The Duchess Of Malfi, By William Shakespeare

Throughout the education system, there seems to be an unofficial consensus that pieces of literature that are deemed “controversial” should not be taught in school. The Merchant of Venice falls into this category due to the Anti-Semitism which exists within the play making it “controversial” therefore, banned. On the contrary, this play should not be considered controversial and it should not be banned due to the learning experiences and knowledge that can be gained by reading this play. The contrastive style of literature will provide students and teachers alike who read this play the chance to expand their horizons when it comes to their English skills. With this in mind, The Merchant of Venice written by William

In Shakespeare play, Macbeth, Lady Macbeth’s character progresses in an interesting manner. Lady Macbeth is made to act as an incentive to Macbeth's immoral actions. Even though Macbeth is generally the person to have a final say before killing someone, Lady Macbeth plays the role of his “sidekick”. She mocks her husband if he worries over a sinful deed (which usually she instructs him to do), saying he would be less of a man if he does not follow through with their plan (I. vii. 56-57). She gives Macbeth a short lecture in deceptiveness when they are planning to kill King Duncan (I. vi. 73-78). She also prepared the daggers for Macbeth to kill Duncan in advance (II. ii. 15-16). Although her husband was still having doubts, she was always ready to go in for the kill. She did not think twice about it or feel any remorse. This shows that Lady Macbeth evolved into looking like a humble and quieter person on the exterior, but being an insane woman and criminal due to the events that have affected her.

After decades of collected prose and literary works, the nature of evil has been reintroduced through bombast and pomposity words, much like those found in Macbeth and Beowulf. These two masterpieces have set the standard not only for dark literature, but also for malevolent characters. While Macbeth and Grendel may have lived hundreds of years apart and do have many differences, both are characterized by evil traits such as naive ambition, rapacious guilt, and genuine immorality. These fatalistic and malicious characters expose that any man, or creature, has the potential to ultimately become an evil and commanding oppressor, completely disregarding the essential qualities of human

In Golding’s’ wartime novel, human nature is put under the microscope by a Misanthropist, dead set on exposing Humanity for what it holds; Innate evil. Evil in what way you ask? In ambition. For in our world, Shakespeare’s, and Golding’s, Ambition truly is the source of all evil. In Macbeth, Shakespeare does well to disguise ambition as the true source of villainy, behind the façade that is Lady Macbeth and the witches. Without ambition, there would never be any action, no good, no evil, would Eve have picked the apple from the garden of Eden, without the ambition to gain further knowledge? The two traits of evil and ambition are well aligned in both pieces of literature, and too in real life, and this essay aims to explore the link they

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

In Shakespeare’s “Macbeth”, destruction is wrought when ambition goes rampant by moral constraints. “Macbeth” amplifies the fight amidst good vs evil, analyzing the psychological effects of King Duncan's murder. This tragedy concerned the plunge of a great man (King) from his position of nobility to humility on behalf of his ambitious pride. This pride causes the downfall of Macbeth that triggers a series of deaths down the line. Ambition is the driving force of the play.

‘Macbeth’ is a play in which a Lord and his Lady come into supreme power through acts of injustice and despicable inhumanities. In the play Macbeth there is no main focal theme that overrules the others; the play however has several underlying themes, namely there are important themes i.e. good and evil (like ying and yang), greed and power, guilt and conscience, fear, ambition – this leads to the murder of other people illustrating to the reader that even the most sane of people can result to character diminishing methods to get what they want. These particular themes are the most prominent and when closely looked at, it can help to understand characters and meanings behind the play. The theme of ambition is very important in this play,

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

In Machiavelli’s The Prince, he stats that it is better to be feared than loved, but that one should avoid being despised and hated. With these concepts at hand we can compare these philosophies to one of Shakespeare’s most famous plays Macbeth. This play can be analyzed through two important characters Macbeth and Duncan. They both have their own tragic flaws and how they came to power. But Macbeth had gained his title illegitimately.

At the beginning of the The Duchess of Malfi, Antonio presents a terrible prophecy to his friend Delio, telling him that “a prince’s court/Is like a common fountain whence should flow/Pure silver drops in general; but if’t chance/Some cursed example poison’t near the head,/Death and disease through the whole land spread” (Webster 1.1.11-15). Death certainly spreads throughout the play, with the majority of the characters dying by the time curtain drops, but what “poison” engenders this doom? Initially, the audience might view the Duchess’ deception as the poison in the plot. After all, her secret marriage is the catalyst for her brother’s murderous actions. However, in reality, the poison that flows through the fountain is Ferdinand and

Many Shakespearian dramas, like Macbeth, are inspired by the ancient Greek notion of tragedy and the fall of man; much of which is powered by one’s lust for greater gains. Correspondingly, the play reveals how ambition creates the capability of deteriorating a man’s morality and world. This is presented through the titular character and his “dearest partner of greatness” (P. 23) and the consequences of their actions.

When studying literature or reading a play, our attention is drawn to the protagonist or antagonist. Shakespeare directs our attention onto heroism, which can be seen across all of his plays like Macbeth or Julius Caesar. The protagonists Macbeth and Banquo conquer the evils that face them throughout the plot. However, the nature of violence that takes place throughout Shakespeare’s plays is in relation to“the source of the killing of the soul”(Macbeth and the Nature of Evil). In Macbeth, Macbeth is known as a superhuman warrior, the characteristics of being brave and having ambition. The main reason evil stirs up violence can be seen as examples in Macbeth and Julius Caesar, which is caused by “evil being incompatible with humanity” (Shakespeare’s Play Themes). The murders in Macbeth and Julius Caesar are both examples of the rotation of the natural order.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

Shakespeare and Webster represent the female characters in ‘Hamlet’ and ‘The duchess of Malfi’ by using general themes such as the patriarchy and the social control, the female identity and its independence, this institution of marriage, the expressions of sexuality and finally women shown to be either conformist or transgressive. Men were firmly in control in the Elizabethan and Jacobean era, and the expectations for women were to stay home, cook, clean and raise a family. Women’s status and roles were subject to the Tyranny of patriarchy, they were given strict disciplinary rules to follow whether by law or unspoken norms to prevent from rebellion. Women’s rights were restricted, legally, socially and economically, unlike today were women are more powerful and independent. Today women and men are seen to be equal and women can do pretty much everything a man can do (voting, working, becoming president) although there are many people still today who disagree with women having these rights.