The Etruscan Temples And The Parthenon

Building the Parthenon was a greater feat than they ever would have known. Work on the Parthenon began in 477 BC. A much smaller shrine already stood on this site, one to which we can attribute various pieces of surviving decorative material--lions and snakes, a cornice incised with flying birds, and a blue-bearded trinity that may conceivably represent Cecrops, Erechtheus, and Poseidon. If such an edifice in fact existed, it was torn down to make way for a huge limestone platform, roughly 252 by 103 feet in size, that was built as a base for the new temple. The slope of the Acropolis was such that while on the north side the foundations rested directly on bedrocks, the southeast corner needed to be built up with no

The Greeks finished building an exquisite temple to their beloved goddess, Athena in the year 432 BCE. (Sayre 60). The name of this enriched, unique temple was the Parthenon. The Parthenon took the Greeks approximately fifteen years to complete and as Pericles stated, it was built to give gratitude to their goddess Athena for the salvation of their city, Athens and all of Greece in the Persian Wars (Sayre 60). It was also a symbol of their power and superiority among other cultures. It was something the Greeks took great pride in and recognized it to a great extent. The Parthenon was built on the highest point of the city of Athens to look over the precious Greek city. On the exterior walls of the Parthenon there was beautiful artwork that

Many similar characteristics are used throughout the Classical and Early Empire when the construction of temples was being built. Though old techniques were used, the advancement of new methods were being introduced to build faster, stronger, and in different shapes and sizes. We will discuss the Parthenon and the Pantheon; though similar in name, they do have some differences that represent the Greek and Roman styles.

1. There are numerous instances of the Etruscan artists taking their cue from Greek artists. The tendency was so prevalent that at one time historians considered Etruscan art as wholly derivative. The Etruscans did copy a lot of Greek art in both technique and design. One of those instances is in their construction of their temples. There is a definite similarity in both technique and design. The Etruscans incorporated columns in their temples long after the Greeks started doing so, and the similarities did not end there. There were sculptures and paintings inside the temples that were patently Greek in design. The Etruscans traded with Greece and attacked it several times, so there were several points of interaction and copying.

The Parthenon was an amazing and expensive achievement of ancient Greece. Although it is mostly in ruins today, there is enough knowledge about its construction to allow others to recreate the structure. The Parthenon is often constructed not only to honor the ancient Greeks, but also to honor the culture and place where it is recreated. Although the Parthenon’s influence is tremendous throughout the western world, it is generally only faithfully represented in part- the nearest representations found during my research include the Walhalla and the Nashville Parthenon. This paper focuses mostly on the original building’s history and its influence on American architecture, with a short discussion on a site in Germany. Research was conducted through the use of our course’s textbook, our consortium library, and educational websites. After my research was concluded, I became particularly fascinated with the golden ratio, which is debated to have been used during the construction of the Parthenon. I would like to research this in future work.

The Athenian Greeks at the height of their power built a temple called the Parthenon which was a monument to their core values of perfectionism, humanism, and rationalism. It is important to understand that the human eye has imperfections which deceive the mind, so one can understand the unique steps that were taken to achieve the illusion of perfection to the human eye. The Greeks loved perfection, and as seen in the Parthenon, the Greek architects purposely made the Parthenon imperfect to account for the imperfections in the human eye. This was done so that when one views the Parthenon with the naked eye, it appears to be perfectly symmetrical, straight, and proportional. The entire Parthenon does not have a single right angle. An example of the Greeks compensating for the imperfections of the human eye is seen in the base of the Parthenon, which from a picture or in real life looks perfectly straight, but in reality it is actually curved slightly upward. It is curved because the Greeks knew that if you have a perfectly flat base for a building, it appears curved to the human eye. To account for that, the Greeks made it so that the base was already curved. The Greeks also curved the columns of the Parthenon inward, because if the columns were straight, it would appear to be curving outward. Again, the Greeks knew about how the human eye deceives the mind, and decided that they must trick the eye to please the mind. This was all done because the Greeks strived for

The Parthenon is a classical style of ancient Greek architecture and the most important building in the city and it self replaced on older temple of Athena, which called Pre-Parthenon. It was built and completed in 438 B.C buy Iktinos and Kallikrates, after that destroyed by Persian in 480 B.C. The Temple all made form marble and its 20 miles far from Athens. Later

The ancient Greek civilization contributed many great new ideas and aspects to everyday life that shaped and inspired the modern day society. The Greeks are well known for their construction of temples, acropolis’ and other grand architectural structures. Among these structures stood one of the most famous, the Parthenon. The Parthenon was a symbol of Greek society and culture as it stood as one of Greece’s most important architectural buildings.

When it comes to the existence of objects that have morphed and changed, in part due to their perception throughout the course of history, it does not take long before one begins to consider objects of exceedingly long, cylindrical, and rounded nature. The reader has but to consider the iconically Ionic columns of the Parthenon, the obelisks of ancient Egypt, or the steles of Persia before realizing the true extent to which such objects have been the focus of ancient, and present, attention.

The wealthy yet enigmatic civilization from ancient Italy, the Etruscans, are known for its influence on Roman culture, language, and art. However, it had adopted many artistic characteristics of its continental neighbor: ancient Greece. Etruscan sculptures were well-preserved in underground tombs, which helped historians analyze and better understand information about the civilization. The Etruscans had a close connection with the Greek colonies, this sped up the adoption of Greek art and culture throughout the Etruscan civilization. While Greek influence on Etruscan societies created many artistic similarities, the Etruscans had evolved their own style and motifs to their sculptures.

The Etruscans are a very mysterious group of people, especially considering the fact that there writing system is so cryptic. So after 21 years, when Dr. Gregory Warden found an Etruscan stone with the longest Etruscan inscription on it, it seemed like a miracle. The stone was found underneath a temple in the site of Poggio Colla. This site was home to a small town, with the vocal point being a temple on the top of the hill. This rock was found in the foundation of the temple, where the podium most likely would be. This site was first settled in around 7 BCE with small huts, but then it grew into a pilgrimage site. The people who inhabited this area were heavily involved in rituals; animal sacrifice bones were found as well as gold and bronze

The Etruscans, also know as the “Etrusci,” named by the Romans, the “Tyrrhenoi,” named by the Greeks, and the “Rasenna,” and “Rasna,” named by themselves, occupied the Italian peninsula north of Rome during much of the first millennium BC. Etruria was an urbanized civilization with their own customs, divinities, and beliefs. In order to gain knowledge about Etruscan history the main sources included, Roman literature and their impressive tombs. The cities were not well preserved which brought upon the issue of reconstructing it later.

Initial observations of the Roman Pantheon from the front appear to be similar to the ruins of the Greek Parthenon, but really both structures are somewhat unique in their composition, purpose, design, and fate. Constructed over half of a millennium after the Parthenon was built, the Pantheon, built in 27 B.C., exhibits some of the architectural styles and characteristics of its predecessor. However, the Romans refined Greek building techniques, thereby developing a unique and more advanced architectural style.

One of the most well-known components of the Parthenon are the enormously beautiful and important marble sculptures that were placed in the pediment of the monument. These marbles are shrouded in controversy as to whom they belong: Greece or Britain. These marble sculptures were removed between 1801 and 1812 in order to protect them from possible destruction caused by the war between the Grecians and the Venetians, taken to Britain for refuge by the Earl of Elgin, and sold to the British Museum to be displayed. John Henry Merryman discusses his view on the issue of the ownership of marbles by presenting two main points and the validity of both sides. One aspect of his examination revolves around the legality of the removal of these sculptures.

The Parthenon is located on the Athenian Acropolis, Greece; is a former temple which was dedicated to Greek goddess Athena, whom the Athens considered their leader. According to the British Museum (2015), The Parthenon was built nearly 2500 years ago and has a long and complex history. After thousands of years it became a church of the Virgin Mary of the Athenians, then a mosque and then finally resulted in a archaeological ruin. After the result of a ruin, the buildings were reformed in which various sculptures were damaged. During the 1800’s after the Parthenon being damaged, the Elgin marbles (Elgin) a part of the remaining sculpture, was removed and given to a British museum. For hundreds of years there has been a question if the British museum should return the Elgin marbles back to the Athenians or not. I believe that that the safest and most beneficial place for the Elgin marbles is the British museum, therefore the British should not return the marble to the Athenians.