The Evolution And Devolution Of Art Deco Essay

For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.

American postmodern architecture has more focus on culture, the specific theme of that moment, but the problem of formalization started to show up. Deconstructivism, a critical architectural movement in the postmodern age, usually has nice control on the structural surface as the building’s skin and use the randomly geometric shapes to show the twisting architectural elements.

Case Study: The use of assemblage and the found object in historical and contemporary art practice.

Art deco refers mainly to “style[s] of the 1920’s and 1930’s, characterized by precise and boldly delineated geometric shapes and strong colors” (“Art Deco”). Communities “encouraged quirky, eye[-]catching family businesses that often featured kitsch items for sale” (Hurt et al. 46). These attractions have dwindled to near extinction. While some remain intact, although no longer operating as originally established, many are being restored in hopes of attracting more tourists.

Art Nouveau, 1890-1914, explores a new style in the visual arts and architecture that developed in Europe and North America at the end of the nineteenth century. The exhibition is divided into three sections: the first focuses on the 1900 World's Fair in Paris, where Art Nouveau was established as the first new decorative style of the twentieth century; the second examines the sources that influenced the style; and the third looks at its development and fruition in major cities in Europe and North

Art Nouveau – ‘A style of art and architecture of the 1890s, characterised by the swelling sinuous outlines and stylized natural forms, such as flowers and leaves.’ (The definition of art nouveau) The name derives from ‘Maison de ‘Art Nouveau’, an interior design gallery in Paris in 1896 however the movement had multiple names throughout Europe, such as ‘Jgendstil’ in Germany; in Italy 'Stile Liberty ' or 'Floreale '; in Spain 'Modernista ', in Austria 'Sezessionstil ' and in France and England the term 'Modern Style ' was often used, highlighting the English roots of the movement. The Art Nouveau style doesn’t specifically come from just European history, but also involves a combination of intricate, oriental and classical elements, wanting to create a contrast from traditional forms. The movement was applied across all the arts, including interior and furniture design, illustration, fine art and architecture and was characterised with graceful, asymmetrical lines inspired from natural and organic forms, including striking and powerful imagery which is now immediately recognisable and widely appreciated as a form of artistic style.

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

Mies van der Rohe is one of the most prominent figures in modernist architectural history, the man who popularised some of the most influential phrases of the era, e.g. “less is more”, and strove to push his ideas and philosophies, not just on what he thought a building should be, but of what he thought architecture itself was. He changed the cityscape of America, showing the world a style that was simple and elegant, with such a controlled palette of expressions that shone through in its geometric beauty.

Art deco is a unique design because it has wide variety in which it can be portrayed. While it can be

This essay will explain why Brutalism became one of the 20th Century’s most controversial architectural movements and help explain what influenced the development of the style. Firstly by explaining and describing the characteristics of brutalist structures and discussing the most monumental brutalist buildings during the 1950s and 1960s. By exploring historical and contextual factors, this essay will discuss what technological advancements occurred and contributed towards the birth of Brutalism. Within this essay there will be discussion about the way the Second World War and the reconstruction of Britain changed the direction of British architecture and which architects were most influential in this redevelopment process. Furthermore, it will explore the Modernist movement by evaluating key historical information which contributed to the progression of a new, mid-century style.

How does a virtual city in a video game represent art? Art is seen everywhere; the architecture, the faded graffiti created by rival gangs, and the interactive characters’ clothing designs. These two video game examples alone prove the ever-growing technological representation of art in video games, whether it is a fantasy world full of colorful, exotic plants or a gritty, realistic setting where crime and graffiti scatters throughout. Video games use visuals as well as use creative media to explore and represent art in gaming.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

When one considers the term “Art Nouveau,” what comes to mind most immediately is “images of a European-wide invasion [characterized] by the restless dynamism of organic form”(Silverman 1). For me it is usually the work of Alphonse Mucha– his mysterious women surrounded by the beauties of nature. Often my Art Nouveau fantasies take shape in the odd fungal-shaped stained-glass lamps of Tiffany. Or sometimes they surface as the romantic Parisian posters I’ve seen at Pier One, advertising champagne or cats noir or bicycles or the like. But no matter what ones notion may be of what Art Nouveau looks like, there is a feeling that accompanies it that is at the heart of the style’s appeal. It is difficult to define or describe what

Graphic design started many years ago. Over time, graphic design skills changed, as well as the implementation of ideas. Different designers from around the world practiced design, and each one had their own way. Designers’ experiences helped them to do more modern work. Some of them brought new ideas to graphic design and developed it. There are many professional designers, but Herb Lubalin and Alexey Brodovitch deserve to be known in the history. They bring creative and modern ideas to the art deco movement.

Modernism is an art movement that is characterized by a deliberate departure from tradition to a more expressive form that distinguishes many styles in the arts and literature of the late nineteenth and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists who tended to paint outside landscapes and street scenes and were concerned with the effects of light. Bernard was a Post-Impressionist artist who considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and Haystacks", depicts a woman in