The Dramatic Significance of Sick Characters in Ola Rotimi's Plays

In collectivist cultures, emphasis is on group success and individual ambitions are generally set aside for the attainment of group goals. Firoozeh’s Iranian culture is principle collectivistic. She shows examples of this quality through the closeness of her family such as shared meals by her aunt, financial support between family members, an uncle that cohabitates with her family, and encouragement of cousins toward success.

For the first two weeks of Mr. Rosenberg’s leave we read a book called “Backwards and Forwards” by David Ball which was a guide to help us understand both “theater and literature complements”. It was a way for us to comprehend traditional methods of literary analysis of scripts. The book used its examples from many different Greek such

Illness is never a pretty scene, it can leave a devastating path of destruction. Illness embodies many complex meanings encrypted within a text, and it's rarely just illness. Sickness can show paralysis of a character, the character can be unknowing death, it can show symbolic immortal, or illustrate wholesome destruction. The French Revolution was a battle between the the wealthy and the poverty stricken, and with poverty comes disease. Illness illustrates many pictures, and the physical illness usually ends up a bonus to the story; this can be seen embodied within The Tale of Two Cities.

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary

In the play The Tragedy of Julius Caesar the main character, Brutus, experiences many things that lead him to become a tragic hero. From the interactions between Cassius and Brutus, the two characters contract each other, Brutus’s character develops into a tragic hero, and the plot advances and a theme is also created.

The play demonstrates recognition of Othello in Act V, his character changes from gullible and insecure to aware. The ideas of Aristotelian tragic components are discussed in depth in his Poetics. Aristotelian components include; the importance of events, the catharsis, the dramatic form, the reversal and recognition, and the tragic hero giving substantial proof that the play is an Aristotelian tragedy, and that Othello is a tragic hero according to Aristotle.

One of the elements that can be compared in the plays “Hamlet”, “The Love Song of J. Alfred Prufrock”, and “Agamemnon” is hamartia. Attempt has been made to analyse the main characters’ personality traits and provide the reader with specific examples that help to clarify how hamartia is present in each of the three plays. In order to analyse all the three characters’ personalities and their roles in the plays, it would be best to know first what hamartia means to further connect them with this element. By definition, hamartia is a flaw in the hero’s personality that allows them to commit certain tragic or fatal

The authors of this article place a focus on Sophocles' Oedipus Rex and its containing of a lethal plague that profoundly affects this work of drama. In attempting to unravel the factors and descriptions of this plague as depicted in the work, the authors attempt to trace the plague throughout the text as well as search for a possible underlying cause. In comparing the plague within Oedipus Rex to the historical plague of Athens, the authors of this article allow the reader a more in-depth look at the time that Sophocles' writing sought to portray.

play has the perfect Aristotelian tragic plot consisting of peripateia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to his hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

The purpose of the paper is to compare and contrast the characters of Penelope in the epic, The Odyssey, Lysistrata in the comedy, Lysistrata, and Medea in the tragedy, Medea. The writer will first give a brief synopsis of each character, followed by a comparison and climaxing with the contrast.

Characters – agents of the play, they provide motivation for the plot. “Vivid Characters” are the ones who are faced with “obstacles that we the audience can recognise”.

Greek theatre and medieval drama were both very popular artistic events in their own periods of performance. However, from ancient Greece to the renaissance, time has set them apart in terms of methodology; their practitioners use a creative process based off of different mindsets. Therefore, the significant time lapse between the two genres has had an evident impact on the way theatre was perceived and presented. In comparing aspects such as religious motivations, conditions of violence and character development, the distinct theatrical natures of Greek theatre and medieval drama will be made apparent.

The tragedies Hamlet, Oedipus the King, and Death of a Salesman have strikingly different plots and characters; however, each play shares common elements in its resolution. The events in the plays’ closings derive from a tragic flaw possessed by the protagonist in each play. The downfall of each protagonist is caused by his inability to effectively cope with his tragic flaw. The various similarities in the closing of each play include elements of the plot, the reflection of other characters on the misfortune of the tragic hero, and expression of important themes through the dialogue of the characters.

Othello is one of the greatest plays due to its variety of character and themes. The immorality seen in Iago, the gullibility in Othello, and the desperation of Desdemona make the story. The theme of social status plays a huge role in the story. In addition, the theme of appearance versus reality also plays a huge role in how each tragedy happens. In the critical essay “Othello” it discusses the idea that the characters are cast as outsiders due to false interpretation of what is happening or what is being said. On the other hand, the piece “Othello Character Analysis” emphasizes how characterization reflects the greatness of the piece.