The Effects Of Decute Identity In Fault Lines By Meena Alexander

Through a qualitative comparative literature analysis, this research will look into the influence that Reyna Grande’s personal experience depicted on her memoir influences her novel Across a Hundred Mountains while paying close attention to the role that liminality plays on the identity construction of both Grande and her fictional character

Among the various structural and thematic elements, Debora Greger’s “West of Myself” provides a sense of nostalgia and reminiscence of the past. The poem illustrates how life and memory are not so easily remembered or taken. The speaker of the poem is dramatizing her inner conflict and chastising herself for the direction her life has taken and where she believes it will befall. The compelling force for the creation of the work might have been to express memories of living a life and reflection, looking at life from hindsight. The poem reveals where she once thought the right way in life was to go and where she now thinks the right way would have been.

Ayn Rand created a fiction novella, Anthem, in which she reveals the notions of freedom, egoism, and individualism. She sets up the main persona in the story, Equality 7-2521, to discover the concealed egoism in the dystopian society where all individuals was identified as equal ones. Throughout the piece, Rand employs an adequate blend of symbolism and allusion, a confessional tone, and change in personal pronouns to clarify her primary purpose of her writing, the individualism.

These are the seven metaphors in The house on Mango Street I found the most effective. “It’s small and red with tight steps in front and windows so small you’d think they were holding their breath,” page 4. By personifying the house and describing it as holding its breath, it gives you an idea on how cramped it was. “Until then I am a red balloon, a balloon tied to an anchor,” page 9. Esperanza is lonely because she doesn’t have a best friend and feels like she’s tied down by her siblings. “At school they say my name funny as if the syllables were made of tin and hurt the roof of your mouth,” page 11. This describes the struggle of having a foreign sounding name in the United States that most people can’t pronounce. “It’s like all of a sudden he let go a million moths all over the dusty furniture and swan-neck shadows and in our bones,” page 20. This describes how music can feel bigger than sound and you can

One’s identity may be questioned when suffering; ultimately suffering is what creates one’s sense of self or what destroys it. The poetry of John Donne and the play W;t, 1993, by Margaret Edson, both illustrate and explore a sense of suffering and identity. In John Donne’s poetry, suffering, both emotionally and physically allows the speaker to understand their identity in more depth, in comparison to Margaret Edson’s play, W;t, Vivian’s suffering leads her identity to be stripped away. In Donne’s sonnet, ‘If poysonous mineralls’ we are shown suffering religiously and emotionally, through one’s sin’s, questioning god’s justice, which leads to a realisation of one’s identity. In Margaret Edson’s play, W;t, Vivian’s emotional suffering

In “My First Lifeline” written by Maya Angelou, the author vividly explains a lifeline thrown to her in a time of need. The essay became a reflection of Angelou’s childhood and presented the reasoning behind some of the traits she acquired. Angelou utilizes vernacular speech, figurative language, and sensory details to aid in expressing the first lifeline thrown at her.

In The House on Mango Street, Cisneros uses numerous amounts of metaphors to express how the characters are held down and lack opportunities to move forward in their lives. The use of metaphors also allows Cisneros show the readers the different aspects of the neighborhood. Cisneros highlights metaphors to show how men oppress the value of women, the opportunities which are present for individual characters, and how characters are not able to progress in their lives due to their social surroundings.

“I want to be like the waves on the sea, like the clouds in the wind, but I’m me. One day I’ll jump out of my skin. I’ll shake the sky like a hundred violins” (60). In the story “The House on Mango Street”, the author Sandra Cisneros uses sentences full of imagery, metaphors, and word games, to show how self definition is a result of the people and places surrounding you. This is represented throughout the book when Esperanza wants to change her name, living in a male dominated society, and when she wishes for a new home.

Every individual in this world faces some type of problem through out their lives, and everyone overcomes them in different ways. People sometimes release their stress and problems through writing what they feel, and by writing they feel they go somewhere else. Amy Tan, a Chinese American, struggled with her true identity which influence her works which mainly focus on identity, the Chinese American dream, and family struggles. Amy Tan had a childhood full of ups and downs, and they are all part of her stories and poems. She overcame many obstacles in her life and learned many lessons that are all reflected in her works. Many of Tan’s works are about personal experiences she had and about her family.

Richard Blanco’s diverse background makes him relatable for people of multinational upbringings. His writing thoroughly appealed to me because he did such a good job capturing the emotions of a child coming into a new world. Having experienced that, I wanted to see if I could have that effect on people. I used some of the techniques that Blanco uses, in my poem “New Identity”, to familiarize the reader with what he has been through. Richard Blanco accustoms the reader to his experiences by using figurative language, diverse diction, and allusions.

2. "… there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour." (p. 11)

Throughout life, there are those who struggle to find out who they are and their path for life. However, this same struggle can be seen in a lot of literature. For example, two selections where this internal struggle can be seen is the short story "Where Have You Gone, Charming Billy?" and the poem "White Lies".

A theme explored by Anthem is the loss of individual identity and the struggle to find his individualism. The time he found his own identity was when he ran into the forbidden forest discovered the forbidden word “I” and he said “I am, I think, I will.” Rand (pg 94).

In this literary analysis it is essential to compare and contrast Cathy Song’s poem “Heaven” and Bryan Thao Worra’s poem “Pen/Sword” to give the reader a better understanding of what the authors’ are conveying to their readers. The similarities in the style, word choice, and theme will be compared, along with the differences of style, word choice, and theme reflected throughout each poem. Furthermore, I will determine the meaning behind the broken up and/or the way the lines of each poem while describing why the lines are strategically placed throughout the pieces. This will allow me to identify the meaning that the authors’ are explaining to the reader. Each poet specifically writes to give the reader(s) a picture of what they are feeling and defining their emotion through their writing.

The narrator is unknown to the readers but describes Catherine’s, and other characters inner thoughts, that would otherwise be reserved to them. Although it is Catherine that is made the main focus, “Catherine’s feelings, as she got into the carriage, were in a very unsettled state; divided between regret for the loss of one great pleasure, and the hope of soon enjoying another”, her narrative representation is sympathetic and pleasant but the third-person structure also allows for Catherine’s nature to be presented without confusing the