The Effects of the Writing in Margaret Atwood's Cat's Eye

The Eye of the Sheep, written by Sophie Laguna is a strong example of how memorable texts can both disturb the reader as well as instil hope. The novel follows the story of the narrator Jimmy Flick, a young, unusual boy and his family. Laguna’s writing style and use of language throughout the text enables the reader to feel the pain and distress in Jimmy’s family without ever losing hope that things will work out. One of the ways in which she does this is through the use of Jimmy’s voice, as it allows the reader to feel the positive energy bubbling inside of Jimmy, while still witnessing the problems that Jimmy’s family have to deal with, such as his father’s drinking habits. Another way is the manner in which the characters are constructed. All the members of Jimmy’s family have multiple facets to them. They are all complex characters that have both light and darkness within them. Through these cleverly constructed characters, Laguna how even good people can do disturbing things. While reading the Eye of the Sheep, there have been multiple different perspectives that have enriched my own interpretation of this text, that again show different facets to the story.

A solitary woman sits in conversation with a benign tumour that had just recently been removed from her ovary. As the woman speaks, the inanimate tumour, which she has named Hairball, looks on from its glass encased perch atop the fireplace. The scene is macabre and certainly unusual, but such is the life of Kat, the main character in Margaret Atwood’s short story, Hairball. Kat’s life is filled with the unusual and the shocking, a lifestyle that has been self-imposed. Throughout the years, Kat, an "avant garde" fashion photographer, has altered her image, even her name, to suit the circumstances and the era. Over time Kat has fashioned a seemingly strong and impenetrable exterior, but as Kat’s life begins to disintegrate

Meanwhile, Carol’s costume and performance paint her as simultaneously both more and less of an outsider than Therese. Establishing shots show throngs of holiday shoppers in dark wool coats and neutral colored suits, bustling around completing their holiday shopping. Then, the audience meets Carol. In an extravagant, caramel colored fur coat, a scarlet hat and scarf, and with fiery red lips and nails, Carol stands out from the crowd. Her slow, deliberate gaze contrasts the hustle of the shoppers. She is alone, while most other are accompanied by spouses, friends, or children, and she exudes an air of mystery and angst. Carol’s costume and mannerisms in this case align with Doty’s claim, however the classically feminine and glamorous way in which Carol presents herself complicates the connection. While Carol is in fact depicted as being an other, she aligns better with normative standards of female beauty and sexuality than all others in this scene. This notion is present throughout the film as Carol embodies the pinnacle of what women in this time aspired to exude; she’s elegant and witty, intelligent and compelling, beautiful and wealthy, and a wife and mother. However,

Afraid of his master, the cat slightly wounded the narrator on the hand with his teeth. Because of the cats reaction to his picking him up, the narrator pokes out one of the cat’s eye. The eye of the cat which is

Also, Kitty has a disease called Usher Syndrome. Before reading this book I had never heard of it, and thus never realized how common it really is. This disease takes away two vital senses; hearing and vision. Kitty really opens up about her fears about losing her sight. The idea of total isolation is scary, without a doubt, and in my opinion she handles it with more courage than I could have ever imagined. Sign language is visual, and once Kitty loses her ability to see it will be very difficult to communicate with her family, and nearly impossible to communicate with hearing people who she most of the time needs an interpreter to communicate with anyways.

I believe that the cat was the only thing that showed her love and attention. Her only son, had a family of his own, her grandchildren were older now, and she felt like she was not important to them anymore, and the children?s mother was involved with the baby. By bringing the cat, she felt like she would not be lonely. The reader can also tell that the woman is extremely prejudice. She refers to the black child as a ?cute little pickaninny? and a nigger.

But, for the first time, her daughter stares into her eyes, and her response is astounding as well as startling, considering her age. She says, “Mommy, there's a world in your eye. Mommy, where did you get that world in your eye?", and for the first time since the beginning of the piece, we experience Alice’s confidence once again (6). She realizes her self-worth, and that it is not determined by her appearance, she says, “Yes indeed, I realized, looking into the mirror. There was a world in my eye” and although she went through a good portion of her life believing that she wasn’t beautiful, or sufficient, it was all worth it because it taught her to love herself even more now (6). To end the piece, she illustrates a dream she had: it’s her old self-doubting self and another her, confident and radiating, coming together. She is once again able to speak of herself in a positive way, she states that the latter self is “beautiful, whole, and free. And she is also [her]”, which, in a way, exhibits that same attitude she had as a two-year-old (6). Twenty-seven-year-old Alice completely contradicts twelve-year-old Alice, who would “abuse [her] eye” and who did “not pray for sight” but “for beauty” (4); she now speaks of herself

Like Untitled #225 (Blond Woman), Sherman’s Untitled portrait #198 (Feather Mask) also stirs a sense of uneasiness. The portrait is a color photograph created in 1989. A woman with an open salmon colored shirt exposes both artificial breasts as she sits with a large, blue feather mask covering her face, as if to cover her identity for fear of being mocked for being a woman. Dark, black eyes peer from beneath the mask, and appear to follow the viewer while one examines the portrait. There’s seems to be no reason for her shirt to be open and her breasts on display, unlike Sherman’s Untitled #225 (Blond Woman) portrait, who seemed to have a definite reason. The fake, jewelry-like nipples on the breast are a deep ruby red color that match with a red pedant hung around her neck. A white tulle skirt covers the lower half of her body as she sits in front of a green printed fabric with red tassels that is hung loosely behind her.

A murmur went through the onlookers. ‘Where?’ ‘What’s her eye doing?’ ‘Move, I can’t see.’ People clustered closer. Cara looked around wildly. She could feel the twitching getting faster. She clapped one hand over her eye and, spinning around, shoved her way through the crowd” (Woods 21). In this moment, Cara’s humiliation is put on public display as a “crowd” of people “cluster” around her to observe her “twitching”. As this transpires and the mass closes in “closer”, Cara draws more and more into herself, shielding her “eye” from those who surround her. This traumatic experience was induced by Alexis’s remarks, which she declared intentionally “loud”, towards this quirk, comparing her eye’s “wild” movements to that of a “jumping [...] spider”. Regarding this, bullying, as portrayed by Woods, causes victims to isolate themselves as they remain defenseless against the vicious words that used against

The story begins in a hotel placed in Italy where a “muddle” takes place over the switching of rooms for a view. In these first few pages the main character describes Mr. Emerson the man who had offered his room as having some childness aspect but “not the childishness of senility” (pg 4). The author in my eyes is trying to draw a connection to the character and his reformist views and tie childness into Mr.Emerson as his matching views are new and young. The two characters introduced hold a large role in being the authors symbols of the peaking liberal social class mostly relevant in Italy unlike the sober aged ideals displayed in Windy Corner, Lucy’s childhood home in England. Another display of this conflicting culturalism is shown by the support of Lucy, Charlotte, and others in Mrs. Lavish, who was a struggling italian author in pursuit of writing a new novel paralleled with Mrs.Honeychurch’s outburst over the misuse of a woman's time and place when hearing about the female writer. Mrs. Honeychurch

The novel “Red Queen” by Victoria Aveyard, uses many literary devices that makes the reader feel how the book wants you to feel as well as be able to paint a picture in their head. An example of mood would be, “Mom crumples in on herself, barely making it to a chair at the kitchen table before she devolves into sobs”(156). The mood turns to being sorrowful because the quote reveals that her son, Shade, passed away. Another example of a literary devices is when the author writes, “Gisa is skilled, pretty, and sweet”(14). This quote portrays direct characterization. When direct characterization is used, it reveals the character straightforward to move into the story quicker. Literary devices make the story interesting and intrigues the reader to keep reading.

Throughout her many years as a poet, Margaret Atwood has dealt with a variety of subjects within the spectrum of relationship dynamics and the way men and women behave in romantic association. In much of her poetry, Atwood has addressed the topics of female subjugation in correlation with male domination, individual dynamics, and even female domination over males within the invisible boundaries of romantic relationships. With every poem written, Atwood's method for conveying the message of the poem has remained cryptic. She uses a variety of poetic devices - sometimes layered quite thickly - to communicate those themes dealing with human emotion. In the poem, Siren Song, Margaret Atwood

When the cat is first observed it is "crouched under one of the dripping green tables. The cat was trying to make herself so compact that she would not be dripped on."(56) Even though the wife is standing to far from the cat to determine its gender, it is described as "she." This choice of words helps to make a connection for the reader between the wife and the cat. The woman sees the cat in a treacherous enviorment trying to make it through

Having moved into a new house, the narrator happens across a black cat, which then follows him home. Nerves rattled, the narrator does his best to avoid the cat. When that fails he tries to kill it, accidentally killing his wife in the process. After sealing his wife's body into the basement wall, he is interviewed by the police. Not unlike in “The Tell-Tale Heart”, the narrator of “The Black Cat” cracks under the pressure of his guilt and gives himself up. Symbolism and suspense make “The Black Cat” worth reading.