The Evolution of the Role of Women in British and American Literature

Despite cultural pressures, individuals will instead follow their own moral compass. Their Eyes were Watching God, by Zora Neale Hurston, follows Janie’s path of self-discovery. When she in a relationship with her second husband, she is given the label of a “skank”, someone who goes around to several men instead of settling down. The novel took place in the late 1930’s in the South, the time was a male-dominated society and stereotypes of women limited the options of a female’s future. Janie has been placed under the category of being a bad person because the community, her husband, and family’s ethics clash with her own morals. Janie reflects to her friend Phoebe on how her grandmother restricted her future by forcing her first marriage: “...had

In the novel "Their Eyes Were Watching God" written by Zora Neale Hurston, Janie the protagonist is seen by critics as having no voice. For all women silence knows no boundaries of race or culture, and Janie is no exception. Hurston characterizes Janie with the same silence that women at that time & period were forced into, (complete submission.) "Women were to be seen and not heard." Janie spends forty years of her life, learning to achieve/find, her voice against the over-ruling and dominate men in her life. But in the end Janie comes out the victor, breaking the silence. In her essay "What do Feminist Critics Want?" Gilbert states, "Like Wagner's master singers....men had the power of speech,[but]....women

In the novel Their Eyes Were Watching God, the author, Zora Neale Hurston, attempts to bring into light problems caused by prejudice. However, as she tries to show examples of inequality through various character relationships, examples of equality are revealed through other relationships. Janie, the novel's main character, encounters both inequality and equality through the treatment she receives during her three marriages.

Their Eyes Were Watching God is sometimes classified as a feminist novel, but that is not so. Feminism is often associated with men and women being equal without a doubt. This passage establishes a fundamental difference between genders. Chapter six is a prime example of these gender differences. Chapter six shows Joe’s need for control. During an argument between Janie and Joe, Joe states, “Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves” (71). Hurston’s statement here suggests that men during that time period needed to feel superior to

Literature is not simply a reflection of society; it is in actuality much more powerful. Literature draws upon society and creates its own meanings and images. It possesses the power to either nourish or discourage societal values and ideals. Hence, stereotypical views on gender relations in society are reinforced by literary depictions of men and women. The American literary canon is a collection of books that are widely accepted as influential in shaping Western culture. Stereotypes are evident throughout these texts, and often serve to justify the continuance of traditional roles. More specifically, women seem to be the target of cataloguing and other negative depictions. Classic books that are identified as part of the American literary canon tend to portray female characters in a way that emphasizes their inferiority. The depiction of females in classic American literature promotes a stereotypical view of women in American society.

In Zora Neale Hurston’s romantic novel Their Eyes Were Watching God, the heroine Janie, a beautiful mixed white and black woman, is on a journey to find someone who will make her feel love to find her own identity and freedom, away from her spouses. Janie’s marriages and quest for love impede her individual search for freedom, but in doing this she has discovered what exactly she wants for herself. Janie’s search for her identity and freedom is very much evident. Being abused and controlled during her marriages has made it clear how she wants to be treated and how she wants to live her life; as an individual who does not have to listen to anyone. The story opens with Janie’s return to town. Janie tells Phoebe Watson the story of her

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

Taking place in the 1920’s, Harlem Renaissance was a period of time where cultural, social, and artistic expansion took place in the American society. Hurston’s uniqueness led her to write about the problems of individuals, particularly white ones and black ones. In her own words, she stated, “Many Negroes criticise my book, because I did not make it a lecture on the race problem. I have ceased to think in terms of race; I think only in terms of individuals. I am interested in you now, not as a Negro man but as a man” (“Although her reputation”). In addition, Hurston portrayed the lives of black people as constantly miserable, downtrodden and deprived. For instance, in Hurston’s novel, Their Eyes Were Watching God, the main character, Janie Crawford, finds her second husband, Joe Starks, only to mislead her life. Janie figures out that she once again lacks the love she had longed for. Joe considered Janie to be his possession. He expected Janie to be a well-behaved wife, who would not speak up for herself or disobey him. He additionally expected her to follow every order he had for her, such as forbidding her to interact and play checkers with people (“The most prevalent”). During this time, men were showing off their masculinity by ordering their wives around and ruling over them. However, Janie refused to accept herself to be oppressed, rather “outspoken and headstrong” (Zora Neale Hurston’s). Hurston is trying to portray that women should have the courage to speak up for

In Zora Neale Hurston’s famous novel, Their Eyes Were Watching God, Hurston explores the life of a southern black woman, Janie Crawford, whose three marriages of domineering control of men make her acknowledge her independence and self-satisfaction as an African-American woman. Set in the early 1900s, Hurston reveals the dominant role of men in southern society and one woman’s journey toward finding herself and God.

In the early 1900s, American society was a hierarchy based on race, gender, and wealth. White people were ranked higher than black people, and within each race, the wealthy were higher than the poor, and women were below men. In Zora Neale Hurston’s Their Eyes Were Watching God, these societal expectations, force Janie, a mixed race woman, into relationships with men who fail her. In each relationship, Janie suffers abuse from the men she marries. The violence escalates from verbal abuse to physical abuse. Janie’s infautionation with Tea Cake allows him to manifest his flaws, which ultimately places Janie in a deflamatory relationship.

In Zora Neale Hurston’s novel Their Eyes Were Watching God, she sets the protagonist, Janie Mae Crawford as a woman who wants to find true love and who is struggling to find her identity. To find her identity and true love it takes her three marriages to go through. While being married to three different men who each have different philosophies, Janie comes to understand that she is developed into a strong woman. Hurston makes each idea through each man’s view of Janie, and their relationship with the society. The lifestyle with little hope of or reason to hope for improvement. He holds a sizeable amount of land, but the couple's life involves little interaction with anyone else.

It is said that “boys will be boys”, with their constant “locker room talk” and forceful sexual approaches. Between this and the unspoken of societal rule that defending men from harmful stereotypes is enabling them, there is a large portion of men that get represented in an unfair light. Their Eyes Were Watching God by Zora Neale Hurston is a feminist novel, showing the struggles of the female protagonist Janie. In the novel, Janie details her three marriages and the issues she faces with each one such as her first husband treating her like a mule, her second husband’s domineering masculinity that the townsfolk encourage, or even her third husband who plays into the same forceful attitude that Janie tries to get away from. However, the novel

In Their Eyes Were Watching God, Zora Neale Hurston emphasizes that respect empowers. When Janie’s respect for Killicks dwindles, so does Killicks’ power over Janie. Killicks’ lack of power in his and Janie’s relationship is evident in Janie’s fearless refusal to be Killicks’ workhorse. Killicks’ desperate desire to control Janie’s love for him (or lack of love) manifests into verbal abuse, through which he tries to cut down Janie’s sense of security in herself by telling her that there aren’t “no mo’ fools” who would be willing to work and feed Janie, especially after her attractive body loses its youthfulness (30).

Their Eyes Were Watching God was a book that presented the world with a new look on writing novels. Zora Neale Hurston’s experience in what she has seen through research was embodies in this novel. She demonstrates what data she has collected and intertwined it into the culture within the novel. While being a folklorist/anthropologist, and inspired by her life experiences, she developed a character who dealt with the issues that were not yet uncovered, female empowerment was one of them. Zora Neale Hurston defined this topic of female empowerment throughout the character Janie in Their Eyes Were Watching God.

In most early British literature a woman is often presented as only one thing: an object. They can be objects of desire, objects of beauty, or merely objects to be owned, but it is rare that a woman is anything more than that. It is even more uncommon to find a female character in literature that is presented as an equal to the men around her. In William Congreve's The Way of the World he plays on the similarities of both his female and male characters to establish just how much of an issue gender really is because though their actions might be similar, the consequences are not.