The Drum Research Paper

The hand clapping is always on the off beat, yet still accented, and the bass line is constantly on the beat. These layers of rhythm being played simultaneously create juxtaposition. This gives the atmosphere of energy in the piece.

Once we arrived at the event, Dawn Hemmingway started by making a few opening statements. Dawn’s opening statements were then followed by members of the Khast’an Drummers. There were four Lheidli T’enneh peoples drumming in total and they performed multiple songs. These songs had various different meanings and incorporated their values and culture. The general theme of their songs had quite somber and touching meanings due to the matter at hand. This was the first time I had witnessed the Lheidli T’enneh people perform. It was a very special moment for me, I felt honored to have witnessed them share their culture with everyone in the room.

As I sat down in a room with my favorite drummer, Rhett Noland, I had pre existing thoughts I would learn new drum skills, hear about tour life, and get advice about performing. Instead, all those things were blown out the window. What I aquired from this classroom was more important to me than any rudiment or drum fill, or any advice someone else could have given me. What I learned in this classroom in a sense “woke me up” and gave me a realization about what I am here on Earth for. Rhett told me about how he used to be an alcoholic. How he used to not even be able to go to work without a drink. How destructive drinking was. How miserable he was. There was a paradigm shift in the room immediately after he told us that now, he had been sober for 23 months.

For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become

My 2nd point is to explain how “modern” drumming began and what a modern drum set is ("Ringo starr," ).

During these potlatches the events is traditionally marked by ceremonial dances and also by songs. The songs get an extra effect by providing whistles, rattles, and specific vocal utterances. Whistles are associated with the spirits. A main element used by the Northwest coast is the beat of a drum. They are known to play individual hand drums with one another instead of playing a one giant drum like in the Great

The achievements of the Edgewood drum line has lead my transition from childhood to adulthood in many ways. My director has shown me how to be not only a good percussionist, but also a good leader. From these leadership qualities, I was able to lead our drum line to success in 2016. The the indoor drum line finals at the MEPA finals in 2016 where the Edgewood Drumline was awarded first place for our performance. This accomplishment was many years in development after getting third and second place for 3 years in a row. This achievement meant a lot to me and my peers at Edgewood, as it is one of the most major endeavors that Edgewood's music department has accomplished.

The beat in this section builds up as more percussion is added. Similarly, dancers gradually feed on to the stage as the levels of percussion increase. The dancers walk, isolating their hips down stage Right then break off into trios as they rise and fall with the syncopating drum. E.g. with steps, turns, leg lifts and back bends.

Drummers collaborated with the dancers in such a way that they were able to communicate with each other through different rhythms and changes in pitch and tone. African dances were extremely sophisticated, both stylistically and rhythmically. The rhythmical elements of the dances conveyed conventional rhythms found in various nature patterns. More often than not, these dances were very repetitive, much like the cycles of life(Knowles). It was this conversational exchange between drums and feet, drummers and dancers, that evolved into tap. Time step, a basic tap step, was based on asymmetrical balance, an important aspect to African expression. It includes six measures of repetitive rhythmic phrasing, along with two measures of rhythm breaks. Often times, the swaying motion used tended to cause the accented steps to fall on the second and fourth beats of a sequence. Through their steady patterns of assimilation, imitation, and transformation, tap was created(Source 17).

An article titled Traditional Native Culture and Resilience dispels this pertinence through a personal narrative, “Cultural practices unlock our human potential. Sisoka Luta(Jerome Kills Small) states, ‘through the drum I feel the Native American part of my spirituality. I have a special bond with it. I know that a lot of the others find the greater part of their strength in other things like the sweatlodge and the pipe. For me, I get my strength from the drum” ( ).

There is a great book named Time Enough For Drums By Ann Rinaldi. In this book a character named Jemima Emerson has a brother named Daniel Emerson. Daniel Emerson enlisted in the army and fought in the revolutionary war. Using Daniel’s Bravery, Knowledge, and Determination he helps the American militia win the American Revolution.

“Put on a show!” The director’s command echoed across the field as the drum corps began its routine in front of thousands of spectators. What attracts people to be involved in such a demanding and strenuous activity? The concept of drum corps has changed drastically over the last 200 years. Tracing its origins from before the American Revolution through the Civil War and into the modern era, today’s concept of drum corps has evolved from a military necessity to a major form of entertainment.

The position for drum technician just became available at Professional Music Center. As you know, I have been a loyal and hard-working employee at the music center for many years now. As a result, I have gained respect and trust from the store owner, Mr. Jensen. He was very interested in hiring you after I told him of your education, technical skills, and performance experience. When talking to him about you, I mentioned your Performance Arts degree from Berkley School of Music, as well as, the major musical acts with which you have toured. However, Mr. Jensen lit up when I stated you have ten plus years teaching percussion from your home studio. I know you will be a great fit here, as you share the same enthusiasm, spirit and knowledge we

Every class we would start off with an intense warm-up that was filled with many isolation's, stretches, core work, and West-African based movements. The warm-ups usually lasted about 30 minuets each class. During our warm-up the drummers always played the KouKou rhythm for us live each time we transitioned from movement to movement we waited for the drummers break. The drummer break is essential to West-African dance because the drummers break is the direct communication between the drummer and dancer. It lets us know when to start, stop, or change our movement why the rhythm was played. Our master drummers Bada and Ashutu often explained to me the importance of my dancing being attuned with their drumming. When my dancing and movement were

     I believe the greatest thing to ever happen to me was my snare drum, and I want to thank my teacher, Mr. Cantu for teaching me the correct techniques and teaching me how to practice. One thing that helps me in school was practicing because thanks to that I learned how to manage my time in studying. As a student in college I go back and I think about all the crazy times I had with my drum, and I enjoy thinking about them. But thanks to my parents who