The Existence Of Monsters In Literature

Lastly, the tale of Frankenstein can be observed in depth to prove a point. Some cultures used the idea of Frankenstein to signify that in the future, we humans would be our own monsters since we create them. Others use the tale as a way of detesting against the living things that don’t adhere to our norms. Anything that goes against our mind’s norms tends to present fear and anxiety in our feelings. This is the sole basis as to what monsters are made from.

Rhetorical Analysis of “ Monster Culture ” In his opinion piece at the beginning of the book Monster Theory: Reading Culture , entitled “ Monster Culture (Seven Theses) ” , Jeffery Jerome Cohen tries his best to detail to his audience why monsters are symbolic of those things which e xist on the edges of culture. What monsters are changes according to the ideas and convention s most disruptive to any given culture at any point in time.

“Monster”, a 1999 novel by Walter Dean Myers, is an incredible story told through the fictional movie script of a boy on trial for murder and robbery. It’s an intriguing read that triggers deep thought and empowers the hearts within all. A book notable for its messages against implicit bias, encouraging the notion of truth within yourself, you can speculate on its events from start to finish and beyond. But it’s worth pondering of its connection to real life. Does “Monster” truly reflect the criminal justice system of our country’s society today? Read on to discover the shocking answer.

When people hear the word monster, they usually picture in their minds images of vampires, zombies, demons, ghouls, or other physical supernatural beings. However, today's society contains its own modern monsters contained in minds of people or in systems in society, as opposed to some type of physical entity. Examples for modern monsters of today can be pressure and apathy, but caring too much has more effect and negative results rather than apathy’s effect of caring too little.

A monster can be hard to define. Describing a monster can be easier than defining one. The term ’monster’ is broad and vague and as a result, it is easier to describe a monster rather than to define one. Tina Boyer says: “A monster is a cultural construct. By definition, it is a thing that shows or reflects cultural fears and forbidden obsessions, social and moral problems that express themselves in the body and behavior of the monstrous creature (Boyer 240).” What makes a monster scary differs among cultures, however, there are general trends of monsters and villains among cultures. Monsters are ugly in many European-based cultures, depicted with asymmetrical limbs and features. Hollywood has used these traits to make better movies for

Asma states, "Monsters can stand as symbols of human vulnerability and crisis, and as such they play imaginative foils for thinking about our own responses to menace.” This means that human weaknesses and fears are represented through monstrous figures, and these fictional situations provide perspective into how we react in fearful environments. In our current society we fear many things, including but not limited to failed or corrupt governmental systems, the afterlife, the unknown, and captivity, which makes this claim valid. Although we may not realize it, these fears are embodied by the horror monsters we see in popular culture. Society shares common fears, and often times the most prevailing fear is reflected in the most popular characters at any given time. Monsters are the fictional representations of society’s dark subconscious, exploring not only why the author’s statement is accurate but what we actually fear.

“Fear and euphoria are dominant forces, and fear is many multiples the size of euphoria” - Alan Greenspan. New York author, Alan Greenspan, here is explaining that the threat fear presents is really no different than the state of intensity caused by euphoria. In Andrew J. Hoffman’s anthology, Monsters, there is substantial evidence that both fear and euphoria are inflicted upon men, by female monsters. The two threats men typically face against women are temptation and emasculation. Thus, in mythology and folklore, female monsters exemplify the impulse of desire (sexually) for men, and male weakness. These are creature that are lusted after and yet, still feared because of their power. Men find female monsters both fearsome and euphoric and will always threaten their dominance and control.

Monsters and the Moral Imagination by Stephen T. Asma is an exploration into why, as of recent, society has become so fascinated with monsters. Asma considers a vast amount of reasons why this surge in interest could have come along, such as; “social anxiety in the post-9/11 decade, or the conflict in Iraq” (Asma). Another possibility is even the fall of the economy that occured around December 2007.

What defines a monster? Is it their grotesque, unnatural appearance that separates them from the rest of mankind, or is it their lack of remorse and compassion that makes them different? The word monster conjures up figures from gothic horror of exotic peoples with horrifyingly exaggerated features, and the kinds of impossible delusive beasts inhabiting the pages of medieval bestiaries. Well at first I thought exactly that. When I used to hear the word “monster”, my mind immediately pictured the petrifying beast that took residence under my bed for a substantial portion of my childhood. It had demonic beating red eyes, razor sharp teeth that glistened with fresh blood and amphibian like scales covering every inch of its enormous body. However, as I got older, I started to realize that there was no such thing as monsters and that it was all just a figment of my imagination. Accordingly, the fear of the monster under my bed slowly dissipated. Nevertheless, it wasn’t until after reading a quote by my favorite author, Steven King, that I was finally able to fully comprehend what the true definition of the word “monster” really was. “Monsters are real, ghosts are real too. They live inside us, and sometimes they win”. It had taken me awhile to truly grasp what King had meant, but then it clicked. Everyone has a monster inside them, dormant or not. That monster is the voice we hear in the back of our heads, urging us to cheat or to steal, and in some instances, worse. That monster

There is such kind of monsters, remain their appearance as a human, yet the things they do can only describe as monstrosities. They are not monsters in books and literature, a fear of unknown or sexual desires. People were, or still are facing actual brutal violence or psychological terror from those monsters. More importantly, the monster being talked here is one of our kind. They are human, yet described as “inhuman”, under the inhuman category of Stephen T. Asma’s book On Monsters, a bloody history, a dark past of humanity have been introduced as a monster. It is Khmer Rouge’s infamous security prison S21: the representation of the massacre took place in Cambodia in 20th century and this kind of monster, unfortunately, is still relevant to the world, even till this day.

Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.

Monster by Sanyika Shakur yields a firsthand insight on gang warfare, prison, and redemption. “There are no gang experts except participants (xiii)” says Kody Scott aka. Monster. Monster vicariously explains the roots of the epidemic of South Central Los Angeles between the Crips and the Bloods that the world eventually witnessed on April 29, 1992. As readers we learn to not necessarily give gangs grace but do achieve a better understanding of their disposition to their distinct perception in life.

Monsters run free in epic poems of centuries far past; horrific, villainous creatures of fantasy who illustrate all that is bad in the world and stand for the tribulations the epic hero much overcome. The Anglo-Saxon epic Beowulf is no different. Some are born of, and in turn give birth to legends, such as the fire-breathing dragon, while others are tied to the bible. In studies, Beowulf's monsters are explained and will continue to be analyzed as symbolic of countless different ideas. In relation to each other and the epic's hero, the monsters of Beowulf represent the ever-present flaws of humanity and the monstrous feelings or behaviors that over take the mind in a moment of weakness, leading to eventual downfall.

The monster giggles while I silently cry. It has curly short brown hair and blue eyes. Its nose is oval with giant, hairy NOSTRILS! Some parts of its skin are bright pink while others beige. It holds me with its two bulging hands, but I can barely endure it. It sits on the moist grass and holds me between its legs. It’s a shame that I had to be captured on such a sunny day.

How is the term “monster” defined? Are monsters dark creatures, with the ability to call upon hell and all its attributes? Do they have mangy fur and eyes the vibrant color of blood? In reality, monsters are not furry beast that live under the bed. Monsters are born into this world just as you and I, as human children.Children who utilize false innocents to cloak their wicked tendencies. Monsters are no longer simply being that haunt the nightmares of children, no longer can they be vanquished by the flip of a light switch. Monsters are real, they are individuals that have traveled so deep into the darkness of their own soul that they have lost their way out. As human beings we are gifted with free will, therefore we have the ability to chose what side ,light or dark, prevails in our hearts. With fierce unwavering determination, we even possess the power to fight away the darkness with in the hearts of others.