The Effects Of Traditions In The Yellow Wallpaper And The Lottery

Traditions are based all around us. Today’s society has many traditions like family traditions, holiday traditions, southern traditions, and so many more. Although most traditions are harmless, it is not always best to follow tradition. Sometimes following tradition can be dangerous. In Shirley Jackson’s “The Lottery” villagers participate in an annual drawing, and the winner gets stoned. The villagers are blind to how cruel and brutal it is because of their commitment to this tradition and to that society. Fear is what is keeping this village from breaking such an act. The fear of actually giving up this tradition and society is what is keeping this brutal act existent. Shirley Jackson’s “The Lottery” is a perfect example that following tradition

“The less there is to justify a traditional custom, the harder it is to get rid of it” (Twain). The Lottery begins during the summer. A small, seemingly normal, town is gathering to throw the annual “Lottery”. In the end, the townspeople—children included—gather around and stone the winner to death, simply because it was tradition. The story reveals how traditions can become outdated and ineffective. “I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives” (Jackson). As humans develop as a race, their practices should develop with them. Shirley Jackson develops the

Tradition; it is the back bone of every culture and civilization. It is what keeps the beliefs, philosophies, and activities of societies alive, to be passed down from generation to generation. However not all traditions are practiced with pure intentions.  Some activities become so routine, people don’t know a life outside of them. Societies become so accustomed to “tradition” that they will participate in pastimes without  questioning the ethics or morals of the situation. Ultimately when tradition takes the place of a rationalizing mind the outcome can be incredibly dangerous. The role of tradition is an underlying theme in the short story The Lottery by Shirley Jackson, forcing readers to ask themselves “At what point do

Shirley Jackson’s “The Lottery” is a story littered with warnings and subtext about the dangers a submissive society can pose. While the opening is deceptively cheery and light Jackson uses an array of symbols and ominous syntax to help create the apprehensive and grim tone the story ends with. Her portrayal of the town folk as blindly following tradition represents the world during World War II when people’s failure to not mindlessly accept and heed authority lead to disastrous consequences. . Shirley Jackson uses a large array of techniques to help convey the idea that recklessly following and accepting traditions and orders can lead to disastrous consequences.

In modern society, most traditions are viewed as customs that unify people, strengthening relationships between family, friends, and community. In contrast, Shirley Jackson and Charlotte Perkins Gilman blatantly exhibit how outdated traditions in history have severed relations amongst people, acting as divisive forces rather than unifying practices. In “The Yellow Wallpaper” and “The Lottery”, old traditions of the societies in the stories incite conflict amongst the characters, negatively influencing relationships between and within characters.

Traditions are widespread among many different people and cultures; It is an explanation for acting without thinking. Not all traditions are a good thing, though, and blindly following them can lead to harsh consequences. The villagers in a small town in “The Lottery” gather together annually to participate in this tradition, where one person in the town is randomly chosen in a drawing to be violently stoned to death by citizens. It has been around for seventy-seven years and everyone partakes in it. People always attend, showing the importance of tradition amongst the society. However, in the short story, “The Lottery,” Shirley Jackson uses many literary devices to show that traditions are not always meant to be followed.

As the plot of the stories unfolds, the greater influence of violent tensions become evident. In The Lottery, people follow the tradition despite its cruelty and absurdity. Although the ritual of the lottery is brutal, the dwellers of the village do not seem to see how barbaric it is because “there’s always been a lottery” (Jackson, 1982, p. 118). Nevertheless, the tensions grow when the lottery begin and every citizen is awaiting for its end. The climatic moment of the story grows when the reader discovers that Tess

In Shirley Jackson’s short story, “The Lottery,” a small village is preparing for an annual drawing, a tradition carried out for generations. During this ritual, the head of each household draws a blank piece of paper out of a black box. One piece of paper is marked with a single black dot and if chosen, the outcome is having the winner’s entire household draw out of the box. Whoever chooses the black dot out of the household is stoned to death by the entire village. In this instance, a husband wins to which his wife protests, and then she is the ultimate victim who is sacrificed. This story includes many literary elements like foreshadowing, warning of a future event, symbolism, symbols used in the story to represent ideas,and irony, when the contrary to what is expected to happen, occurs. Jackson uses foreshadowing, symbolism, and irony to prove the theme that it is foolish and barbaric to blindly follow tradition.

"It isn't fair, it isn't right, Mrs. Hutchinson screamed, and then they were upon her" (Jackson). Shirley Jackson's “The Lottery” is brimming with illustrations of how thoughtless repetition dilutes foundations that were once rock solid. The traditions of the village in the story lead to the stoning to death of one of the residents on a yearly basis. The people were not so clear as to how, when, or why this took place every year; however, this did not stop them from continuing with an encore. The limited view they had on life and of growth was the road block that prevented any major change. Traditions can overcome society's better judgement.

As the stoning process begins, Mr. Summers announces, “'All right folks, let’s finish quickly,'” (p.209). This remark proves that this village does not cherish human life where they will do anything for a successful outcome. This ritual sacrifice is something the younger generations might foresee as something not right or barbaric to do. Mrs. Adams says, “‘some places have already quit lotteries,'” (p. 207). Old Man Warner who has been to 77 lotteries angrily argues, “'There always been a lottery...nothing but trouble in that, pack of young fools,'” (p.207). This shows that the young people are wanting to go off the trail and get rid of lottery because they see no good in it. The older generations see the lottery as a tradition that has been practiced for many years, it must keep living

In a dystopian village, “A stone hit her in the side of the head. It isn’t fair, it isn’t right, Mrs. Hutchinson screamed and then they were upon her” (7). Keeping the tradition of the lottery alive means that the members of Tessie’s family, her friends, and the villagers will stone her to death. Tessie Hutchinson is the unluckiest person this year, having won the lottery. The theme of “The Lottery” is that there are some traditions that should not be kept alive.

In both “The Yellow Wallpaper”, a captivity narrative by Charlotte Perkins Gilman and “The Lottery”, a short story by Shirley Jackson, tradition incites conflict. These works of fiction reflect upon the use of a tradition as a divisive force between the characters, and the societal setting. In both “The Yellow Wallpaper” and “The Lottery”, tradition is the main source of conflict in families, as well as the main characters and their societies. These stories display the devastating consequences of society’s reluctance to change.

In Shirley Jackson’s short story, “The Lottery”, it can be very dangerous to follow traditions blindly without knowing about the horrible consequences. When one follows traditions and laws and never questions or seeks to understand the reason for them, the inevitable outcome often brings sorrow. Indeed blind devotion to complying with rules that destroys the human spirit by removing choice, and continuing rituals with dark consequences, and punishing anyone who objects to following tradition. Complying with rules that helps lead to destroying the human spirit is dangerous because individuals should always have the choice to follow those rules. The blind devotion of the village participating in the town’s yearly lottery is the clear example why all rules aren’t always positive. Rituals can be looked upon as positive but they also can have a negative connotation when they lead to dangerous consequences. The village in the story has a ritual every year to hold a lottery, where the winner is stoned to death and this is a clear example how a ritual can be viewed negatively. Traditions are beliefs passed down between generations of a family or culture. They are things we do by choice because they are enjoyable and meaningful for the people involved. Traditions in the story have a dark side to it because the tradition in this village is to kill one of members of the village using a lottery system. The dark side of “The Lottery”, is substantial with many down falls of

Shirley Jackson?s insights and observations about society are reflected in her shocking and disturbing short story The Lottery. Jackson reveals two general attitudes in this story: first is the shocking tendency for societies to select a scapegoat and second is the idea that communities are victims of social tradition and rituals.

When gossip of neighboring villages giving up the lottery wisps through the crowd, the notion seems unthinkable to the elders in this story (Jackson, 250). It is as if their foundational principals have been attacked by the idea (Jackson, 250). This imagery may serve to portray a climate of self-entitlement in our humanity.