The Epic Of Gilgamesh : The Struggle For Women

In The Epic of Gilgamesh it starts off talking about how Aruru forms a man named Enkidu out of clay that is supposed to be just like Gilgamesh. One day a hunter spots Enkidu in the woods and becomes terrified because of how wild he is. The hunters father tells him to go to Uruk and ask Gilgamesh for a prostitue to tame Enkidu. The hunter gets the prostitute and goes to a watering hole to wait for Enkidu, they waited for three days. Eventually Enkidu shows up and the hunter tells the prostitute to lay down and expose her breasts so that Enkidu will see them. Enkidu notices the naked woman and goes up to her and they have sex for six days and seven nights. After that Enkidu tries to go back to the animals and he noticeably is weaker. His mind seemed to be awakened and confused. He went back to the prostitute and she assures him that things will be fine. The first thing I noticed when I read this is that they never called the prostitute by her name which is pretty demeaning. Also did they have to use a woman to lure Enkidu into becoming less wild and more civilized? I feel as though they could have done it without using the prostitute. They only used her for her

In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. One particular issue that is demonstrated among several others in the Epic of Gilgamesh is the status of women. Since this is a story of women's status many years ago, it is indeed an interesting issue to discuss,

Once Enkidu was created, he was regarded as a beast, and Shamhat was the one Gilgamesh trusted to tame him. When the hunter is instructing his son to ask for Gilgamesh’s help, he tells him that “[Gilgamesh] will give you Shamhat the harlot, take her with you, / Let her prevail over him, instead of the mighty man” (I. 132-133). The important word to note here is “prevail:” Gilgamesh is not asking for Shamhat’s help because he thinks it will be easier with her; he thinks it will be impossible without her. Gilgamesh sees Shamhat as the only one who is capable of taming Enkidu, something a mere man would not be able to do. But Shamhat was also the one who civilized and guided Enkidu, helping him understand the life of a civilized being.

For thousands of years there has been a strong distinction between the roles of men and women. Often times in stories there will be women that are only mentioned for their beauty and charisma. Hardly ever will you see pages upon pages being spent talking about the true character and accomplishments of women characters. Even though stories like The Epic of Gilgamesh and the Book of Genesis were written thousands of year ago, (when stories were told mostly told from a males perspective) the light shined on women in the texts show them as wise, strong, and greatly influential beings. In The Epic of Gilgamesh and the Book of  Genesis, the writer shows the women as bringers of knowledge,  guidance, and care to the men in the texts that are lacking thereof.

The Epic of Gilgamesh is a story of Gilgamesh, a man who was two-thirds god that was saved by companionship. Gilgamesh was a cruel and careless king, who spent his time raping women, exhausting citizens, and conquering foes and foreign lands until he met, fought and was guided by his great friend and soul mate, Enkidu. With the help of Enkidu and his influence, he learned compassion as well as wisdom and integrity, and eventually Gilgamesh became a great and fair king. Though the story focuses mainly on Gilgamesh and his friendship with Enkidu, there are several roles played by women that help to make and move the story along. Without these important women who show great strength and feminine qualities despite being oppressed by the

About 2700 years ago there lived a king by the name of Gilgamesh who ruled the city of Uruk in Mesopotamia now known to us as modern day Iraq. Parts of his life are written on clay tablets believed to be the oldest existing written story of a man’s life. (XI). “The epic of Gilgamesh”, is the story of his quest for eternal life. In this paper I will be writing about the influence that the women in his life have played in his quest.

The obvious role of men in the Epic of Gilgamesh is that of the position of power. Anu, a male, is the most powerful God. Furthermore, not only is Gilgamesh the king of Uruk, but he is also two-thirds divine, which gives him unparalleled power, at least in the human world. This is evident in

People have been fascinated by tales of heroism for centuries. In ancient Mesopotamia, heroes give people hope and comfort, and fill them with strength. Ancient Mesopotamia is filled with tales of heroes- mighty warriors battling monsters, men ready to risk life and limb to save their true love or to fight for their nation. Still, there is a great difficulty that lies in defining what a hero truly is. Strength alone does not make a hero; nor does intelligence. Moreover, the Epic of Gilgamesh truly defines the definition of a hero. Gilgamesh is portrayed as a true hero through his skill, intelligence, willingness to die, reverence, and his respect for death.

The Epic of Gilgamesh chronicles the life of the great warrior and hero Gilgamesh. Gilgamesh is not great hero because he is moral. In fact he is feared because "a goddess made him, strong as a savage bull, none can withstand his arms" (1). This phrase underlines the terrible power of femininity, in the view of the Mesopotamian culture that produced the text. On one hand, the female principle is responsible for creation. On the other hand, the female principle also has the ability to destroy: the epic takes a largely dim perspective of humanity, and often, by extension of women, because the source of all creation is a goddess, Aruru. Aruru creates but she also generates suffering.

Gilgamesh recognizes the strength of the harlot's charm, however while he recognizes that, he fails to recognize anything else regarding women. He sleeps with all the women in his land and takes them out of their home to be his brides. His lust leaves no virgin to their lover, neither the warrior's daughter or the wife of the noble (62). It is because of this that Enkidu challenges Gilgamesh by saying, "I have come to challenge the old order, for I am the strongest here'' (68). Enkidu recognizes the importance of women and their right to be with their families. The role of women in ancient Mesopotamia was that of a homemaker, and to destroy or corrupt the homemaker one can destroy and/or

Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales

For centuries, books, television shows, even beloved childhood movies have subtly reinforced the social construct of patriarchy. Classic movies such as Cinderella and Sleeping Beauty follow the typical story line of a damsel in distress, followed by a heroic man coming to her rescue. This conception of a male focused storyline is nothing new and is an aspect that constitutes patriarchy, which has existed since the advent of agriculture and has persisted throughout the centuries. In fact, patriarchy was a major theme that was reinforced in the first story ever recovered; The Epic of Gilgamesh was written as early as 2000 BC in Mesopotamia and is loosely based on the Sumerian king, Gilgamesh. The story tells of Gilgamesh’s adventures with his friend Enkidu as they conquer everything from other men to the Bull of Heaven. Throughout the story, patriarchy is heavily reinforced. Although the driving force behind patriarchy is personal attainment of security and status, a number of objectively undesirable events result such as the subjugation of women and societies that value control and dominance. The narrator reinforces different aspects of patriarchy in The Epic of Gilgamesh by portraying men in a good light and women in a bad one, focusing society around males, withholding agency from female females, normalizing violence, and creating the need for unequal relationships between men and women.

In the Epic of Gilgamesh we learn that ancient Mesopotamians valued women’s roles as child bearers, and since only women are able to create

Women in The Epic Of Gilgamesh and Mesopotamian Society In the Epic of Gilgamesh, gender plays a very significant role, because while women were not the most powerful gods nor the strongest or wisest of all humans, they still had tremendous influence over others around them, and even today, over those who study and learn about the women of the time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not necessarily play a minor role. Throughout The Epic of Gilgamesh, the roles of women are mixed. Women are represented as harlots (Shamhat), as wise (Ninsun), and as gods (Ishtar). There is a substantial amount of gods which are represented as women and it could represent a society with multiple

Regardless of the discrepancies and inconsistencies, Mesopotamian women had an unprecedented sovereignty and great potential for dominance, they were assigned a number of central political roles that influenced politics and social life. Mesopotamian pantheon, temple of Ishtar and Ziggurat at Ur, that many respected divinities including Ishtar, the goddess of war and love, who was believed to be the goddess of Uruk and the bordering territories, goddess Ninsun, Gilgamesh’s mother who served as his consultant as a mother would consult with her son in our modern day, Aruru goddess of birth, Nisaba goddess of grain, Ereshkigal the queen, Belit-Seri the underworld goddess and others. The presence of these goddesses and priestesses indicates the large scale in diversification of functions and duties and illustrates women’s dominance over the hierarchical system. The social, political, and religious order that existed in ancient Mesopotamia is deeply rooted in the power invested in the temple under women’s leadership and their great capacity to influence the city-state’s affairs and its fiscal responsibility.