The Drover Wife And The Chosen Vessel By Barbara Baynton

Thesis: In the short story “Woman Hollering Creek,” Sandra Cisneros emphasizes the importance of having a female figure to look up to in order to overcome the oppression women are subjected to in a patriarchal society.

While this book could be considered very academic, I considered it to be a leisurely read because it was so well written by Kerber. The passion behind the authors want to reveal this unknown historical event of what Kerber refers to as, “ The Womens’ War”, makes the book inspirational. The true meaning of the term “Republican Motherhood”, made the word radicalism come to live in this historical setting. In result of these women changing and breaking the wall of a traditional role, they are finally accepted not just as domestic creatures, but as capable partners to create virtuous citizens. It is an empowering book that opens the reader’s eyes to the one – sided history that previous to this book had been the only text by historians

It is crucial that we study Australian Narratives as it creates insights into events we may have not explored. This is evident in the novel "Crow Country" written by Kate Constable. It teaches us about Aboriginal beliefs and spirituality, Australia's History and respect, as we experience what it feels like to live in rural Australia, creating an understanding about Aboriginal people. Therefore, through a close read and study of "Crow Country", readers are able to learn new and important things about our past and present, showing that it is crucial to study Australian Narratives.

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

Readers often find Katharine Susannah Prichard’s “The Cooboo” deeply unsettling. The narrative is set in Australia during the European settlement of the continent. The plot revolves around an Aboriginal woman named Rose who is renowned amongst her peers for being an excellent cattle driver. She was so good, that her white bosses even held her skills higher than the other white musterers of the day. This all changed, once she became in the possession of a Cooboo. This term Cooboo is slang for the sound that an infant makes, and had become synonymous with the word for baby. Rose now had this Cooboo to worry about and care for, and it was hurting her efficiency and ability to drive cattle. This was deeply frustrating for her, because she found her identity in her ability to cattle muster. In the story, she was reprimanded by her superior for letting the cattle mob break three times in one day. She used to be his best, but now his go to girl is Minni, who Rose thought “did not ride or track nearly as well as Rose” (Prichard 17). Minni was very pleased with her own performance that day, and was “jabbering of the tobacco she would get” (Prichard 26). Rose was also being ridiculed by all the men, and her and Minni’s man Wongana had called her “a hen who did not know where she laid her eggs” (Prichard 25). This was maddening to Rose, who reasoned that the baby could be blamed for all of her current struggles. While riding back with Minni, Rose took the Cooboo from her breast and

The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time

A contemporary reading of The Drover's Wife suggests that the author, Henry Lawson, is engaging in a little misdirection. That is to say that the title of the story deemphasizes the principal character's autonomy by referring to her as the wife of a hapless drover instead of the fearless, rugged, self-reliant woman she proves to be. The idea that she belongs to the drover, that she is his property (as opposed to him being her husband/property) is a hard pill to swallow after the reader learns of her exploits in the unforgiving bush.

Australian landscapes have long been used to place fear and anxiety in the Anglo-Australian’s psyche. This anxiety and the requirement for Indigenous peoples to negotiate white ideals is reflected in current Australian literature and cinematic identities. This essay will discuss the critical arguments of what makes the chosen texts Australian literature. This discussion will be restricted to the critiques of the film Lantana directed by Ray Lawrence and the novel Biten’ Back written by Vivienne Cleven. The will firstly look at the use of landscape as a crime scene and how this links to the anxieties caused by the doctrine of terra nullius and the perceived threats from an introduced species. It will then look at the Australian fear of a different ‘other’ followed then by a discussion around masculinity and the need for Indigenous people to negotiate white ideals. The essay will argue that Australian literature and film reflect a nation that still has anxieties about the true sovereignty of the land and assert that Indigenous people have a requirement to fit in with white ideals.

There is significant evidence throughout both 'The Long Queen ' and The Map Women ' to indicate that suffering is a central element of female experience. Both of these poems are present in the 'Feminine Gospels ' written by Carol Ann Duffy. The collection of poetry is seen to be teachings of feminism aiming to provide the reader visions of female identity. One feature of this identity that is examined within these two poems is the theme of mental and physical suffering that women universally endure.

Gwen Harwood’s poetry is very powerful for its ability to question the social conventions of its time, positioning the reader to see things in new ways. During the 1960’s, a wave of feminism swept across Australian society, challenging the dominant patriarchal ideologies of the time. Gwen Harwood’s poems ‘Burning Sappho’ and ‘Suburban Sonnet’ are two texts that challenge the dominant image of the happy, gentle, but ultimately subservient housewife. Instead, ‘Burning Sappho’ is powerful in constructing the mother as violent to reject the restraints placed on her by society, whilst Suburban Sonnet addresses the mental impact of the female gender’s confinement to the maternal and domestic sphere. Harwood employs a range of language and

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

There has been a lack of interest in female convicts as a subject of historical discussion. The history of female convicts has traditionally been incorporated into the framework of male convicts with grave reference to the male convict experience. The convict women who were transported to Australia on ships Elizabeth 5th and Henry Wellesley in 1836 faced extreme difficulty in achieving freedom and reputability. It is the view of many historians that “women were incorporated into a pattern initially designed to accommodate men”. This essay will investigate the origins and characteristics of a sample of 10 female convicts arriving to Sydney in1836. The essay aims to establish an alternative impression of the female convicts that were deemed damned whores, skill-less and prostitutes. In agreement with the 4 of the 5 studied historians, I hold the view that the women were the victims of a “repressive patriarchal society” and the appellation of female convicts as ‘damned whores’ is totally inadequate. I believe they were not members of a professional criminal class; they were humans with basic human needs, doing anything they could to survive.

Many of Tim Winton’s fictional texts mirror moments in his own life, and with an understanding of Winton’s personal context, we can begin to discover the importance of these events and an understanding into why many of his text orbit around similar ideas. Through the insight given in his landscape memoirs, Lands Edge and Island Home, a more considered reading of his fictional texts; Breath, A Blow, A Kiss and Sand can be found. Specifically, these texts explore the role that landscape and place have had in shaping his perspectives and distaste of the expectations of Australian males. These texts each explore certain aspects of the expectations that men all over Australia are subjected to that Winton strongly opposes. Winton grew up in the 1960’s middle-class suburb of Karrinyup, WA, his working class Christian family’s beliefs and values, and events in his early life have evolved to form many of his present-day values towards landscape and masculinity.

American Literature has always been about men and for men. In this essay, we are going to analyze the women’s role in the book, as inferior and weaker gender.

Women have always been treated differently from our male counterpart. As a woman, we are automatically born with a strike on our back, and as an African-American, we are seen at the very bottom of the totem pole. The trials and tribulations that we are put through no man could possibly withstand. In “Homegoing”, many issues that are still prevalent in today’s society is discussed. The author of the novel touch bases on the importance of family, cultural heritage, and gender inequality. Gender inequality is one of the main issues that women today face. In the beginning of the novel, the women of the village were controlled by the men in all aspects of life. Every move they made were scrutinized by their man counterparts. As the book progressed throughout the decades, the women were still facing issues that the women of today face.