The Dramatic Importance of the Boxing Scene Between Eddie and Roldolpho

Eddie Corazon is a juvenile delinquent who is involved in gang activity, but surprisingly loves to read. The rest of his gang does not believe in reading or being educated, and only want to break the law; but Eddie cares about his education. Throughout Muchacho, Eddie has to secretly educate himself while dealing with the doubt from his peers. Through obstacles and setbacks such as dealing with school, Eddie learns that he needs to follow his own path.

Honour is a very important in this play, specially for Eddie and Marco, who are the “alpha males” of the house more or less, because Eddie is from the beginning the boss at his house, but when he threatens Rodolpho, Marco tries to show Eddie that he is also a strong man and that he cannot do that to HIS brother. It means far more to them than the law. To be honorauble is to be respected, and this is show in the chair scene, where Marco is showin his strength to Eddie to protect his brother. If you do something dishonourable, you lose respect. That is why Eddie and Marco are always protecting

This can be shown by, “Sure, he’s terrific!  Look at him go!” and “He could be very good Marco.  I’ll teach him again.”  By praising Rodolfo, he is making Rodolfo want to continue boxing with him.  Eddie shows more and more authority over Rodolfo and if they go boxing more, Eddie gets the opportunity to humiliate and embarrass Rodolfo more, and prove to everybody that he is stronger. The tension between the two characters is important, as it continues to grow stronger, until Eddie attacks Marco and Rodolfo.  This is important, as this is the point where the tension is first revealed obviously and directly to the reader, through physical actions, although not real violence. The audience may feel that there will be real violence later on in the play, as Eddie keeps encouraging Rodolfo to fight and continuously tries to insult him.

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff

'A view from the bridge' by Arthur Miller is a tragic intense play about family struggle, lust, passion and deceit. My aim is too look at the relationship of Catherine and Eddie. To understand the relationship, we must understand the atmosphere and culture. To do this we need to know why Miller wrote the play, background history and why this is significant to understanding the relationship between Catherine and Eddie.

The main tension experienced in “A View from the Bridge” is due to the great contrast between how Eddie sees Catherine, and how she sees him. In Eddie's world, he imagines protecting Catherine from marriage or any male relationship and wants her for himself. While Eddie wavers and switches between communal and state laws and cultures to discriminate against Rodolpho, his motivations do not change, regardless of the fact it is often at the expense of others. Throughout the play, Miller creates uncomfortable situations for the reader/viewer, caused by the emergence of Eddie’s unusual ‘love’ for Catherine. This is shown in particular in act one, when Catherine

In Act 5, Orsino delivers a speech to Olivia in order to express his broken heart and pine over his unreciprocated feelings. However, by drawing out the speech with allusions, excessive language, and metaphors, Shakespeare portrays Orsino as an overemotional and romance-driven character. Compared to Orsino’s first

Throughout the novel, Eddie also can be exemplified as a sympathetic character. sympathetic characters are when readers feel sympathy for throughout a story. The reader can feel empathy for Eddie, when the author describes the pain of Eddie’s gunshot wound. The pain was described to be unbearable and the description of the event of the gunshot pains a morbid picture in the reader’s mind. During Eddie’s time as a soldier in World War II, any reader can feel an astonishing amount of sympathy for Eddie. During, Eddie’s time as a soldier, he experienced, “A piercing pain ripped through Eddie's leg. He screamed a long, hard curse then crumbled to the ground. Blood was spewing below his knee. Plane engines roared. The skies lit in bluish flashes. He lay there, bleeding and burning, his eyes shut against the searing heat, and for the first time in his life, he felt ready to die,” (Albom 84). The reader can comprehend Eddies suffering and pain. Eddie was on the ground, in a war zone hurt and slowly dying. Readers can feel a lot of sympathy for when Eddie wanted to let go of the world and die. Before Eddie’s death, he ran under a falling amusement park ride to save a little girl, Eddie

An additional flaw that facilitates the destruction of the character’s self is the egotistical, conceited self absorption the protagonists Eddie, Ben, and Macbeth have in themselves. This is evident in Eddie Carbone’s inability to compromise when he finds his incongruous desires for his Niece threatened by Rodolfo, an Italian immigrant staying in America with the Carbone family to escape the impoverished conditions in Italy. As Catherine’s relationship with Rodolfo strengthens, Eddie’s personal desires and feelings towards Catherine become increasingly more obsessive and conspicuous. He voices his resentment and antagonism towards Rodolfo, determined to prevent

This scene is important as it comes midway into the play, marking a turning point, that drives the action towards the tragic end. The scene opens with all three characters relaxed and in a playful mood, but there is an underlying tension that builds throughout the scene with an uneasy sense of insecurity, which is felt by the Duchess as she is aware that her brother has returned to court. The tension continues to increase, with the use of dramatic irony, where the audience is aware of information that the actors on stage do not have. The atmosphere soon shifts from a light hearted one to one of fear. The Duchess, Antonio

At the beginning of the play, Eddie is portrayed as a sensible and smart character. Eddie and the girls (Catherine and Beatrice) all have a requited respect for each other – Beatrice: “Mmm! You’re an angel! God’ll bless you” – and there are no problems as such, even when the immigrants first come. He is also respected by the community – Alfieri: “He was good a man as he had to be in life that was.” But this dominant respect that he gains is what he is very used to and the slight changes where Catherine finds another man in her life and Beatrice also looks after the two immigrants (Rodolpho and Marco) effects Eddie hugely. The respect that he becomes used to is now shared by the women in his life between the men in his house and he craves for more attention. This can be considered one of his flaws that lead to his downfall. He is also shown caring for Catherine in the beginning of the play. He can be seen as a normal uncle or father – Beatrice: “She’s got a job.” Eddie: “What job? She’s gonna finish school.” He is also very proud of Catherine – “Sure she’s the best… You look like a

Eddie is introduced as a moral man with ethics and principles. Miller showed that at the beginning of the play, Eddie tells the story of a young boy who ratted on immigrant relatives staying in his home and warn Catherine that she must be absolutely silent about Marco and Rodolpho. Moreover, there was a discussion between Eddie and Beatrice; where Beatrice is afraid of her immigrant cousins being caught. Therefore, Eddie told her: “listen if everybody keeps his mouth shut, nothing can happen. They’ll pay for their board.”(Miller, 1955, p.9).Later in the story, Eddie revealed a different identity .He was blinded with passion to the point of immorality. When he knew about Catherine falling in love with Rodolpho, he told Alfieri that he is going to call the immigration so he can keep Catherine just for him. Even though he knew that he is going to suffer for calling immigration, but does so anyway .Eddie: “Give me the number if the Immigration Bureau.”(Miller, 1955, p.61).To sum up, Miller displayed identity that could be moral with ethics and turns to be and identity that is blinded with

The play A View from the Bridge by Arthur Miller is set in New York in

'A View from the Bridge' is a play set within the New York in the Red