The Eight Photos By John Thomson 's Illustrations Of China And Its People

It took the Treaty of Kanagawa and unfair treatment by the US to weaken the shogunate and make way for the nationalist movements of the Meiji Restoration. The sweeping reforms put into place by the new constitutional monarchy put Japan back into the game - with rapid industrialization. military expansion, and advanced education. The landscape itself was useful for Japan's industrial age, as it consisted of mountains, valleys, and open plains, with bays, peninsulas, and small islands off the coast. (Doc. 6) The harbors formed along this coast made fishing the most viable trade, bringing in food for the country's citizens and forming a successful Japanese industry. Fishing also provided a segue into the market for naval development, meaning that in a short period of time, Japan had created one of the most sophisticated and powerful navies in all of the world. Because of the layout

Two ships can arrive at the same destination; however that does not necessarily mean that they used the same route on their journey. Such is the same with the industrialization of Britain and Japan. Both rose to become the two great pioneers of the modern world; however the paths they took to success were different. This paper will compare Japan and Britain, exploring the causes of its industrialization, and how the countries drastically changed because of it. What sets Britain’s industrialization process apart from Japans is that it did not have a role model to base its development on; it was the first industrial nation. Therefore the cause of its industrialization must have much

Arthur Walworth's 1946 work, Black Ships Off Japan: The Story of Commodore Perry's Expedition, was released in the immediate aftermath of World War II, near the beginning of the American occupation of Japan. Walworth writes his account of Perry's expedition as objectively as possible given the relatively limited sources available in English at the time. The work goes into considerable detail in describing Perry's 1852-1853 visit, illustrating not only the minutiae of the diplomatic maneuvering, but also the various formalities of leisure events and ceremonies which grew increasingly frustrating to Perry.1 Walworth briefly examines Perry's 1954 return to Japan to accept the Treaty of Kanagawa, discussing delays caused by translation

In the Turner’s The Slave Ship and Hokusai’s The Great Wave off Kanagawa, the two artists use the complexity and versatility of the ocean to display important events and ideas of the time period. Through the use of different artistic techniques, these two artists are able to capture similar settings in very different ways with very different meanings.

In Pearl Harbor and the Coming of the Pacific War by Akira Iriye, the author explores the events and circumstances that ended in the Japanese attack on Pearl Harbor, an American naval base. Iriye assembles a myriad of primary documents, such as proposals and imperial conferences, as well as essays that offer different perspectives of the Pacific War. Not only is the material in Pearl Harbor and the Coming of the Pacific War informative of the situation between Japan and the United States, but it also provides a global context that allows for the readers to interpret Pearl Harbor and the events leading up to it how they may. Ultimately, both Pearl Harbor and the subsequent Pacific War between

Japan at the turn of the century was clearly trying to westernize and change is isolated society into one more intellectually and scientifically involved with the rest of the world. When the Japanese open their ports to the western civilization food and merchandise were not the only things being traded. When ports were open the western way of living was integrated with the Japanese culture which gradually changed the way the

Few if any sedentary polities have had as long or as complex a history of relations with nomads as Imperial China. This chapter surveys these relationships and considers their theoretical implications. These relationships were varied and complex. Imperial Chinese authorities understood some nomads as more threatening than others, and did so for both material and ideational reasons. Moreover, since the ideational foundations of the Chinese imperial polity differed from those of the Westphalian state, China found the idea of nomads less threatening than modern states often have.

The term Japonisme, refers to the influence of Japanese art on Western art (“Japonisme”). During the second half of the nineteenth century, there was an outbreak of admiration for all things Japanese; being that the hidden works of Japan had finally been unveiled to the Western population. In 1859, Japan opened its doors to the concept of overseas trade in turn allowing for Oriental art and household goods to come flooding into Europe. Japanese prints became an immediate hit amongst Western artists; being that they were significantly different from the works of art in which were prevalent within the West. The bright, exotic colors were immensely captivating and the Japanese notion of space opened the eyes of many artists.

In 1868, provincial rebels overthrew the Tokugawa Shogunate in Japan and the new leaders called the regime the “Meiji Restoration.” This was just the beginning for soon-to-be modernized Japan. A stronger military, new ideas, technology, and laws would be all used to transform Japan into a modern industrial nation. Because of these, modernization had a great effects on Japan’s society and the nation as a whole from 1850 to 1950. One effect modernization had was strengthening international presence and relations for Japan as a whole. This helped to keep them active on global terms and impacted them in a positive manner. Another effect modernization resulted in was the transformation of the internal society of Japan. The changes in the society all provided great benefits for Japan.

The western sun represents the western influence on the infrastructure of Tokyo that is so strong Kikuji feels that he is in a foreign country. Therefore, as Kikuji begins to lose his tradition and recognize the western influences on Japan’s infrastructure, it successfully exposes the shift from tradition to westernization in postwar Japan. Kikuji is not the only individual of the new generation to portray and recognize

Japan is an unique oriental country in many aspects, especially in politics and economy, both western practices and traditional nationalism are coexisted in this country. The period 1890-1940 was just followed the Meiji restoration, and was typical in the history of Japan, at that time, Japan was on the way from a feudal country to a capitalistic country, called modernization. Many western practices were being more and more adopted, however, at the same time, traditional rules still had strong influences in Japan. Under this background, this report will discuss the Japanese cultural factors during 1890-1940 that influenced the disclosure

The two drawings show the spiritual outlook of the different classes of Western European societies from the different sides of the late 19th century. The background is the same, but the state of life is very different, the voice of change Natural social change Social change is to rebuild the social structure, to promote the power of change is usually impossible to come from the top, the top is often conservative, the bottom is the reformist "Eighteen fingerprints" in the signing of the farmers dare to take political risk, the production of households, but also because of their poor life caused by) However, the reform is not always bottom-up, top-down Reform in China in the last century 80's has been in the past to promote. Let's talk about the reform of the capitalist world and the reform of the socialist world for two

Sakoku, or the national seclusion, of Japan by the Tokugawa Iemitsu in the 1630s was one of the most important periods in Japanese history. Many people perceived that Japan became uniquely unique because of the Sakoku. However, during the Sakoku, Japan was not complete sealed off from foreign influences and trades. The national seclusion of Japan is believed by some people that there is only limited trade with the Dutch and Chinese in Nagasaki. According to Oxford Art Online during the Edo period, the Bay of Nagasaki is “the only port open to overseas trade” (Bonnie), which was not true. During the Sakoku, Japan was not restricted to only the bay in Nagasaki, but Japan had total of four designated places that allowed foreign contacts. Before the detail of the four areas of foreign relations during the Sakoku period, the reasons for the Sakoku need to be explained.

Chinese descriptions of the Japanese during the Common Era, men and women were equal in

When studying the rich history of arts and recreation in the Song Dynasty, it is evident that there were many newly pioneered practices that completely captivated the populous and became the epitome of several long-established genres. When one observes the progression of visual arts through the Song Dynasty, landscape painting established itself as the most prevalent and important of the multitude of forms in this genre. Close examination of entertainment reveals that the dramatic arts, with emphasis on shadow-puppeteering, became the most enjoyed form of amusement in the Song Dynasty. Finally, nothing had become more delightful than the everyday life of a citizen, which never had a dull moment. Chinese art and recreation came to a