The Elements Of Comic Books

Superheroes can be defined in many ways by many experts. Clare Pitkethly’s academic background consists of comparative literature, culture and communication as she also speaks and writes comic books and superhero, defines a superhero to be different. In Pitkethly’s article “Straddling a Boundary: The Superhero and the Incorporation of Difference,” talks about

In the work of literature “The Siren Song,” we notice a variety of archetypes, despite the lack of characters. An archetype is a recurrent symbol or motif in literature, art, or mythology.

In old times, humankind has looked to utilize stories to clarify the world in which it lives. Similarly, as old man utilized stories of divine beings and creatures to clarify the world; superior person utilizes stories of exceptional legends and colossal scoundrels to do likewise (Stuller). Comic books are modern mythology, in that they are superior man 's strategy for clarifying their general surroundings through the fantastical. The characters frequently handle such major, philosophical, (Ahrens, Jörn, and Meeting) social and story ideas as the nature of sound and malevolence, man 's inward battle, the wannabe, the women 's activist, and the rescuer.

The Thematic Paradigm, written by Robert Ray, shows that throughout America’s history, people are often attracted to heroes whose traits reflect those of the society at the time. Ray writes about how many American heroes are valued for their strong leadership and sense of community, but there are other heroes who are celebrated for their individuality and their ability to form their own moral laws. In The Thematic Paradigm, Robert Ray shows that the American people are drawn to those who embody traits of both good and bad values. By comparing common values and laws, showing a strong sense of individualism, and contradicting opposite views on America’s historical heroes, Ray is able to give a strong argument as to why Americans are drawn to certain characters in cinema and history.

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

Heroes and their sidekicks have been a consistent motif in mythology from the very first civilization, to the ancient Greeks, and even to popular culture now. Three specific stories with very similar hero-sidekick themes are the relationships between Gilgamesh and Enkidu in the Epic of Gilgamesh, Achilles and Patroclus in the Iliad, and Batman and Robin in the graphic novel Death in the Family. This essay will explore the similarities and differences between these important pieces of literature.

The representation of diverse people and experiences in comics is important to expand the thoughts and minds of readers. Yang and Wilson, the minds behind American Born Chinese and Ms. Marvel, use the medium of comic books and graphic novels to help bring a new sense of belonging and acceptance to marginalized people. They do this by applying a “millennial mindset” to their respective stories. What this means is that the characters they have created, whether they are based off real people or are fiction, address the problems of race, religion, or sexuality that we are facing today. These characters also act to threaten the current atmosphere of the comic book industry. Typical comic book characters and superheroes, before now, were mostly white and from a typical American background. Heroes that were women were generally over-sexualized and unrealistic. These two authors hope to challenge the current status quo of the comic book industry by creating characters whose background is much different than previous superheroes.

Figurative language is one of the literary aspects. For example: ‘’I never understood why you would ever feel the need to shoot the fish in the barrel. I mean, they're in a barrel, you've already caught them. The hard work's done, they can't escape. So if you want them dead, just drain the water out. Why bring guns into it?” Another literary example used in the book is the use of syntax. The following quote demonstrates the author’s use of the correct syntax in his writing. “I don't understand a thing about this world: about people, and why they do the things they do. The more I find out, the more I uncover, the more I know, the less I understand.” Lastly, the author explains his point of view very well so that the reader can truly understand the author’s point of view. For example: ‘’Batman doesn't have any superpowers. He's not superhuman. He's not super. So therefore he can't be a

Figurative language is what makes books interesting. It sets the tone and mood of the story, which gives a more enjoyable reading experience. Harper Lee uses figurative language throughout the entirety of her book. Although she uses a multitude of literary elements in her book, some of the more prominent ones are metaphor, imagery, personification, simile and symbolism. These elements allow the readers to not only feel apart of the story but to also understand it in a more efficient way.

Historically American film have been centered on heroes. In Ray’s “The Thematic Paradigm” he states that heroes as have two preset archetypes with certain characteristics. These two archetypes are the family orientated “official hero” and the loner “outlaw hero.” In Segar’s “Creating the Myth” she states that heroes are made by the steps or events that they go through on their way to becoming a hero. This means that to Seger the heroes do not start out as heroes, but as normal people. However, Ray and Seger suggest different ways in which Americans relate to film heroes, they both agree heroes are popular through common experience and relatability.

Usually, when people think of the word ‘hero’, their mind conjures up several images of Superman, Batman, or Spiderman. Most people think of a hero as a steroid-riddled man in a tight suit and a cape, capable of flying, shooting lasers out of their eyes, or using some other kind of superhuman abilities. But a hero in a classic story is a completely different kind of archetype. Archetypal heroes are far from perfect – receiving supernatural help and making fatal flaws. A hero also embarks on an epic journey in which they face many issues, and are often honored after their death.

The news often circulates with stories of brilliant firefighters and outstanding soldiers. The media label these people as ‘heroes’. However, the definition of a hero can be very elusive. Many kids believe that heroes have to be athletic and robust, but as they grow up, they realize a hero 's actions and thoughts can be more influential than their physical abilities. It can be difficult to determine what elements make up a hero. However, by examining heroes in different stories, the elements of what makes a hero can become clearer. Classic heroes in The Odyssey can be examined, along with the heroes in Fahrenheit 451 and The Sniper. By taking apart the characteristics and traits of these heroes, a deeper understanding of a hero can be found. Rather than by a character 's physical abilities, a hero can be defined by their displays of courage, determination, humanity, profound changes in personality and behaviour, and a fatal flaw.

What is a hero? We all have our own ideas as to what makes a hero, whether they be a superhero, a war hero, or a personal idol. The one thing these heroes all have in common is that they are all respected and looked up to for something they have done. In Marjane Satrapi’s Persepolis, there are many heroes. The graphic novel is Satrapi’s autobiography of her childhood in Iran, during and after the Islamic revolution. Throughout her novel Persepolis, Marjane Satrapi utilizes powerful graphic and textual elements on pages 61 and 146 to show how Marji’s original optimistic and whimsical belief about heroes changes as she realizes that there is pain and suffering behind every hero.

A key to understanding his writing, says author Tom Robbins, is a knowledge of Greek myth. A particular influence on him is the life and work of Joseph Campbell, author of several books on mythology (Hoyser and Stookey 9). Campbell, in turn, owes influence to the insights of analytic psychologist Carl Jung. Jung recognized the patterns within myths --- throughout the world and across all cultures -- of characters, situations, and events, and identified these recurring images as archetypes (Harris and Platzner 40). Campbell

From an early age I loved to read. At just two years old I would beg my mother to enroll me into school. I watched as my older sister meticulously picked out her outfit each night in preparation for the next school day. At such a young age I somehow knew that this thing called “school” was the answer to something spectacular. My home was chaotic and reading became an escape and helped distract me from the unpleasant family dynamic.