The Entertainment Industry Is A World Of Desires, Dreams, And Film, Television, Or Live

Shameless is a Golden-Globe nominated show with a white dominated cast. One of the siblings on the show is black, but is identified as a White male contrary to the character’s skin tone. “When it comes to representations of Blacks on television, the 1980s can be seen as a decade of elevated inclusion both in terms of the quantity and quality of roles -- which remains the norm today. (Tukachinsky, Mastro, & Yarchi, 2015). Over the years, we will see more shows gearing their audiences to the black community. Producers add in a few social issues to reel viewers in, but the fact remains the same that a prime time heavy hitting shows, will most likely have less than 20% of their cast of African descent. In consonance with researchers, blacks currently constitute between 14-17 percent of the prime-time population. (Tukachinsky, Mastro, & Yarchi, 2015). The lack of representation in the media can lead to some interpreting that the Caucasian race is the superior race, and in retrospect, can influence the attitudes and beliefs of viewers. Prior research has shown that exposure to counter stereotypic exemplars in the media can have a positive effect on inter-group relations. (Scharrer, & Ramasubramanian, 2015) In order to reduce the misrepresentation from taking over the media, we must depict a positive image on the lives of minorities and portray them as successful, thriving human beings. By

August Wilson’s 1996 address entitled “The Ground on Which I Stand”, sparked a vigorous debate in the world of theater over the idea of “colorblind casting” and he presented the need for a Black Theatre. Mr. Wilson was outraged by the fact that of the 66 major companies belonging to the League of Resident Theaters, only one was black. He felt that the supporters of black theatre used their funds to increase black hiring in primarily white theatres as opposed to creating a theatre for the black community. Hw wanted to have more black theaters established to cater to the black actors as well as draw in black audiences. He attacks the increasingly popular trend of “colorblind casting” which basically meant casting black actors in roles traditionally

When you look at the amount of African American stars on television, it is easy to tell that stereotypes of African Americans are being portrayed negatively. Since the 1960s, black television has thrived in many different ways. From “Different Matters” to “Insecure”, African Americans have tried to get rid of this stigma. African Americans are constantly shown as. However, with the increase of representation comes an increase in misrepresentation. The amount of discrimination has risen exponentially in the United States. This is due to the increased hatred and miscommunication of black struggle and black problems in the world, causing an inhumane belief and standard of regular African Americans in the world.

Over the years television has been known to be one of the major educating and socializing institution in America. Television in today’s society is able to play a powerful key through which individuals can be informed, hold forums, and voice their opinion‘s. Television is also important because it offers us glimpses into minority life and minority figures. When sociologists examine minorities in television they document how minorities are portrayed and how those portrayals have changed over the years. Through time, minorities in television have been able to make moderate gains whether they are in front of or behind cameras. However, they continue to remain significantly underrepresented as leading actors in films, as writers, and as TV show creators. Even though minorities are significantly underrepresented in today’s society the TV industry has been pushing to give an opportunity to many minority groups in succeeding in the media. Several TV shows and commercials have succeeded in the TV industry to try and change how minorities are underrepresented, however, there are also shows that reinforce stereotypes and are prejudice towards minorities.

Blackface performances were popular in American theaters for roughly 100 years, beginning around the 1830’s. In 1950’s blackface minstrel shows, white and black performers were not able to share the stage therefore they opted to paint their faces black with polish. These “black” characters were always portrayed as either villains or comedic. Blackface had been used to make arguments for slavery and why African Americans should not be given full human rights. These are narratives created by white men that were made to oppress and dehumanize an entire race of people. The minstrel show clip titled “Cotton and Chick Watts Blackface Minstrel Show Comedy” we are shown a very degrading performance put on by two white

Media has become the key source of entertainment in United States especially on the sector of movie production. Most United States movies have some type of involvement with racial stereotype on specific ethnic groups. United States movies usually portray the negative side of African-Americans in all their movies. This is a huge problem to the society of United States especially black Americans. The presentation of the negative side of African-Americans in the media effects how they perceive themselves in the society and it also changes how other races perceive themselves. Many people may ignore the issue but it is menace because it is more related with racism. Many Americans and other races have lost hope in Americans because of the picture that is created in their minds by the media. Media argue that racial stereotype has no effect and it is one way of boosting movie and other entertainment industries. However, racial stereotype on blacks in United States is of no good at all. Racial stereotype in the media can be discouraged by the government of United States by instituting a law that would prohibit the production of movies and other entertainment materials that portrays the negative side of a specific ethnic group.

Three sources analyze the racial conflicts of white actors playing colored parts, and all agreed that it was not a trivial situation, for audiences, or actors. Racial tensions are very popular with the media. While there is some minor tension today, the movies and plays of Othello top the charts for most racial conflicts. First, The article, “Othello: the role that entices and engages actors of all skin colours,” by Andrew Dickson shows the history of the actors that played Othello, and when the actors were black, they were either not cast, due to segregationists, or were criticized in their performance for the same reason. Also, this article uses diction to convey the seriousness of white vs. minority crisis. Next, the video, “SHAKESPEARE UNCOVERED White Actors Playing Othello” by PBS, shows the performances of many Othello actors that were white. Additionally, the video shows one white actor who used makeup to make himself more than than black. The video uses hyperbole to describe the absurdity of Othello movies. For example, Laurence Olivier, the 1964 Othello was black-top showing how far film industries will go to cover-up racial tensions, and the narrator describes the makeup as ridiculous,and dramatic. Finally, the last article, “Aladdin: putting a white character in Disney’s live-action remake is offensive,” by Hannah Flint displays that film industries feel obligated to please a white audience, keeping the minorities second fiddle by adding characters white people

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek” Barack Obama. The question is always asked does the media reflect the reality of society, or does society try and imitate the reality shown by the media? There are a number of stereotypes associated with African Americans in our society such as African American men are athletes, rappers, criminals, deviant, streetwise, uneducated, and unemployed just to name a few. African Americans in the media have changed through the years. The history of African Americans on TV or minorities in general is hampered by the racial conflicts and segregation that are embedded in American society. Historically, black actors have been grouped stereotypically and assigned to comedy. This has often been traced to the genre of black minstrelsy that was popular in the early 20th century.

In today’s movies after all the integration and quest to level out the superiority, the social dominance of the white folks is still present in the film industry. For example, in the movie The Bodyguard, Whitney Huston and Kevin Costner live together in perfect harmony, despite their racial differences. In todays movies when they want to show tension between the races the Africans Americans are generally grouped with criminal behavior while on the

American actor Anthony Mackie once said “There are a lot of limitations and stigmas that are placed on young actors, specifically young black actors.” You have probably seen black male actors play the leading role of a drug addict, drug dealer, abusive husband or a even a thief. Although they do get a chance to be displayed on the media, they more often than ever are represented or viewed as the antagonist. Why? Because they are set up according to certain limitations in which they must obey. The lack of accurate representation on black actors in the media today is the result of prejudice and racism occurring in society. Racism and prejudice which are demonstrated in the films directed by Spike Lee, Do the Right Thing and Jungle Fever.

On January 29th, 2016, Kevin D. Williamson a columnist of the National Review, wrote an article titled satirically titled On the Difficulties of the Movie Star. Williamson's argument revolves around the fact that although African Americans make up 12 percent of the US population, they are just six thousandths of a percent of the global population, and Hollywood is surely a “fully global enterprise”. He then reasons that it would be years even decades until an African American be nominated for an Academy Award if they were randomly distributed, just as it would be unlikely for ethnic minorities such as “Ukrainians or Comorians” to be nominated. He then stated that this shows African Americans, like white Americans are “overrepresented in Hollywood”.

The way entertainment in the media portrays us has greatly affected how others identify us. Movies and shows like; Madea’s family Reunion, Bringing down the House, Love and Hip Hop, and Basketball Wives all portray us in a degrading way. People sometimes find it comical of course, but the fact that it is comical does not justify it being debasing. This image of us has evolved from things in the media, and its’ power to shape people’s idea of us. We as a race must stop living up to our stereotypes. As soon as we take action in not succumbing to our own stereotype, people will not think we are “Ghetto” or any other undignified term they think of us; therefore in the media we won’t be perceived in that way. As Colin Powell once said, “Fit no stereotypes. Don't chase the latest management fads. The situation dictates which approach best accomplishes the team's mission.” Although African American stereotyping is prevalent in the media now because of its’ entertaining quality; it perpetuates a cycle of harmful stereotypes. As long as this cycle continues, our culture will always be illustrated negatively.

According to Tukachinsky, Mastro, and Yarchi, prior to 1930, the role of Blacks on screen were seen involving mostly in criminality and idleness (540). That role still persists until the present, with Blacks usually have to withstand to “longstanding and unfavorable media stereotypes including sexually provocative females and aggressive male thugs” (Tukachinsky 540). 1970’s movies such as The Mack, Black Caesar and Coffy have reinforced this stereotypic image of the black community. The

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

According to Wilkerson, “From the beginning, television, the image mill for the mainstream has not known what to do with black characters. It has struggled, as has the country, to find a place for them that white Americans could find comforting and digestible from the safe distance of their living rooms. Reality had nothing to do with it.” The media has portrayed black characters as nothing more than, buffoons, hustlers, pimps, and prostitutes.