The Dunedin Public Art Gallery

Many artists explore their personal journeys within their artworks, as a way of understanding their emotions and the world around them, as well as discovering their identity. Sarah Fordham’s art is inspired by her experiences including her travels around the world, and also as a way to make sense of her thoughts, ideas and emotions. These elements are displayed in bright colours, incorporating symbols and patterns in her work. Her two artworks being analysed are called “The Big Call” and “Pokeepskie”.

Back in my school years I used to visit many historical museums, where I learned a lot about the culture and society of the past. As I have always been interested in history and arts, all that was a breathtaking experience for me. I believe that these museums is the best way to get closer to lives of our ancestries and it can help us to see the world in a different way. However, to be more knowledgeable about the world we live in, it’s also extremely important to be familiar with modern art. So this time I decided to experience something new and started searching for a museum which would contain works of contemporary artists. Tampa Museum of Art was a great option. This Museum was founded in 1979 and since then it has curated three exhibitions covering the Classical World to Mid-Century Modernist works,

Artists use their artworks to communicate different meanings and transfer specific messages to the audience. Their artworks can be presented in different forms like architecture, drawing, painting, sculpture, pottery and many other forms. Each artwork contains a specific meaning which is usually based on the artist 's beliefs, culture, identity and the nature surrounding us. Rona Rubuntja from the Hermannsburg Potters, Bronwyn Oliver, Christo and Jeanne Claude each presented their art in different forms but they all communicate meanings and ideas to the audience. Rona Rubuntja who is a senior member of the Hermannsburg Potters and her famous pottery work ‘I 'm Black’ for the exhibition ‘Our Land is Alive’ at the National Gallery of

1985 (Figure 2) first appeared in 1985 plastered on billboards around New York City. The piece is illustrated in monochrome colours so to not distract viewers from the meaning of the poster. The harsh contrast in colours between the black writing and white background make the piece stand out and draw the attention of bypassers. Written on the artwork is a list of well-known museums in New York City and beside them is a score of how many women artists have had one-person exhibits there in the past year. The results showed that the Guggenheim, Metropolitan and Whitney museums each had zero, whilst the Modern museum had one. These results are supposed to shock the audience and make gallery curators feel a sense of guilt, that it’s clear the art world don’t appreciate women artists like they do men. Whist they are confronting the public with that truth they are also providing another critical message with this piece. The Guerrilla Girls identified these museums by first name, not out of convenience, but to make a statement, that the only museums to allow women artist some form of respect like male artist do was the ‘modern’ museum. Emphasising the fact that gender discrimination and bias nature in the art world should be in the past, and the only museum that realises and recognises this is the modern one. The poster’s main message challenges the patriarchal world of art and confronts art galleries

For this project, I chose the Tampa Museum of Art. My daughter Annabelle, who is eleven, accompanied me. She is an aspiring young artist who loves to paint and assemble collages. This paper will describe our trip, the museum’s activities, and what was on exhibit. After which, I will choose two works of art and preform an analysis on them. I will employ the formal elements and the principles of design to engage the first piece, “The Great Journey”. With my second choice “A Group of Cubans who left Manzanillo are Rescued at Sea”, I will discuss how applying an alternative contextual analysis would help in understanding the meaning behind the painting more.

Lauren Berkowitz is a contemporary installation artist. Installation art can be described as a three-dimensional painting, sculpture, poem, and prose work, which is usually transient and site-specific. This very modern art practise makes Berkowitz’s expression of Australian landscape is completely different to the previous two artists, Glover and Drysdale. Her work is made with an almost obsessive attention to detail after painstaking research and, ultimately, total dedication to the moment of making.

The artwork is one of the main ways to express the culture of a region or a country. Therefore, art has played a very important role throughout history. When talking about art, the first thing that comes to most people’s minds is probably that art is a painting or it is a sculpture. However, art has many forms of expression, and it closely connects to human’s daily life. Besides paintings and sculptures, art is everywhere around us. I am always interested in how people have linked art with daily life throughout history. For this reason, the two pieces of artwork I chose from my visit to the Museum of Fine Arts are both objects that can be used in everyday life: one is the mixing bowl and the other is an incense burner. Though they are from different cultures, have different making processes, and have a different purpose in usage, they both are good examples to show how artists tried to apply art using different techniques to human’s daily life.

For this weeks artist, we were asked to summarise the information provided to us based on the artist, Tracey Moffatt, and research other information to include in the summary. We then had to gather four images of her artworks and write comments on them including, our thoughts, opinions and other general statements about the image. Another requirement of the two week task, was writing about what we personally thought our chosen series produced by Moffatt was about, and also including a short 200 word paragraph on what image we would add to the series and why. The last task was to create an artwork based on Tracey Moffatt’s style of art.

Rosalie Gascoigne started working as an artist in Australian later in her life during the 1970’s to late 1990’s. Her focus was on the environment and sustainability as she often used discarded objects such as streets signs and drink crates and gave them purpose. Her line of work is closely associated with the postmodernism movement which challenged the notion of art existing to be representative and instead insisted there is no ‘real art’ meaning anything can be art.

Brancusi's imprint on contemporary sculptural practice ranges from the dissemination of furniture-oriented sculpture and the emerging topos of architectural folly to new paradigms for public art. At the same time many postwar artists engaging in a dialogue with his legacy have read and productively misread Brancusi's work. Through the

Seeing David Hockney speak about his book was very interesting to me. Watching him speak about his ideas opened up my mind and made me even consider different ideas. Hockney argues that it is very possible that many artists discover the type of techniques that he does. Hockney spoke of a very interesting topic. This would generally be a subject that wouldn't brought to my attention, but this discussion made me think of things in a totally different way.

Damien’s Hirst’s enthrallment with pickled in formalin animals was a subject for discussion among postmodern art connoisseurs and critics until he shook the world with the most expensive sculpture in 2007.

I can hardly think of a worse place to be tonight. Once again, I have to endure the company of a fawning bunch of pretentious pricks, quaffing on complimentary Cava and talking bollocks. Don’t get me wrong, I have a deep appreciation for the arts and especially photography, I’m a photographer myself, but the stuff on display here looks more like a bad sixth form art project to me. In all honesty, I’ve seen more artistic promise from my six-year-old, than this bunch of clueless bedwetters. The exhibition brochure they’re passing around boasts a collection of some of the finest talent in British contemporary art today, so I should being feeling privileged, but you know what? I’m not, and what’s more, I couldn’t care less for

ABSTRACT: British Avant-Garde art, poses a challenge to traditional aesthetic analysis. This paper will argue that such art is best understood in terms of Wittgenstein¡¦s concept of "seeing-as," and will point out that the artists often use this concept in describing their work. This is significant in that if we are to understand art in terms of cultural practice, then we must actually look at the practice. We will discuss initiatives such as the work of Damien Hirst, most famous for his animals in formaldehyde series, and that of Simon Patterson, who warps diagrams, e.g., replacing the names of stops on London Underground maps with those of philosophers. Cornelia Parker¡¦s idea that

Each of these shows meant a change in style and as his work shows a constant willingness to experiment with new ideas and different media. The work in that show was like a mini retrospective illustrating many of the themes which inspired the artist. There were some of the early studies of birds and animals of bronzes based on various myths and studies of literary figures like Vincent Van Gough and a new series of surreal images in cast bronze. ” (Irishartcom. (2015).