The Equalizer Film Analysis

Throughout the story, the narrator perceives Robert as an inadequate person, pathetic, needing help to find his way around and simply not being able to provide for himself. “But he didn’t use a cane and he didn’t

He is always focused on his wife, and even though it is not his ideal of a perfect marriage he does seem to love and admire his wife as if it was. He is capable of telling us a lot of details about his wife without ever calling her out or even trying to persuade us to dislike her. His love for her makes it possible for the narrator to get past his dislike of Robert, and allow him to stay in his house. Even after all the dislike he shares with us in the very beginning of the story. He comes into the kitchen to talk to his wife, and tries his best to be a nice guy about the topic of the blind guest which is a much different view from earlier. This persuades us to look at the narrator in his wife's perspective, even though we have knowledge that she doesn't about the narrators anxiety over Robert. Another large detail we have over the wife is that the narrator is jealous of Robert and is just using his blindness as a scapegoat. However, even though this extreme case of jealousy is unhealthy for their relationship, the narrator, in his own way, tells his wife he loves her. When his wife tells him "If you love me... you can do this for me. If you don't love me, okay." he does exactly that and tries to make Robert comfortable (Carver 107).

     Through despair, Robert forces himself to keep with his ideals, which shows just how strong his resolve is. When Robert was in despair, he took his mind off his problems by keeping himself busy. After losing Rowena, Robert decides to join the army to replace taking care of Rowena, by taking care of the human condition. Later when Robert loses Harris, he busies himself by performing the last rites over his good friend. “This is not a military funeral. This is just a burial at sea. May we all remove our caps? (p107)” Later when Robert is attacked in the bath house, he finds that he is still trying to protect Rowena. He does this by lighting her pictures on fire to remove her from this cruel world. “Robert sat on the mutilated mattress and opened his kit bag. Everything was there – including the picture of Rowena. Robert burned it in the middle of the floor. This was not an act of anger – but an act of charity. (p172)” These show that even through despair, Robert manages to stick to his ideals.

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

Throughout Robert’s visit, the narrator makes snide and insensitive remarks, despite his wife’s wishes. His misunderstanding of relationships and people is his visible flaw. It isn’t until the narrator

clever camera techniques which create tension and fear. The camera shots also pay close attention to detail. For example, when the man with the dog throws a stick for his dog to fetch into the sea, the camera

This allows the scene to create greater tension with the use of darkness diverting the audience expectations. For the camera movement, firstly it is a long shot to show the location and they are going to fight, and then it use a lot of close up, over shoulder and extreme close up to illustrate how they fight with using different Kong Fu and weapons, during they are fighting, it also has some bird s eye view shot to show how intense of their fight, because it also show the ground fault of the weapons and the struggle traces shows the suspension. As a distinctively visual technique, audiences are able to feel the suspense. The way in the shooting, the director Ang Lee has done all the details in every possible way. In the light text effect, he spent most of the low key lighting to keep the mystery of kung fu; the lens shooting, he spent a lot of The third-person perspective and two shot make the audience appreciate the traditional Chinese martial arts, and he can also take care while a lot of details, such as eye contact play against the two sides, the audience can understand the meaning of what they want to say without the dialogue. The scenes is showing a back and forth between two characters staring at each other, then that is most likely the use of the shot-reverse-shot technique.

Instead of Robert, the narrator was blinded by his own thoughts. In the end of the story, He said, “My eyes were still closed. I was in my house. I knew that. But I didn’t feel like I was inside anything.” At the point where

When one develops a play, there are many things that are taken into consideration. What message are they trying to convey, who is their targeted audience, what props and materials should be used to set the desired tone/imagery, etc. Ten minute plays such as “Tape” by Jose Rivera may actually be so short, that they end up lacking major components such as well-developed characters and plots.

Once Robert is back in the battle, there is another, worse attack on the Canadian lines by the Germans. They are being rained on by shells, and Robert fears for the lives of the horses in a nearby barn that is being hit by the shelling, and which Robert fears will collapse at any moment. Over the course of the war, Robert has grown more and more attached to horses, and it’s in his benevolent nature to care for other animals. When Robert tells Captain Leather that he will go back to the barn to save the horses, Leather refuses, saying that it is not necessary. Robert, thinking back to the last time he wanted to go against Captain Leather’s orders, and what arose when he didn’t, realizes that he must go against his orders and free the horses. As Robert is running back to the barn to free the horses, Leather screams at him to stop what he is doing and to follow his orders, but Robert is determined. When Leather pulls his gun on Robert, Robert stops to shoot him, killing Leather. In this time, the barn has been hit by a shell, and is burning, but Robert still runs inside to try to save the horses moments before the roof of the barn collapses on Robert, burning him

Similar to how the hazy quality adds to the oneiric atmosphere of the shots in the Dietrichson’s household, the elements of the mise-en-scène contribute to the realistic characteristics of the first shot. Here, the viewer is presented with a seemingly perfect upper class neighborhood full of California Spanish houses. The children outside are playing baseball and an ice cream truck drives by, representing the epitome of the American Dream. The image is sharp and clear, with the light source coming from the right. However, the lighting is practically uniform in this shot. There are several hues and colors present in this shot, which is consistent with the realm of reality. Each frame of the camera is busy and cluttered, and there is a great deal of movement from both the props and the actors. However, it can also be argued that the first shot—though fairly realistic—is interrupted by oneiric qualities.

The Frontline film Separate and Unequal discussed about creating a new school system; however, there are opposition by others who wants to maintain the current school system. If we look at the perspectives of the two groups, it is understandable in why there is support and opposition from the people of the city. The supporters of the new system wants a system that can provide better opportunities for their children without any violence. As the film claimed “the school was not teaching and were only babysitting the children”, which was likely a reason why there was a need for a new school system. With the chaotic and uncontrollable situation in the current system, many supporters have push forward the idea of a new system in a new city. From

Martin Scorsese’s film “Raging Bull” is considered by many to be one of the greatest “sports” films of all time. The plot focuses on the professional and personal life of boxer Jake LaMotta. In the opening sequence, the film uses narrative, mise en scene, cinematography, editing, and sound to provide a framework for the rest of the picture. These elements also help to establish the film’s themes of nostalgia, isolation, loneliness, and suffering. In addition to setting up the film’s themes, these elements also help to create two distinct personas of the main character Jake LaMotta.

Another aspect of this film is that it is in black and white. This gives it a serious tone. The lighting they used also gave a dramatic effect. There is a scene where two gentlemen are talking but you can see Kane dancing in the reflection of the window. This reminds the audience that he is still important to the scene even though he isn't directly involved. This

I utilize two scenes from the movie American Beauty, the two office scenes including Lester (Kevin Spacey) and Brad (Barry Del Sherman).The cinematic techniques are identified with mise-en-scene, which is the term used to portray everything 'put into the scene'. I concentrate on decor, lighting and props, costumes, body language (e.g., posture, gestures and facial expressions) and composition. I additionally take a gander at how these components are confined as far as camera stature, camera point and camera separate, all of which fall under the class of cinematography. The scene seems right off the bat the movie. Toward the start of American Beauty, the hero, Lester Burnham is disappointed with his life. At home he and his materialistic, aspiring