The Evolution of Digital Film

The Editors of Britannica state that color film technology did exist as far back as WWI but it so much more expensive and difficult to work with that it did not become popular until

The transition from film to digital cinema drastically changed the way films were made and greatly affected the cinematography of films. Digital versus film has been a widely debated subject in the film industry since the availability of digital cameras at the end of the 20th century. Now in the 21st century, digital dominates the film industry, so why is 35mm film still being used by both amateur and professional filmmakers? For years film was seen as a joke, far more inferior to digital, because of the fact that digital gave a better picture and was more convenient to use. But now, film has developed to the point where the typical audience cannot see the difference between HD digital films and 35mm films. For example, HDTV laser-beam recording on 35mm colour film can now be used to enhance the quality of the image without using digital. So now to answer the question earlier on why 35mm film is still being used today is that it is a preference for some directors. Although the average viewer cannot spot the difference between digital and film, that doesn’t mean that there aren’t any differences between them.

In the digital era of convergent media, the most obvious about the change of cinema is the storage which rely on celluloid that you can touch in the past. Now, however, it is stored as electronic packets of 1s and 0s which is virtual. The changes of the cinema is not only about the film storage, but also the production，post-production, exhibition and distribution which is the main part of the film industry structure. In the era of celluloid, the four steps of movie is relatively independent and has its sequence. In digital movie, whereas, the connection and integration among four parts of industry structure are ever close.

Film photography is in my opinion, more of a sense of occasion, just the feel of having to cock the mechanism, and wind the film as you start your shooting and as you finish, always being gentle with the fragile delicate black tape, and once the photos taken there’s nothing you can do to edit it within reason, when developing the shots, it is a laborious task to take time and get all the correct chemicals. Film is ultimately higher in resolution than digital. So, for making very large scale prints, film currently can’t be beaten. This is specifically true for photos which have a lot of texture that needs to be preserved, such as landscapes. The dynamic range of film, which is its ingenuity to retain details in low light and areas of highlights, is greater. Also, it is much more merciful of overexposure and will not blow out the highlights nearly as much as digital will. While this is essentially idiosyncratic, some photographers and myself, we believe that film is a more “original and authentic” form of photography. However, the same line of thinking was protuberant in the antecedent

As times are changing, knowledge and information are also changing. With that, the development of motion picture complexity has changed the film industry by a continuing technological evolution. It is evident that films have changed significantly over the last 100 years. The intricacy of filmmaking technology has rapidly progressed, allowing creative potential for filmmakers. Films are often due to technological advances, or even to reintroduce a classic story. Some examples of films that have been remade include Scarface (1932), remade in 1983, and The Magnificent Seven (1960), remade in 1998. King Kong (1933) is another example of a film that has been remade. The remake, King Kong (2005), directed by Peter Jackson, shows technological

Early day movies and up into the early 2000's, movies were shot and produced with cameras that utilized film, but in the early 2000s movies started to be shot with digital cameras that used memory cards that digitally saved all of the video and pictures taken on these cameras.

The creation of film first began in 1659 by a Dutch scientist named Christiaan Huygens. Huygens invented the magic lantern, which later became the slide projector. The magic lantern used a hand painted glass that was illuminated by a light source to project images through a lens. Later in 1827 the first photograph was taken, it was a view from a window at the Le Gras and was taken using a technique involving a glass plate invented by Claude Niepce. This technique however was not efficient as it took 8 hours to develop. In 1834 the Zoetrope which was an illusion toy invented by William George Horner in which pictures were put into slots and spun around and when these were viewed through a mirror the images would appear to move. The Zoetrope was later adapted by Eadwaerd Muybridge into the Zoopraxinoscope in 1878 while settling a bet on if a horse’s hooves left the ground

The birth of film began in 1872, when Leland Stanford bet a friend that a horse lifts all four of its legs off the ground when running. To settle the disagreement, Stanford employed photographer Eadweard Muybridge to take pictures. After settling the debate, Muybridge developed the first primitive cinema that he called “zoöpraxiscope”. The first films lasted only about a minute long, were black and white, and had no entertainment

The universe of movies and film has created the some of the most outstanding things over the years. Film is an amazing topic. It is outstanding how much it has evolved over the years. It started in black and white, and with no sound. Now we have things like 3D.

The Motion Picture changed everything. The very first movies were rather basic, showing everyday routines such as the arrival of a train or female workers leaving a factory. The very first “action” film was The Great Train Robbery (1905) which had a simple yet thrilling plot about cowboy bandits and their attempt to steal money from a moving train. Then several Westerns adapted the same basic plot, and some even moved it further. In the 1930’s the Noir and Gangster movies such as Little Caesar (1931), Scarface (1932), and The public Enemy (1931) became immensely popular, and these films normally had a rather violent story, many of them were inspired by real gangsters. Then Came the forties and the fifties, which were mostly passive eras on

The film industry has continuously changed since its inception due to rapid technology advancements. Camera technology has been a key factor that has influenced the growth of filmmaking. The first motion picture in the world was produced in the early 1880s, and the first public screening occurred ten years later. It didn’t take long for the quality of films to improve as new filmmaking equipment emerged. Ever since the first movie was produced, the film industry has been continuously changing in response to emerging filmmaking technology. Introduction of digital photography and digital data storage along with the development of internet significantly influenced the film industry (Barsam, 2015). These technologies contributed

Art critic Robert Hughes once said, “People inscribe their histories, beliefs, attitudes, desires and dreams in the images they make.” When discussing the mediums of photography and cinema, this belief of Hughes is not very hard to process and understand. Images, whether they be still or moving, can transform their audiences to places they have either never been before or which they long to return to. Images have been transporting audiences for centuries thanks to both the mediums of photography and cinema and together they gone through many changes and developments. When careful consideration is given to these two mediums, it is acceptable to say that they will forever be intertwined, and that they have been interrelated forms of

The modern film industry was born around the beginning of the twentieth century. On April 23rd 1896 Thomas Edition showed the first publicly-projected motion picture at Koster and Bial's Music Hall in New York City. From there the film industry had an explosive growth rate. In fact,

During the mid to late years of the 19th century, a new form of entertainment emerged. Film entered the stage of innovation. New marketing and technological innovations developed for film to become the art it is today. In the 1830s, Joseph Plateau designed the Phenakistoscope. This device had a picture in the middle of a wheel made with mirrors and small openings. When spun, the Phenakistoscope made the picture appear to move. The name changed to Zoetrope in the 1860s and producers advertised the product as an accessory every home needed (Dixon & Foster, 2008). Later inventions that preceded the first motion picture camera include: Henry Du Mont’s Omiscope, Henry R. Heyl’s Phasmatrope, Eadweard Muybridge’s Zoöpraxiscope, Etienne-Jules Marey’s fusil photographique and Eastman Kodak’s chronophotographs (Parkinson, 1997). With a design by Thomas Edison, William Kennedy Laurie Dickson built the first modern movie camera, the Kinetograph, in 1890 (Dixon & Foster, 2008). In 1895, Auguste and Louis Lumiére patented the Cinématographe, a machine that combined the engineering of a camera and a projector (Bergan, 2006). Businessmen capitalized on the growing need for a place to witness these brand new films, thus they charged people to see them in their living rooms (Potter, 2014). These creations made movie-making a reality.

Film Industry has been expansively affected by the changes in technology. The mechanical and digital innovations give cause to the influence of equipment, distribution and the way in which films are made and consumed. New trends shape directors and filmmakers to expand creatively towards telling stories in motions. The film industry has developed to one of the most important tools of communication, it's cause so powerful affecting the way individuals and societies think, act and behave. Among the new Era approaching film, and seeing celluloid film fade is that of the Digital Era and a camera that saw celluloid films passing hastened.