The Era Of The Feminist Charlotte Perkins Gilman

In the 19th century, the female gender faced limited opportunity and the widespread belief of inferiority to the male gender. Women were viewed as being frail, weak, and in constant need of a man to help her do even the most basic tasks. This resulted in devastating effects on the female psyche, including debasement of character and even catastrophic mental illness. Literature written by the women of the aforementioned time period conveys the isolation, humiliation, and agony experienced by the females of that time. The short story, “The Yellow Wallpaper”, by Charlotte Perkins Gilman, serves as an excellent example of such a piece of literature. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” illustrates subordinate standing of the female role in the 19th century and how such social conditions can have a devastating effects impact on the human mind. (Wilson)

The narrator is diagnosed with a “nervous disorder” and is ordered by her physician, who also happens to be her husband, to abstain from most activity and all intellectual work. The same treatment Gilman was forced to take part in. The narrator is deprived of any stimulus or outlet for thought or action, and she begins to obsess over the yellow wallpaper. Her discovery of the women trapped in the pattern in the wallpaper symbolizes the pattern of behaviors and practices that trap the female sex. For Gilman, the conventional nineteenth-century middle-class marriage, with its rigid distinction between the “domestic” functions of the female and the “active” work of the male, ensured that women remained second-class citizens.

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

As Gilman noted in her writings, she was concerned with the causes of the subjection of women and refutation of how dominant world justified their suppression on women.

During the 19th century men considered themselves to be the superior sex. Without a valid reason or explanation, men were the providers, the politicians, and the physicians. Men had the power. The power to make the rules and set the guidelines of how things were supposed to be done and women were expected to follow without question. The 19th century was also the start of the women’s activist movement, more and more women were starting to realize that they had a voice and they wanted to be heard. Women were gaining the courage to speak up against the wishes of men and set their own guidelines. To stand up and tell men that contrary to what they believe, they are not always right. Among these opinionated women was Charlotte Perkins Gilman, the niece of Harriet Beecher Stowe and the author of many short stories and books on gender inequality. Gilman is most known for her Short story “The Yellow Wallpaper” published in 1892, where she writes about a wife and now a new mother suffering from depression. Through her work she reveals the strength and influence men had over women, the lack of knowledge pertaining to mental health and gender roles present during the 1800s.

During the nineteenth century, women and men played vastly different roles. While men had the free will to choose the life paths they desired, women lacked such privileges. Women, instead, were expected to tend to domestic responsibilities. Unlike men, they were unable to voice their opinions, instead, myriads of them lived monotonous lives with their, often condescending, husbands. Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, portrays a woman in the nineteenth century descending into psychosis. After the birth of her daughter, the unnamed narrator presumably endures postpartum depression and is forced into bed rest as a cure. In her male-dominated society, the narrator often feels as though she is at a loss of control over her life. Despite what she believes is best for her own betterment, her husband, John, overrides her inputs. She is stripped away from the outside world and left with nothing more than her concealed diary entries and the horrid yellow wallpaper of her bedroom. Although John seemingly wants the best for his wife, his dismissiveness towards her mental state and solicitations necessarily cause her to become deranged; her breakdown is a result of feeling powerless as she is encaged in a house she does not care for, restricted from her activities, and her inability to communicate effectively.

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

When The Yellow Wallpaper was published in 1892 the first wave of feminism was occurring, which probably had an influence on Gilman’s attitude and writing. Women’s desire to have more opportunities and being able to vote are the main characteristics of first-wave feminism. The rebellion against domesticity also played an important role in the movement as it created an uproar when women started to act “unladylike” (Rampton, 2015). Further, Gilman indirectly criticizes the men’s reaction to the feminism wave in The Yellow Wallpaper. The husband in the story clearly wants to ensure that his wife doesn’t begin to act out by belittling her, keeping her domestic, and making sure she stays under his control. He denies her requests to change the room or to let her visit family, teaching her that she doesn’t actually have a choice. Hence, it is a prime example of the suppression of women in the 19th

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

In the article “Catharine Beecher and Charlotte Perkins Gilman: Architects of Female Power” by author Valerie Gill, Ms. Gill attempts to bridge the gap between what appears to be two powerful women of their time with two totally different opinions of the American woman and the type of life they should lead. The author points out the obvious differences of opinions in the writings of the two women, who are related by the way, and the different era in which they write. Catharine Beecher was the great aunt of Charlotte Perkins Gilman and lived and wrote during a time when a woman working in any other place besides the home was not something that happened often. A woman’s job during this time was to raise children and make

Charlotte Perkins Gilman was a feminist writer who wrote “The Yellow Wallpaper” in the 1890’s. During this time period the woman were expected to keep the house clean, care for their children, and listen to their husbands. The men were expected to work a job and be the head of a household. The story narrates a woman’s severe depression which she thinks is linked to the yellow wallpaper. Charlotte Gilman experienced depression in her life and it inspired her to write “The Yellow Wallpaper.” The short story is based on a woman, not given a name in the text, who is very dependent on her husband. The narrator plays a gender role

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

I’ve always believed that feminism was essential for all women who wished to be looked as equal to men. In today’s modern society, women are granted more opportunities and respect and have achieved major success. However, women were not always seen as independent and self sufficient, but rather seen as weak, domestic, and dependant compared to men. In Charlotte Perkins Gilman’s story, “The Yellow Wall-Paper,” which is set in the 19th century, the narrator suffers from what is now identified as Postpartum depression, after the birth of her child. The narrator’s husband, John, who is a doctor, suggest that she gets some rest, and places her in a nursery with walls that contain yellow wallpaper. Over the course of the story, the narrator’s

In January of 1892, author Charlotte Perkins Gilman published her short story, “The Yellow Wall-paper” in The New England Magazine. Gilman’s work illustrates the public perception of woman’s health in the 19th century and is considered to be an important part of early American feminist literature. During the 19th century, women were confined to the idea of the “ideal” woman and the “domestic sphere.” According to Barbara Welter, in her 1966 paper entitled “The Cult of True Womanhood: 1820-1860,” an ideal woman embodied piety, domesticity, pureness and submissive. Women would find true happiness in taking care of their families and living a simple and uncomplicated life. “The Yellow Wall-paper” follows the mental deterioration of the female narrator, who recently gave birth, as she follows her doctor’s orders to relax, eat healthily and exercise so her health will improve. Gilman’s “The Yellow Wall-paper” exposes the danger the antiquated belief has on women in the 19th century. The use of the yellow wallpaper illustrates a physical manifestation of the narrator’s descent into madness due to loss of outside stimuli.

Charlotte Perkins Gilman’s “The Yellow Wall-paper” serves as a perfect example of how women are treated in the 19th century. The distracting details both surrounding and filling the new house that the main character and her husband move into haunt her. Throughout the story, the main character, as she observes the house while in isolation, notices the true meaning in life, specifically for women. Gilman’s piece unveils the unfortunate requirements that women must meet in order to become accepted into society. The imagery and description of the house mentioned in “The Yellow Wall-paper” holds a much more symbolized sense reassuring the main character about women’s roles in life, according to humanity.