The Elgin Marbles

Therefore, the Greece government demands for their Elgin Marbles or the Parthenon Sculptures to be send back to their rightful home, Greece. In the modern days the argument has arisen about weather or not they should return the Elgin Marbles to Greece? In my opinion, I think that it should remain

As I mentioned, this is an extremely controversial topic that has raised a lot of difference in opinions. Furthermore, I must admit that those arguing for the sculptures to remain in Britain do make some interesting points that plenty of people have taken into consideration. One of their arguments is that the sculptures were already in a damaged and fragile condition, and leaving them in Greece would have destroyed them completely (‘The Parthenon Marbles: Refuting the Arguments”, par 6). In the YouTube video, “Parthenon Marbles Debate ", one of Tristam Hunt’s arguments is if the Greeks are able to acquire their historic artwork, this may cause other countries to demand their historic artifacts as well, not just from the British Museum, but from museums all over the world as well. I can see the counter arguments that this controversy issue involves. However, regardless of whether they were in a horrible condition, the Greeks were never consulted, nor did they have a say regarding the selling of this artwork to Elgin. Now, when it comes to everyone claiming and demanding they receive their ancient artwork, like historian Hunt said; this is true. It can happen, but I don't believe that any other artifacts have the amount of significance that these sculptures do. The Greeks worked their hearts

Ancient artifacts are the symbols of human civilization. All of them are priceless and cannot be measured by currency value. Repatriate is a controversial problem because of the various reasons. For instance, the aggressor took all of the captures back to their home countries and showed them to the public, during the war. Voyagers took other countries’ artifact to prove they had been in that place. Archeologists, anthropologists, and scientists took the antiquities back to their university for research. Politicians used the regulation to move away a relic as decrease the power of a competitor. Thieves had stolen someone’s important items or expensive objects in a tomb in order to sell to the private collectors. It can’t be right to steal the items that belong to other people. When the owner found out the items were stolen, and then they hoped they could get them back. That was how repatriated started. Some antiquities were transported to the country that they do not belong to. Thus, there are some people think those ancient artifacts should be returned to the original country because it involves moral issues. However, some people think they shouldn’t be returned because they are the spoils of the wars. Most antiquities were looted from other places, which are showed in the museum. So which countries do they belong to? However, In my opinion, museums don’t have to return the antiquities to the original

In “Bring Them Home,” the author explains why certain countries sell their artifacts to protect them from conflicts in their country. Many countries need a place to send their very important valuables to prevent them from getting damaged. A country will sale or send their valuables to a trustable country.As stated in the article,Greece sent “stunning marble sculptures” that were in the Parthenon Temple to keep them from being damaged by the Turkish Government. Now,Greece has took their independence back and wants their sculptures back.It’s only right to send them back considering that Britain’s job was to

The Parthenon was an amazing and expensive achievement of ancient Greece. Although it is mostly in ruins today, there is enough knowledge about its construction to allow others to recreate the structure. The Parthenon is often constructed not only to honor the ancient Greeks, but also to honor the culture and place where it is recreated. Although the Parthenon’s influence is tremendous throughout the western world, it is generally only faithfully represented in part- the nearest representations found during my research include the Walhalla and the Nashville Parthenon. This paper focuses mostly on the original building’s history and its influence on American architecture, with a short discussion on a site in Germany. Research was conducted through the use of our course’s textbook, our consortium library, and educational websites. After my research was concluded, I became particularly fascinated with the golden ratio, which is debated to have been used during the construction of the Parthenon. I would like to research this in future work.

The Elgin Marbles is the common name for an extensive collection of the Ancient Greek sculpture which has been on display in the British Museum since the early-1800s. The collection includes 75 meters (247 feet) of the original 160-metre (524-foot) frieze from the Parthenon temple in Athens. The frieze is the highly decorative section above the columns in classical Greek architecture. The collection is controversial because of its namesake the seventh Earl of Elgin removed the treasures from Greece with the permission of the Ottomans, who occupied Greece from the mid-15th century until 1821. For decades, the Greeks have called for the priceless artifacts’ return, but the British Museum defends its ownership as legitimate.

“Who Owns the Elgin Marbles?” this question continues to linger in some minds today, and just so happens to be reviewed in the respectfully titled article written by John Henry Merryman in 1986. In this article, Merryman, in the most unbiased way possible, assesses both Britain’s and Greece’s side of the argument pertaining to the ownership of the Elgin Marbles and whether they should be returned to Greece after being removed from the Parthenon by Lord Elgin in the early 19th century. Within the article, the main points discussed regard the morality and legality of the removal of the marbles. Merryman goes on to discuss three more main concerns dealing with the marbles and where they belong:

The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of

One of the most well-known components of the Parthenon are the enormously beautiful and important marble sculptures that were placed in the pediment of the monument. These marbles are shrouded in controversy as to whom they belong: Greece or Britain. These marble sculptures were removed between 1801 and 1812 in order to protect them from possible destruction caused by the war between the Grecians and the Venetians, taken to Britain for refuge by the Earl of Elgin, and sold to the British Museum to be displayed. John Henry Merryman discusses his view on the issue of the ownership of marbles by presenting two main points and the validity of both sides. One aspect of his examination revolves around the legality of the removal of these sculptures.

When I ask you to imagine Italy and all the vast architecture, what do picture? I am going to assume you would picture colosseums. The piece of art I chose to research was the granddaddy of them all, the Roman Colosseum. This is potentially the most famous monument to survive the classical period. Today, the Colosseum is one of Rome’s most popular tourist attractions, attracting millions of visitors every year. This massive amphitheater is located in the center of Rome, Italy. During ancient roman times these massive amphitheaters were commonly placed around cities. “Eventually there were well over 250 amphitheaters in the Roman empire” (Hopkins). However, no other amphitheater competes in size. What sparked the want to build such a massive amphitheater? Why is this so important?

Axum is one of the prestigious historical artifact in Ethiopia and the indicator of the early Ethiopian civilization. So bring it back to its original places gives satisfaction for the people and the country. Meanwhile, that will be good if The British Museum retunes the Marbles to its original place because same as Axum Athens was the early civilization of

The Elgin Marbles emulate a struggle of nations to come to agreeance over cultural heritage that idolizes the context of visual sculptures. In the possession of the Britons, the Marbles reach a larger demographic with the aim of the British Museum in educating for the public benefit. Thus, if not removed from the Parthenon in the early 1800’s, further destruction to the priceless works of art would have occurred. Although the marbles hold an imperial stigma in the British possession, the creation of the Parthenon also distributed a national imperial value after the Athenian conquest of the Persian Wars that in contrast is highly related to Britain in the period of acquisition. Culture does not always belong only to the society that created

The Parthenon is located on the Athenian Acropolis, Greece; is a former temple which was dedicated to Greek goddess Athena, whom the Athens considered their leader. According to the British Museum (2015), The Parthenon was built nearly 2500 years ago and has a long and complex history. After thousands of years it became a church of the Virgin Mary of the Athenians, then a mosque and then finally resulted in a archaeological ruin. After the result of a ruin, the buildings were reformed in which various sculptures were damaged. During the 1800’s after the Parthenon being damaged, the Elgin marbles (Elgin) a part of the remaining sculpture, was removed and given to a British museum. For hundreds of years there has been a question if the British museum should return the Elgin marbles back to the Athenians or not. I believe that that the safest and most beneficial place for the Elgin marbles is the British museum, therefore the British should not return the marble to the Athenians.

The roman colosseum is located in the center of rome in Italy. The emperor Vespasian was the one who told the slaves to make the colosseum.  The colosseum construction started 70 BC after the victory of the first Roman-Jewish war. It was completed in 80 BC. Mostly the slaves made the colosseum. The colosseum  cover 6 acres of the land and  it is 620 feet long, 512 feet wide, and 158 feet high. The outer wall outer wall height is 157 feet and perimeter is 1788 feet. The colosseum was made out of stone, concrete, and bricks.  The Roman  took 1.1 tons of concrete, stone, and bricks to complete the colosseum. The floor was made out of sand. Outside the colosseum had a statue the statue was the sun god. The colosseum use to  setting have  87,000

The main, non-personal, reason I believe the art works should stay in Britain is because it would take a large portion of time and require a huge financial contribution. This contribution would most likely have to be provided by the British because the Greeks would only