Beowulf is one of the earliest and most famous works of English literature, and is still widely read today. However, over a thousand years has passed since it was written down in England, and even longer since it was originally spread by word of mouth in the old norse lands, and our values and concepts of the world are radically different than the people of Beowulf’s age. Although the epic Beowulf shows their concept of simplistic duality, in which there is only black and white, good and evil, the modern movie adaptation shows a much more complex view on the world, which can be seen in its main characters Grendel, Hrothgar, and Beowulf himself. While in the epic poem Grendel is shown as pure evil, simply killing the Danes because he was a demon of pure evil intent, the Grendel of the movie is shown to be much more human and dynamic as a character. In the epic, Grendel is introduced as a descendant of Cain, the first person to commit the horrible sin of fratricide, and has no father, and an evil sea witch for a mother. He is enraged by the Danes in the Heorot mead hall, and attacks them in the night, mercilessly killing dozens of men. He does not speak any language, and is shown as more beast than man, with very little given to empathize with. When he is killed by Beowulf, there is none to mourn his passing, and all celebrate unanimously the killing of such a vile creature. However, in the movie, Grendel is illustrated as a much more dynamic, human, and relatable character.
These two versions of the same story are told from two different perspectives, Grendel’s (the monster) and Beowulf’s (the epic hero), the story told in Beowulf’s favor insinuates that Grendel is a terrible monster with no soul, whose whole life is dedicated to killing anything and everything in his sight. However, in Grendel, we see a completely different side of Grendel that isn’t over shadowed by the hatred that the people have on Grendel. In the book, Grendel, we learn about Grendel, and how he feels about himself. We are taken on a journey through the last twelve months of Grendel’s life and what lead up to his, as some would have described it in the
The story of Beowulf is an ancient one, and one that has been passed down for generations. The ideals and themes are traditional and its message is clear throughout the entirety of the epic poem. Beowulf is told from the third person omniscient point of view, his conflict was always what one would call “the bad guy” or “the villain,” and though he died in the end, he won gold and victory for his kingdom; all bad guys defeated. John Gardner, author of Grendel, decided to take the classical story of good and evil, and tell a new story from the villain’s perspective. Grendel explores varying literary elements which exposes the character of Grendel to readers along with various themes represented throughout each page.
John Gardner offers an alternate interpretation of the old english epic “Beowulf” by narrating the experiences of the monster Grendel, after whom the book is named. Grendel conveys himself as a homicidal, ravenous beast, only capable of destruction and chaos. Therefore, one can conclude that Grendel is indeed evil, and that he well deserves the cessation of his existence. However, depending on the philosophical ideologies and the relative perspective one finds self in, they may conclude differently. Nevertheless, the reader may likely to find one’s self both sympathizing with, and scorning Grendel, because, as the 10th century old english monster says, “balance is everything”.
In the epic poem Beowulf, there is an obvious distinction between good and evil. The hero and his foes play roles that are commonly associated with Anglo-Saxon literature. The lines are clearly drawn and expressed in the poem. As the story moves, the reader cannot mistake the roles being played, based on the characterizations in the epic, one recognizes each character for their purpose and place.
Both the epic poem Beowulf and the novel Grendel depict the same storyline, but from different point of views. Grendel’s personality tends to be much more evil than he himself depicts in the novel. Since Grendel is the narrator of the novel, the audience only gets to know what the story is like from his point of view, which he stretches the truth on numerous occasions. But, in Beowulf, the poem has a narrator and is in the third person omniscient, this means the audience knows how all the characters and feeling, thinking, or saying. Also, the theme nature vs. nurture appears a lot in Grendel which means his viewpoints on certain things are either
The Old-English epic poem of Beowulf, officially written down somewhere around the year 1066 by the Beowulf poet, is one where you are persistently kept of the edge of your seat due to its superior use of vivid phrases and imagery. In the Anglo-Saxon period in which the story takes place bravery, heroic deeds, and loyalty to one another is paramount. Beowulf, a tenacious scandinavian warrior, is the savior of a neighboring kingdom due to his aptness to slay the treacherous monsters such as the nefarious Grendel and his mother. A truly remarkable feat is how the words and actions of this poem are put to life in the movie. Though remarkable, the cinema didn’t exactly correlate with the poem. In fact the integrity of the poem almost seems diminished
Beowulf has delighted and intrigued a wide array of people for centuries. The timeless nature is visible in modern-day extensions of this epic, through heroics and battles of good versus malevolent forces. Beowulf continues to appeal to sophisticated audiences because it tells the story of a great hero prevailing over evil, a timeless theme valued by society and portrayed by his counterparts in modern media, although these new heroes display more complex qualities.
Set in an era long before the customs of contemporary western civilization, Heaney’s translation of Beowulf follows the courageous hero through an epic journey that solidifies his figurative immortality. Much like the Greek’s great Odysseus or the Roman’s devout Aeneus, Beowulf serves as an impressive and almost godlike warrior for the Anglo-Saxons, providing insight into the constituents of greatness for that society. Confident in his abilities and committed to his task, Beowulf voluntarily embarks on a mission to defeat Grendel, the treacherous enemy of the Danish kingdom. Beowulf solidifies his classification as an epic hero as he satisfies his quest for glory, saves a kingdom from destruction, and reveals the values of an era.
It may be that at one point Grendel was a human much like Beowulf. "Yet, so as to save his life, he left behind his hand, his arm and shoulder" (957-959). He has the appearance of a man and he has a mother, but the humanness of Grendel has disappeared, and what remains is a creature that as the text says, "the Creator had condemned." Instead of saying that Grendel was just a real bad guy, through these descriptions, he has taken on a supernatural or mystical quality. God was even concerned enough to curse Grendel for his atrocities.
Beowulf, originally a tale told only orally by poets, is one of the oldest and well known pieces of surviving English literature. An example of a great epic poem, the plot surrounds a courageous warrior king with super-human strength who defeats demonic monsters. Besides the allure of a hero who reflects the warrior ideals of Anglo-Saxon society, the imagery and poetic nature add to its appeal to people across time. Specifically, the symbolism of light and dark, kennings to describe the courage of heroes and the evil of monsters, and the descriptions of setting make the poem captivating.
Grendel, because of his lineage from Cain, was exiled from the human world. This causes Grendel to not be able to fully think through his actions. He kills the Danes and fights Beowulf because of the deep emotion of loneliness that overcomes him. If the reader looks only at Grendel as a monster or demon, he will be considered evil and therefore Beowulf is honored as a great hero. By seeing Grendel more humanely the reader can see him more as a human rather than a monster. The circumstances that Grendel has grown up in has caused him to act out with evil tendencies. “I tried to tell her all that had happened, all that I’d come to understand: the meaningless objectness of the world, the universal bruteness. She only stared, troubled at my noise. She’d forgotten all language long ago, or maybe had never known any.” (Gardner 28) This quote shows how little communication Grendel had with anyone in the outside world. He was not able to express any of his thoughts due to the fact that his mother was incompetent and did not speak. “Why can’t I have someone to talk to? I said. The stars said nothing, but I pretended to ignore the rudeness.” (Gardner 53) Those who believe Grendel is evil do not acknowledge the whole reason that there is a hateful relationship between Grendel and the Humans. The failure to communicate lead to confusion and fear which lead to the attacks made by Grendel or the humans. If Grendel was not as isolated in his
The epic tale of Beowulf was written sometime after his death. In other words, a long time ago during the Anglo-Saxon period. Today, directors in Hollywood did not keep from creating their own rendition of this epic poem As a result, plenty of modern interpretations of Beowulf, such as Sturla Gunnarsson’s Beowulf and Grendel, have been released. Naturally, the cultural values that might be reflected in modern Beowulf renditions will demonstrate a clash with those of the original fifth century Beowulf literature. One reason for this is that in the modern age we value characters with profound characteristics, characters that change due to the challenges they experience; characters that we as the audience can attach to. Flat characters like those of the original Beowulf text are difficult to empathize with since they are not realistic enough for our standards. Due to these differences in culture and values, the Beowulf and Grendel from the original Beowulf text possess definite contrasts when compared with their Beowulf and Grendel counterparts.
In Seamus Heaney’s translation of Beowulf, Grendel is nothing but an evil fiend that needs to be slain, “a fiend out of hell, began to work his evil in the world” (Heaney 9). Grendel is portrayed as an evil monster that has only been wreaking havoc and terrorizing a kingdom for an extended amount of time because it thrives on the pain of others. Seamus states, “Malignant by nature, he never showed remorse” (Heaney 10). Grendel is made out to appear as little more than a monster, “insensible to pain and human sorrow” (Heaney 11). He is portrayed to have little to no human qualities, to be the furthest thing from
“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.
Beowulf and Grendel are two different stories, and characters, who look at the same situation in polarized ways. Each character has their own story that is written from different time periods: the Anglo-Saxon time period and America in the 1970’s. Both of these time periods have different attributes that make them special; the Anglo-Saxon time period consists of the literary movement of the epic poem and America in the 1970’s consists of the literary movement known as postmodernism. Beowulf is shaped by the Anglo-Saxon time period through its use of the heroic code and religious influences and Grendel is shaped by the American 1970’s time period through its use of metafiction and an unreliable narrator.