The Elements Of Watchmen

The Negro Leagues were one of the most important and influential movements to happen in baseball history. Without these ‘Invisible Men’, who knows where baseball’s racial standpoint with not only African American’s, but others such as Cuban, Dominican, and South American players, would be in the Major Leagues. Throughout the book, one pressing theme stays from beginning to end: Segregation.

When read with a critical eye, the world of superhero comics often offers a lens with which we can examine society, our values, the meaning of justice, and the role of the individual in regards to the greater community. If all of this information is garnered from critical reading, then the way in which the medium of comics constructs these meanings will reflect an embrace or a rejection of the common symbols and ideology of it’s source culture. In the case of Alan Moore and Dave Gibbon’s 1987 graphic novel, Watchmen, the second approach is used, as Moore’s writing draws upon the common cultural understanding of superheroes and exaggerates or tweaks them, exposing their underlying ideals. In this way, Watchmen functions not only as a

Through the character Rorshach, The Watchmen explores the issues of nature verses nurture for him. Moore adds that a super hero, can be a psychological argument. A super hero is neither born nor shaped by environment, it is the creation of an alter ego to suppress childhood conflicting inner issues. Rorshach dealt with issues as a young child that rationalized in his mind to hide behind a costume and a mask in order to live.

In his short-story “Bartleby, the Scrivener: A Story of Wall Street,” Herman Melville presents an elderly Wall Street lawyer who has trouble dealing with the behavior of his employee Bartleby. The Lawyer, who is a major character in the story, serves as the first-person narrator, which helps readers understand his thoughts and feelings regarding the plot and its characters. This technique allows one to infer that the Lawyer is not a round character; there is no complexity in identifying with the Lawyer’s response to Bartleby’s odd behavior.

Throughout literature many authors try to give information about the story or characters without explicitly brining attention to it within the story itself. Graphic novels in particular has an advantage in this idea as they can work in specific things into the art to allow the reader to call attention to it themselves instead of giving all the information to them outright. Author Grant Morrison and artist Frank Quitely’s WE3 uses a similar idea to give readers more information and affect the reader’s perception of the main characters early. WE3 is a graphic novel about three animals who are cyborgs used as killing machines for the army, though they escape and become hunted by the army. In WE3, before and after the first chapter of the graphic

He was by nature reserved, and when one is aged and feeble, one’s reserve is doubly strong. Besides, so ancient a sea-captain must have witnessed scores of things much more stirring in the far-off days of his unremembered youth.” (section 7, l. 4).The text somehow changes from being objective to being subjectively written from the view of the citizens of Kingsport. The ending is written like there is no way that the Terrible Old Man could be the killer, because he is old, weak and all alone. That is the image of how people are seing the old man. They are not even giving it a second thought that he is not shocked by the story. They are judging him by ”his cover”.

The brand of justice pirates toward vessels they captured was something I found fascinating. For example, on page 88, the incident involving the capture of Captain Snelgraves vessel by the pirate Thomas Cocklyn. Initially Snelgrave resisted Cocklyns takeover so as Cocklyns crew overpowers Snelgraves and is taken by the pirates. Certain that Snelgrave will be killed or beaten for resisting, Snelgraves crew comes to their captains defense thus Cocklyn sparring the respected captains life. Because of the degree of respect Snelgraves had, Cocklyn not often seeing a government captain holding such admiration from a crew offered him a new ship and profits from a captured slave ship for his return to England. This story really caught my attention because of the level of hospitality pirates show to a captain who held such respect with his own crew.

The epistolary structure of the novel and the subsequent use of multiple narrators forces the reader to judge for themselves what is true and what is dramatized from the letters. Due to the story being retold from the point of view of Victor the reader is more likely to understand why Victor and Walton deem the monster a malevolent and insensitive brute.

Ralph Ellison uses several symbols to emphasize the narrator’s attempt to escape from stereotypes and his theme of racial inequalities in his novel, Invisible Man. In particular, the symbolism of the cast-iron is one that haunts the narrator throughout the book. Ellison’s character discovers a small, cast-iron bank that implies the derogatory stereotypes of a black man in society at the time. From its “wide-mouthed, red-lipped, and very black” features, to its suggestion of a black man entertaining for trivial rewards, this ignites anger in Ellison’s narrator. The cast-iron bank represents the continuous struggle with the power of stereotypes, which is a significant theme throughout the novel.1 The bank plays a significant role in the book

The book’s main focus is on the gradual disillusionment of the narrator and his personal battles. In particular, the book develops the battle the narrator faces when he discovers the truth about the Brotherhood organization. He eventually realizes that they are using him for their own purposes and encouraged him to incite the blacks to a riotous level so they will kill one another. The narrator develops feelings of hopelessness when it becomes apparent that he is being betrayed by both white and black cultures. His overwhelming feeling of emptiness comes to a climax when he falls into a manhole during a riot. While hibernating in the underground black community, the narrator struggles to find meaning in his invisibility and to come up with his true identity. The seclusion allows the reader to realize the disillusionment of the narrator. Ellison does an incredible job of getting inside the narrator’s character and describing his emotional battle. At times it feels as if the text is purely his thoughts transcribed directly onto the page. The narrator traces back his history

Watchmen is a revolutionary piece of literature. It is technically a comic book, some prefer to call it a graphic novel. There is a negative connotation that goes along with that. Graphic novels are frequently presumed too childish and fantastic to actually teach any insightful lessons or even make you ponder them at all. Watchmen is a graphic novel that transcends this undue criticism of comic books. It is, “One of the first instances ... of [a] new kind of comic book ... a first phase of development, the transition of the superhero from fantasy to literature." (Klock, pgs. 25-26)

Subsequently, while most superhero plots involve an element of fantasy, the characters in Moore’s graphic novel are, for the most part, embedded into pessimistic version of reality with only lifelike traits. Obviously, the one glaring exception in Watchmen is Doctor Manhattan, who is transformed into a being capable of a number of otherworldly abilities. However, the other five heroes in the story are regular humans who take the initiative to aid in the protection of society. This is unlike most superheroes in previous comics, who are often blessed with a divine power that allows them to conquer all evil. Additionally, referring to the society in which Moore’s heroes are immersed in, it is situated in a location known to its readers, with a certain twist. While Superman has his Metropolis and Batman has his Gotham City, the six costumed adventurers are based in New York City, or more accurately, a filthy parody of it. The universe in which Moore sets his story is the closest to reality, with a hyperbolic emphasis on the evil in society, in which superheroes have been set it. Hence, the problems presented to the superheroes are not something to be combatted with fantastical talents, but more nuanced with realistic obstacles without a clear solution. In Watchmen, the imminent threat of nuclear war is a state of affairs that would have been realistic for readers, particularly during the time period of the graphic novel’s release in 1987. This, coupled with the urban violence

For centuries, man has struggled with the concepts of good and evil and have produced astounding works as a reflection of it. This is ideally the foundation of early fables and folklore dating back to ancient civilizations. Stories about famed heroes and the battle of good and evil woven into extravagant tales of danger, destiny, and triumph. These stories were often assimilated into individual societies, told from generation to generation until eventually finding themselves becoming an integral part of the culture. In 1938, a new era began to emerge known as the “golden age” of superheroes. Superman made his first appearance in action comics, forging a unique identity as the first comic book superhero in American culture and quickly

Allen Moore’s sordid depiction of twentieth century life presents a complex world, where the distinction between a virtuous hero and a villainous wrongdoer is often blurred. In stark contrast to the traditionally popularized portrayal of superheroes, whose unquestionably altruistic motives ultimately produce unrealistically idealized results; the realistically flawed characters of Watchmen exist in a multi faceted world characterized by moral ambiguity. America’s imperialistic ambitions have long been justified as an expression of American idealism. Much like the portrayal of superheroes in popular culture, America’s intervention in foreign affairs was portrayed as the result of a clearly defined problem, where American intervention was

In the media there are a variety of images and texts that are used to convey a host of ideas. This is because the artist is attempting to improve the reader's understanding of particular concepts by using these elements in conjunction with each other. To fully understand how this is taking place requires looking at comic strip Calvin and Hobbs. During this process there will be an examination that is focused on a number of areas. To include: how the pace is illustrated, the way the panels relate to one another, the differences / similarities between the two panels, the representational meaning and the main story plot of the comic strip. Together, these different elements will provide the greatest insights as to how these factors are used in correlation with one another to tell a larger story.