The Door Of Ni Ankh Snefru Essay

The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.

The coffin and mummy of Djedmaatesankh are known as one of the few unopened coffins, retaining the original seal. Currently, it has been decided not to open the coffin in order to examine the mummy within due to the fact that it would severely damage the artwork and hieroglyphs that have been painted on the outside. The coffin is made of cartonnage, which is created with moulded linen and plaster and is painted on the outermost layer. These paintings describe the story of Djedmaatesankh’s life, as well as references to the Book of Caverns in order to provide the body “with safe protection as it makes its journey through the underworld on its way to eternal life in the Field of Reeds”. The coffin is from the 3rd intermediate period of ancient Egyptian culture and has been dated to 945-715 BC, coinciding with the 22nd Dynasty in which Ian Shaw relays that the “Chief of the Meshwesh Sheshonq (King Sheshonq I)” ruled. The base materials used are linen and plaster to form the cartonnage, and the artwork on the outermost layer uses a combination of paint and gold leaf to create depictions of Djedmaatesankh’s life. Ancient Egyptians used paint made from a mixture of pigment and plaster to paint on coffins and sarcophagi, and the higher classes used increased amounts of gold leaf as well. Djedmaatesankh’s coffin would be classified as funerary art, which had been created to be of use in funerary rituals and practices. Djedmaatesankh’s coffin is an excellent example of the extensive

Ancient Egyptians developed a writing system based on pictures, known as hieroglyphics. The difference between cuneiform and hieroglyphics was hieroglyphics stood not only for ideas or objects, but also sounds. According to document four, Egyptians also created papyrus, the first paper, in order to keep records.

In Ancient times written languages had been some of the tools that they used to communicate. “The designation ‘hieroglyphics’ is a Greek word; the Egyptians referred to their writing as medu-netjer ‘the god’s words’, as they believed writing had been given to them by the great god Thoth” (Mark). The Egyptians believed that hieroglyphics were given to them as a special gifts from their god. Another thing is that they used hieroglyphics to represent their

The Seated Statue of Nehy is a white limestone Egyptian sculpture from the New Kingdom period dating back to 1250-1200 BCE with the measurements of 51 15/16 x 17 3/4 x 34 9/16 inches. The sculpture’s accession number is 22.106. It was discovered in the Memphite necropolis of Saqqara and was acquired by Henry Walters in 1924 (Egyptian Art New Kingdom 92). The sculpture exhibits texture, large scale, and stylization, which is common in Egyptian sculpture.

The statue of King Sahure and a Nome god is an interesting piece of Ancient Egyptian art ( c. 2500 BC ) that shows signs of Ancient Egyptian culture and beliefs. The statue is a small relief sculpture, meaning the sculptural elements are attached to the solid background of the sculpture and appears to be emerging from the material. The piece clearly depicts two figures side by side, one standing on the left and one sitting on the right (facing foreward). The purpose of this piece was probably to depict a certain symbolic interaction between the two characters.

In Ancient China, they developed a writing system for preservation. In China, people would use logograms, which are symbols that represent a word or a meaning.In the early days of the ancient Chinese civilization, people would write on oracle bone or tortoise shell.In Ancient India, writing systems were developed for recording data and information. The Indus script used signs and words and it was written from right to left. By 1800 BCE, the Indus valley civilizations started to fall and writing were often used anymore. Ancient Egyptians started to developed a writing system called, hieroglyphics because they needed a way to record important information. They believed that recording data and communicate information about government and religion was essential. Scribes were only ones to write in hieroglyphics and were written from left to right or top to bottom. In Mesopotamia, people started developing a writing system to information. Mesopotamia created a writing system called, cuneiform. Mesopotamian scribes would record important dates and event, and position of the stars. These ancient civilizations started to create their own writing system to record history and communicate information.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

In the sculpture, Yuny and His Wife, Renenutet, the artist conveys a strong, affectionate marriage between two important social figures in New Kingdom Egypt. This relationship is visually conveyed by multiple factors in the visual properties of this sculpture. To provide a quick description of the piece which is dated to ca. 1294–1279 B.C.E., Yuny, a chief royal scribe, is portrayed sitting next to his wife, Renenutet, a temple-ritual singer for the god Amun-Re on a bench. The sculpture was made out of limestone and originally painted. It’s 33 1/4” in height and 21 7/16” in width. Yuny and Renenutet are both depicted in elegant clothing with equally elegant wigs. Renenutet is shown wearing a long, tight-fitting dress that comes down to her ankles ending just where her bare feet start. A large, elaborate necklace takes up the majority of her chest. Her left hand sits in her lap as she holds a menat that drapes down in front of her legs and her right hand is wrapped around the lower back of Yuny. Yuny is shown wearing a long pleated skirt with hieroglyphs down the center of it. He also wears a sophisticated top going up to his neckline with the sleeves stopping at his elbows where it flares out with elaborate pleating. Unlike Renenutet, Yuny wears sandals and his forearms and hands are broken off but it’s suggested that they originally laid by his sides.

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

Advances in architecture and record keeping occurred during the Egypt civilization. In the old kingdom of Egypt, huge structures of stone called pyramids. Those who worked on the structures had to be skilled in mathematics, geometry, and architecture. The building of the pyramids required a ton of mental thinking and planning, and was a huge success for architecture advancement. Today we know much about ancient pharaohs of Egypt because of written records that were left. These records were kept in hieroglyphics. Hieroglyphics were a new form of writing invented by the Egyptians that were based on pictures. Since they were invented, we know a good deal as to what happened during the Egyptian time

a. Keeping composed records. Egyptians built up numerous written work frameworks. The first was hieroglyphics, it was an arrangement of images or pictures which spoke of items, ideas or sounds. At that point, recorders created hieratic written work, which was a less difficult script for regular use. Composing was utilized to record data. Clerics and copyists would cut writing in

they used symbols that represented traded goods and livestock. The Sumerians used writing to keep records and to keep their stories.

The colossal building projects that the Egyptians embarked on, such as the pyramids and temples, required a very complex society and highly skilled workers and engineers[8]. They developed a very complex writing system not only to keep commercial records, but also to record their spiritual beliefs and the history of their empire. Harkhuf used it to document his exploration of Nubia and opening of trade routes there, showing the high levels of complexity that each of those societies had risen to[9].

At Abydos and Saqqara tombs for the kings of the early dynasties were built in imitation of palaces or shrines. The large amounts of pottery, stonework, and ivory or bone carving found in these tombs attest to a high level of development in Early Dynastic Egypt. Hieroglyphic script (picture writing), the written form of the Egyptian language, was in the first stages of its evolution.