The Everlasting Bond between a Mother and a Daughter Essay

The Joy Luck Club is the first novel by Amy Tan, published in 1989. The Joy Luck Club is about a group of Chinese women that share family stories while they play Mahjong. When the founder of the club, Suyuan Woo, died, her daughter June replaced her place in the meetings. In her first meeting, she finds out that her lost twin sisters were alive in China. Before the death of Suyuan, the other members of the club located the address of June’s half-sisters. After that, they send June to tell her half-sisters about her mother’s life. In our lives there are events, and situations that mark our existence and somehow determine our life. In this novel, it shows how four mothers and their daughters were impacted by their tradition and beliefs. In the traditional Asian family, parents define the law and the children are expected to follow their requests and demands; respect for one’s parents and elders is critically important. Traditions are very important because they allow us to remember the beliefs that marked a whole culture.

Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

Amy Tan, who wants to understand and figure out her own affiliation between her another mother, wrote The Joy Luck Club. This book explains and uses words to show the differences between the daughters and their mothers by putting in the Chinese culture and the western culture in the article. The Joy Luck Club has four different sections. And they all have common backgrounds but have different meanings behind them.

There is a common theme of hope throughout the stories of The Joy Luck Club by Amy Tan. Even in the face of immeasurable danger and strife, the mothers and daughters in the book find themselves faithful in the future by looking to the past, which is only helped by the format of Tan’s writing. This is shown specifically in the stories of Suyuan and Jing-Mei Woo, Lena and Ying-Ying St. Clair, and Lindo and Waverly Jong. The vignette structure of The Joy Luck Club allows the stories to build on one another in a way that effortlessly displays both the happy and dark times in each mother’s life, which lets their experiences act as sources of background and guidance to their daughters in times when they need it most.

 In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values.  This inability to communicate and the clash

The Joy Luck Club continues with Lindo and Waverly Jong. As a child, Lindo had a pre-arranged marriage, which turned out poorly. She wants her daughter to be able to have a happy marriage with a husband she chooses herself. Throughout Lindo's unhappy marriage, she often wondered why she should have "an unhappy life so someone else could have a happy one"(53). Lindo's thoughts reveal that she wished to live her own life and have the ability to make her own decisions. This desire gave Lindo the extra confidence to figure out a way to escape the marriage, in which she did successfully. When Waverly shows her mother the sweater that Rich bought her, she tells her mother that it was from his heart which is "why [Lindo] worries" (186). Lindo's uncertainties reveal that she only wants the best for her daughter, but Waverly thinks that her mother only has something against Rich. Once Waverly talks to her mother, she realizes that her mother does not have any "secret meaning," but does not want her

In the novel The Joy Luck Club written by Amy Tan, there are several stories that intertwine into one novel. Each of the stories takes place China where the roles and the actions of woman are vastly different compared to American tradition. In the different stories, they all are about different mothers and daughters. Throughout the book, the reader can see the development in each relationship between mother and daughter with their conflicting backgrounds from China to America.

The bond mothers and daughters share is unique, it’s connection that can only exist between mother and daughter. The article talks about how a mother and daughter don’t always get along the older the daughter gets, and the more independent the daughter becomes. This can relate to the story of the Chinese mothers and their daughters in The Joy Luck Club.

The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.

Flannery O’Connor’s Wise Blood and Kazuo Ishiguro’s Never Let Me Go feature two young women, Sabbath Lily Hawks and Kathy H., whose nontraditional childhoods affect their relationships with others, their self-confidence, and their perception of family. While Sabbath and Kathy both come from abnormal homes, their respective upbringings inform the way they relate to the world and how they show affection. Sabbath will show love and attention towards anyone or anything. Kathy becomes giving in every sense of the word: a member of an organ farm, she is internally and eternally magnanimous. Her charity extends to her emotionality as she puts herself behind those whom she cares about, like her friends Ruth and Tommy. Structurally and emotionally, a “traditional” family is consistent, dependent, supportive, and trustworthy and because Sabbath and Kathy did not have traditional families, they must go to extremes in order to feel important, loved, and wanted.

    With all the cultural clashes that the mothers and daughters are facing in The Joy Luck Club, it is hard for the characters to have a sense of identity. The daughters are torn between Chinese and American culture and are trying to figure out who they are. The daughters are also trying to figure out who their mothers are and how that affects them. The mothers have two lives, the ones they live in America and the ones that they left behind in

Emotions are expressed immediately at the beginning of the writing to have his readers grasp his feelings of the situation. Goldstein compares Chua’s “Battle Hymn of the Tiger Mother” a “depiction of Chinese-style extreme parenting” (Goldstein 272). He then continues to maintain the reader’s attention by explaining Chua’s parenting skills by addressing the fact how the children cannot have play dates, or even watch television. Goldstein inspires his readers by giving individual’s personal experiences that reflect how they became successful.

Throughout The Joy Luck Club Amy Tan inserts various conflicts betweens mothers and daughters. Most of these relationships, already very fragile, become distanced through heritage, history and expectations. These differences cause reoccurring clashes between two specific mother-daughter bonds. The first relationship exists between Waverly Jong and her mother, Lindo. Lindo tries to instill Chinese qualities in her daughter while Waverly refuses to recognize her heritage and concentrates on American culture. The second bond is that of Jing-Mei Woo and her mother, Suyuan. In the beginning of the book Jing-Mei speaks of confusion in her recently deceased mother's actions. The language and cultural barrier presented between Jing-Mei and Suyuan

The mother-daughter relationship is often scrutinized, publicized, and capitalized on. Whether from tell-all biographies, to humorous sit-coms, or private therapy sessions, this particular relationship dynamic gives some of the most emotion-activating memories. When female authors reflect and write about their relationships with their mothers, they have a tendency to taint their reflections with the opinions they have as an adult, reviewing the actions of their mother when they were young. These opinions set the tone of the story independently and in conjunction with the relationship itself and manifest in creative literary styles that weave an even more intricate story. Case in point, when reviewing the two literary works “I Stand Here