldfield, 2014). The Green Berets, the sole movie produced during the conflict, featured an image presented by John Wayne consistent with the heroic battles in Europe during World War II. Filmmakers emerged in greater numbers in the late 1970s and 1980s after considering that rather than focusing on the perception of losing the war, there were more important stories to tell about the conflict. Some of the notorious films about the Vietnam War are Born on the Fourth of July, Platoon, Apocalypse Now, We Were Soldiers, Rambo, Deer Hunter, Full Metal Jacket, and Hamburger Hill. Vast differences between how and why the films were made and the background and inspiration for the directors who made the film were apparent. Within each director lay a unique interpretation of the conflict based on personal experience (Toplin, 1991). There were some films that attempted to counter the feeling that the U.S. had lost the war and explored a hypothetical favorable American outcome in unifying North and South Vietnam under democracy (Siskel, 1985). Movies like Full Metal Jacket explored new concepts such as how the press’ presence in Vietnam influenced public support for the war. Many of these films were popular because of their violent imagery. Scenes depicting