The Downfall Of Civilization 's ' Heart Of Darkness '

Joseph Conrad’s Heart of Darkness has allowed me to view the world through a multitude of new lenses. In seeing Kurtz and Marlow’s disintegration when removed from society’s watchful eye, I began to understand that all people have a streak of darkness in them under the right circumstances. While the narrator, and many readers at the time of this novella’s publication, believed that the African natives being colonized were “savages”, this book sheds light on the true brutes in this scenario: the thoughtless Europeans. The other complexity that I never truly understood until reading this book, is the idea that there is a single story told about Africans in Western literature. Africa is portrayed as weak, primitive, and impoverished in most books

Philosophers Sigmund Freud and Eric Hobsbawm present two explanations of the origins of civilization in their books Civilization and its Discontent and Nations and Nationalism since 1780, respectively. In doing so, each philosopher establish a distinct, and somewhat similar, definition of civilization. According to Freud, “’civilization’ describes the whole sum of the achievements and the regulations which distinguish our lives from those of our animal ancestors.” (Freud, 63) There are distinct features of a civilization, such as beauty, the “encouragement of man’s higher mental activities – his intellectual, scientific and artistic achievements” (Freud, 69) and the social relations between men. While Freud refers to this union of a group

Marlow’s evolution renders ‘Heart of Darkness’ a remarkable work of literature, but it is not simply the budding of the narrator’s mind that makes the novel sensational. Marlow’s perception of the voyage is what truly renders the work exceptional. European expansion, as written by European writers, was generally cast in a positive light. When Conrad depicts the desolation of the journey and reveals the sanities and lives robbed through the conquest, he clearly does not conform to the writers of his time. This exposure of European expansion in such a sinister a fashion was innovative for writers of the late 17th century. This revolutionary perception is what truly allows ‘Heart of Darkness’ to be considered a novel rich in moral and detail.

Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.

In Joseph Conrad’s book, Heart of Darkness, the globe is imagined as one where there are those that are civilized and those that are considered “savages” and “barbarians” by the civilized people. These civilized people are the Europeans, and the so-called “savages” are the African slaves.

The European mind at the fringes of "civilisation," when confronted with this Otherness, cannot settle on one or the other of these alternatives. "European reactions to other cultures tend to oscillate between these two poles, and thus the same culture can seem simple, authentic, concrete, or, on the other hand, odd, uncanny, and arbitrary" (ibid.). While this paradigm of shifting viewpoints is exemplified by Marlow in Joseph Conrad's Heart of Darkness, it seems to find its resolution in Sigmund Freud's assertion that in many ways the modern man is the primitive man.

The presence of Europe in Africa in the late nineteenth century was one of extreme power. The countries of France, Britain, and Germany had especially large claims to the African continent during this time. The motives of imperialism for these countries greatly define Europe at this time. Insatiable desires for economic markets, power and political struggles, the motivating belief in Social Darwinism, and the European idea of superiority were the driving forces at the European home front in the late nineteenth century. Many of the causes for imperialism in Africa were evident in Joseph Conrad’s turn of the century novel, Heart of Darkness.

In Joseph Conrad’s Heart of Darkness, the author fiercely challenges imperialism. Through this challenge, he demonstrates the internal battles of good and evil. In his work, he also displays issues of personal morals and alienation. At the time the novella was written, Europe had established territories across the map. It holds true that power corrupts and absolute power corrupts absolutely, especially when said power reigns over the fate of humans in society. Conrad illustrates the corruption of power through the books’ motif of darkness and the renegade of Kurtz.

British Imperialism is the idea that it is the white man’s duty to civilize other, more primitive, people (Cody). Joseph Conrad’s Heart of Darkness, is a story about a man named Marlow who travels up the Congo River with a European trading company. In the story Marlow see’s many horrifying things, and slowly he becomes desensitized to what is really going on. In the beginning he is highly critical of the trading company, but by the end he has become so used to the things he has seen that they no longer shock him. Heart of Darkness is not only a criticism of Imperialism, but it is an explanation of how a man can go from inherently knowing something is wrong, to viewing it as normal.

    In the opening of his novel, Heart of Darkness, Conrad, through Marlow, establishes his thoughts on colonialism. He says that conquerors only use brute force, "nothing to boast of" because it arises, by accident, from another's weakness. Marlow compares his subsequent tale of colonialism with that of the Roman colonization of Northern Europe and the fascination associated with such an endeavor. However, Marlow challenges this viewpoint by painting a heinous picture of the horrors of colonialist ventures as we delve deeper into the recesses of the novel. Here we find that Marlow sees colonization as "robbery with violence, aggravated murder on a great scale, and men going at

During the Scramble for Africa, European nations raced to claim Africa as their own, giving the rise to colonial literature. Traditional colonial literature focuses on global European expansion. Common characteristics of this genre include considering the colonizers as the center of the world, the separation of the colonized as something “other”, and establishing European as superior to all others. The latter of these encompasses European religion, more specifically, Christianity. This religion is used to justify colonization, as a way to civilize the savages. Here, it is the European’s Christian duty to guide the savages into sophistication. In the case of Heart of Darkness, by Joseph Conrad, the author deviates from the Eurocentric use of Christianity as a justification in order to emphasize the existence of the heart of darkness.

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

　　As a piece of post-colonialism text, Joesph Conrad’s Heart of Darkness provides an insight on the difference between primitivism and civilization, as seen by the author. Three main symbols help solidify the book’s point that the difference between civilization and primitivism isn’t just black and white, and that the “gray area” exists within ourselves. These symbols being the comparison of Brussels to “whited sepulchers”, the Fog, and the Ivory itself.

In such a way, Cesaire believes this assists the application of decivilization into Europe, which in turn illustrates that the Nazism is just a form of colonialism. As a result, Cesaire states “at the end of capitalism, which is eager to outlive its day, there is Hitler. At the end of formal humanism and philosophic renunciation, there is Hitler” (Cesaire 1955).

Chinua Achebe is considered as the man who redefined our way of reading Conrad’s Heart of Darkness. Indeed, while focusing on the description of Africa, the father of African literature criticized the novella for its racist stereotypes towards Africans and highlights the colonizer’s oppression on them. Even after thirty four years after his first delivered public lecture excoriating the book, “An image of Africa” he spoke again against it in an interview with Robert Siegel where he related that its author “was a seductive writer. He could pull his reader into the fray. And if it were not for what he said about me and my people, I would probably be thinking only of that seduction."