The Evolution Of Drama In Everyman, Dr. Faustus, And Twelfth Night

The English morality play “Everyman” uses allegorical characters to represent what Everyman holds onto and values during his life. Everyman has neglected his spiritual life, but as the play develops Everyman repents of his sins on time. Summoned by Death, Everyman realizes that he is not ready and does not want to die alone. Thereafter, Everyman seeks to find a companion to go with him on the journey to give account of his life to God but to no avail, Everyman soon realizes that all of those who accompanied him on earth soon abandon him.

Theater in ancient Greece was considered the climax of the days long cultural festival of The City Dionysia. At the festival, various types of plays were shown but one of the most popular was tragedy. These tragedies show the main character, usually a god or person of myth, going through human suffering and the terrible sequence of events that followed; and were produced in 472- 401 BCE. In order for a play to be performed at The City Dionysia festival; tragic playwrights would first have to appeal to the state official that was organizing the festival by submitting ideas to him and his committee. The ideas submitted were outlines of main themes and points of interest to be performed in the play. If a playwright was selected by the state official and his committee, then they received a financial backer and a chance to compete in the drama competition of the festival. The state official, or his committee, was likely pushing their own agenda and choose playwrights that matched their ideals. This is just one example of how theater in ancient Greece was used to influence the morality of Greek culture by using the stories of tragedies, like those of Euripides.

Thesis Statement: Despite the public not knowing the author the play “Everyman” provides a strong Christian moral message to readers with the use of allegories and general perception of death that when we die we can take nothing with us so we should live our

The two types of Greek dramas would be popular and performances spread around the Mediterranean influenced Hellenistic and Roman theatre. The works of such great playwrights as Sophocles and Aristophanes formed the foundation upon which all modern theatre is based.(Ancient Greek theatre,Ancient history encyclopedia by Mark Cartwright July 14 2016) “ Greek theater is still one of the most important and long-lasting theatrical influences in the world, and with some Greek plays still being performed to this day.

In Everyman, death is just a messenger for God. From the beginning of the play, it can be seen that Death is set below God. “The very opening of the play makes it clear that this "messenger" of God's is an agent of correction rather than of punishment; God tells the audience that he is sending Death, not to slay evildoers, as in Herod and the Castle, but rather to call people to a "reckoning," an explanation of what they have done with the lives lent to them” (Spinrad, 1987). Everyman did not want to go along with Death because life’s most disturbing power is death, death is so unfair, once one has tasted life death does not seem natural at all. “When Death explains that he is here to take Everyman on a “longe iourney” to make his “rekenynge … before God,” Everyman's incomprehension is humorous even as it reveals him to be deeply unready for Death's summons: he asks Death, “Sholde I not come agayne shortly?” Everyman's inability to recognize the permanence of Death's “journey” raises the question for the audience of what might constitute such recognition.” (Paulson, 2007). God finds that Everyman is not living in a right way so he asks on Death to let Everyman know that he has to give up his life.

The only reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2, 1602. A law student named John Manningham wrote in his diary about a feast he attended at the Middle Temple in London where he was a law student and where “we had a play called Twelfth Night; Or, What You Will." This was likely to have been an early performance since it is generally agreed that the play was probably written in 1601. In 1954 Sir Leslie Hotson’s book, The First Night of Twelfth Night, sought to identify the exact date of the first performance of Twelfth Night. He used the evidence of old records to suggest that Queen Elizabeth asked for a new play for the last night of the Christmas 1600-01 season, the Feast of the

The Greek used plays to talk about moral and social issues. For example comedies were humorous and mocked or made fun of social issues, people, and custom. The plays were also shown outside. In document 6, there is an excerpt from the play Antigone by Sophocles. The play is considered to be a tragedy, which is a type of drama. Tragedies tell a story about suffering and usually end badly or in disaster. In the play Antigone overstepped Creon’s laws and buried her brother. In the excerpt from document 6 Antigone states, “Nor do I think your orders were so strong that you, a mortal man, could overrun the gods’ unwritten and unfailing laws..” This shows us how the gods’ were very important in Greek life. Antigone believed that Creon’s laws are his and not the gods’. Antigone also believed that Creon was just a mortal man and that she should obey her conscience. Today, we still incorporate our own values and what is important to us into plays. Therefore, this proves how the ancient Greeks have made many contributions in the areas of architecture,art and performing arts to the Western civilization.

The author of the play Everyman views death from the Catholic point of view. The moral message to live each day with the goal of eternal life in Heaven in mind sets the tone of the play. Everyman illustrates that every man’s soul needs to be saved before death or he will not have eternal life with God. The author views death as the foundation of man’s spiritual journey with God in Heaven or as the initiation of the soul’s damnation. The author portrays death as God’s messenger. The play underscores a message that the treatment of death is similar for every man, as he is held accountable for his actions and deeds in life upon facing death. Additionally, the only way to avoid death is to strive towards achieving ever-lasting life with God in

Abstract The author’s perception and treatment of Everyman are that each individual need to prepare for it by repenting, following God, and doing good works. The author’s perception is that at the end of the day one cannot take anything or anyone with them when they die. The only entity someone can take is their actions and how they use the resources that are given to them. Those who put God before everything and perform good works will enjoy eternity with Him, but those who enjoy only the pleasures of life and forget God, will not. The author’s main message throughout the play is to not fearful of death but know that one day everyone will die, so do as much good as one can, repent of one’s sins, and to put God first. Keywords: author, perception, treatment, death The Author’s Perception and Treatment of Death in Everyman In the late fifteenth century, an unknown author wrote a morality play called Everyman. According to Pearson, a morality play during the Medieval period would communicate a moral lesson and make it so simple that both illiterate and well-educated audiences could both understand the lesson (Adu-Gyamfi, 2016). One may believe that the author of Everyman want to communicate to the audience that everyone will receive judgment the actions they commit on Earth. The author’s perception of death is that God is the only one who has the power to control when each individual die, so if one has a relationship with Him one should not be fearful death. The author

Greek drama was performed in the late 6th century BCE in ancient Greece. Tragedians like Euripides wrote very influential and popular plays such as the Bacchae. Greek tragedies lead to Greek comedies such as Aristophanes’ Lysistrata. Many of the Greek dramas have similar concepts, one of being duality. Without duality, the nature of our lives and the environment around us remains unbalanced.

In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.

Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.

The author of the play “Everyman” has the main character Everyman to only symbolize the typical human being. Death, also known as the antagonist, is a messenger sent by God to summon Everyman. The author is trying to show readers that death is inescapable, and every human being will have to face it one day. In the beginning of the play, God speaks about his death on the cross to give life to His people, mentions the deadly sins, He tells that people live for their own enjoyments, and how some have neglected Him. God then commands Death to show Everyman who is outside of the law of God what must come to him without escape or delay, the day

Henry Perkinson, a former educational history and educational theorist professor at NYU, wrote it in his book Learning from our mistakes “learning takes place not only in success, but in failure as well” (23). Perkinson’s perspective of education, that education comes from personal experience and academic knowledge, can be used to view Thomas Marlowe’s Dr. Faustus and William Shakespeare’s Twelfth Night differently. Both stories have characters that have experienced traditional education, but in both plays the characters obtain true knowledge through revelations, which they receive after their first hand experiences. For Faustus, it is his attempt to gain fame through “necromancy” (Greenblatt 1129.25) that provides a revelation about good and evil during his final moments. For the characters of Twelfth Night, Viola’s disguise and secrets are the triggers for their individual revelations about human interaction and love. In both plays it appears that when characters try to defy pre existing social norms they experience greater knowledge through their experience rather than their academic knowledge.

Theatre is an art that transcends time and builds a new world for the audience atop the stage. A play is defined as “a dramatic composition” or “the stage representation of an action or story” (The Merriam-Webster Dictionary). This refers to drama being performed live by actors on a stage. Ancient Greece is accredited to inventing theatre and drama. In Greece during that time, at the height of popularity, were the stories of the well known flawed heroes and their journeys.