The Existence Of God And The Renaissance Era

The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people

By the time of the third century theologian, Origen, the concept of God as espoused by Greek philosophers’ prevailed in the then current Christian theology.

Scholasticism is the philosophical systems and speculative tendencies of various medieval Christian thinkers, who, working against a background of fixed religious dogma, sought to solve general philosophical problems. These problems included: faith and reason, potentiality and actuality, realism and nominalism, and the provability of the existence of God. Initially under the influence of the mystical tradition of patristic philosophy, and especially Augustinianism, and later under that of Aristotle. Virtually all medieval philosophers of any significance were theologians, and their

The Renaissance was an efflorescence of the arts and changes in many different areas such as political, social, economical, and cultural. It was the rebirth of art, literature, and learning in the 14th, 15th, and 16th centuries. It marked the transition from an agricultural to an urban society. The Renaissance ideals emphasized ideas of humanism and human achievement. Artists and writers used realistic techniques, such as perspective, and they believed man should be the subject of study, not God.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

Michelangelo Buonarroti lived in a time when the medieval aspects of Christianity were overwhelmed by the upheaval of the Reformation. His art portrays this change in religious philosophy by discerning the major trends and objectives of the Renaissance. "His works show us...the changing world around him" (Richmond 4). In addition, Michelangelo seriously impacted generations of artists to come.

The Renaissance began in Florence, Italy around the 1500’s to about the 1700’s. Florence, Italy was the mecca of this rebirth because at the time Florence was extremely wealthy and the people of the city had political freedom and those new ideals of the Renaissance were not being condemned in Florence as they were other cities. This was a time where the arts and the logic of one’s own mind was valued rather than criticized, the antiquated medieval ideals no longer matched the needs of those who were living during the early Renaissance. Eventually, a term for this way of thinking arose and was called Humanism, and what humanism is, is an ideology where humans can lead themselves to create a prosperous life and instead of leaning on supernatural forces for answers. Humanists believe that humans have enough logic to create conclusions themselves. This brand-new way of thinking caused a lot of controversy because it did question God’s ability and the church’s power, but the ideas behind it are still heavily used today, even in the 21st century. Humanism in the early Renaissance is important because it called for thinking with reason, it allowed an appreciation for human body and mind, inspired authors and caused a shift in power.

The rise of literacy towards the end of the Middle Ages brought with it a torrent of individuals ready to think fro themselves and formulate their own theories and ideas regarding God and the Christian faith. For a long time, the church held a near monopoly on literacy and used this to maintain control over people’s lives and beliefs. While some of these new intellectuals created ideas that would forever change the way people envision themselves and their relation to God and the universe, some simply patched together tidbits of ideas that were not born out of deep philosophical inquiry, but had more of an instinctive type of logical grounding. This was the line of thinking that made up Domenico

Medieval philosophy deals with the great attempts by Christian, Jewish, and Arab thinkers to synthesize their religious faiths with Greek and Roman philosophy.

However, the rediscovery of Aristotle and other ancient philosophers had a profound effect on European thought. This caused the Catholic Church to become deeply concerned. Those whose ideas strayed too far from Christianity were accused of heresy. Scholars tried to defend themselves by arguing that there was no contradiction between philosophical reasoning and religious faith. The most influential scholar of the time was an Italian monk who became known as Saint Thomas Aquinas. His writings helped to ease the growing conflict between faith and reason. Aquinas believed that although observation and rational thinking

During the 1400s and 1500s in mainly Italy there was a major change that took place in all aspects of life. This was called the Renaissance and was a movement that helped give rebirth to culture and the arts. This movement went away from the medieval times that had forced a feudalist system on its people. The Medieval times were a dark period in European history that saw a major decline in arts and government. This declining can be attributed to a number of different reasons. One of which was the Bubonic Plague that spread throughout Europe and Asia and killed millions of its inhabitants. This was the final nail in the medieval coffin. Throughout these times the major focus for government and the arts were all religion oriented. The Black

Saint Augustine, Bishop of Hippo, was one of the greatest philosophers of the roman period. He was raised in a religiously divided home, but through time he found his own truth. He was always an excellent student. He fully mastered the Latin language, however, he never did well with Greek. Saint Augustine was also a man who had a way with words. After his teenage rebellious stage, he found an unorthodox religious group that he decided to become involved with for a while. He traveled the area and ended up staying in Milan for a while. This is where he met Bishop Ambrose and began to listen to his teachings. This caused for Augustine think about his life and ultimately converted him to Christianity. After converting, he wrote books such as: Confessions, The City of God, and De Doctrinia (On Christian Doctrine), along with many others. Saint Augustine was and still is a great Christian influence in the world today.

The fields of philosophy and theology are often grounds of debate. While some hold these two to be relevant and dependent on each other, others find them to be completely independent of each other. In John D. Caputo’s work, Philosophy and Theology, he expresses his view of these fields as companions. Caputo states, “Think of philosophers and theologians as fellow sailors on [the] ocean,” depicting his view of the interdependence of these two fields (Caputo 69). Through his illustration we can find the influence philosophy and theology can have on each other in facilitating our toleration of such a mysterious future and world.

In 383 Augustine left Carthage for Rome where he found refuge with Bishop Ambrose of Milan. A year later he became a teacher of rhetoric. Having visited Bishop Ambrose, the fascination of that saint's kindness induced him to become a regular attendant at his preaching’s. Augustine presently was attracted again to Christianity. At last one day, according to his own account, he seemed to

During the 13th century, religious dialogue among different cultures was expanding at a rapid rate (457). With this cross-cultural exchange came competing views which vied for religious dominance in both Eastern and Western civilizations. Notably, many arguments in favor of Christianity were spread by Franciscan friars such as John of Plano Carpini, John of Monte Corvino, and William of Ruysbruck. Additionally, scholars such as Ibn Kammuna concerned themselves with the comparative study of religion. As a Jewish thinker, Ibn Kammuna found this comparative study to be particularly important within the context of Judaism, Christianity, and Islam in order to defend monotheism in the East (468). Though the Franciscan friars may have had more at stake in their defenses of Christianity (as a political tactic against a Mongol invasion of Europe, for example), it is Ibn Kammuna’s arguments concerning Christianity that are most persuasive to non-Christians.