The Exterior Of The Rosicrucian Museum Essay

The Sarcophagus of Queen Hatshepsut is considered one of the most historic pieces of ancient Egyptian art that still stands here today in our presence. It is an exquisite work of art, a piece of enlightenment and even a masterpiece that earned a place in the realm of art history. It is one of only three royal sarcophagi that is currently displayed outside of Egypt and is one of they very few from the eighteenth Dynasty that shows multiple alterations and phases of decorations. This sarcophagus was originally prepared for Queen Hatshepsut and later was recut for her father, King Thutmose I. This is an artistic masterpiece from a royal atelier, a prototype for the funeral beliefs and the traditions, and a pivotal historical piece of the complicated puzzle of early New Kingdom political history.

Way back in the ancient cultures beliefs’ and faith played a major roll in their lifetime. It treasured the art that spoke to them and made them closer to god, since writing was not indicate back then. Some believed in only one god, some in many gods and some people believed in objects like animals, the sun, items and even the weather. After visiting the Kimbell Art Museum in Fort Worth and observing some of the ancient Egyptian art collection displayed, I have decided to pick the theme of God to inform about. After my research, I discovered new and different key points about the Egyptian beliefs in god and how it affects us in our world today. My first object is the Kneeling Statue of Senenmut, Chief Steward of Queen Hatshepsut, the second object is Red-Figure Cup Showing the Death of Pentheus (exterior) and a Maenad (interior) and the last object is the Head of a Ewe.

Since then I have returned many times, just to enjoy this exhibit. Walking through the Temple of Dendur is a unique experience since it sits on a marble platform surrounded by water. The temple is especially impressive at night when no light can shine through the windows. Only the temple and its sculptures are illuminated. A sense of mystery surrounds visitors, especially those of us who have been fortunate enough to visit the pyramids in our native land. In fact, viewing the sarcophagus, sculptures, and paintings gives me a sense of nostalgia and pride in the magnificent artwork created by my ancestors.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

The beautiful magic wands of the Egyptian past are a great example of the how the Ancient Egyptians revered their gods, but more importantly, they glorified their living and sanctified their dead. The appearance during the Middle Kingdom of the magic wands in tombs tell a story of a culture that struggled with surviving childbirth. In order to protect their laboring mothers, in this life and the next, the Egyptians evoked deities from their pantheon and spellbound them to a piece of hippo bone. In the magic wands found scattered about Egypt, all possess carvings of knife wielding deities, some were three dimensional and even the material it has made from held great significance.

My second piece I want to tell you about is the Sphinx of Amenhotep III. This piece was made sometime between 2000-1000 B.C. The artist from this piece is unknown but it is believed that the Sphinx of Amenhotep III is a model of a temple. It is only about 9 7/8 inches in length, 5 1/4 inches in width and 5 1/4 inches tall. Amenhotep III had many statues completed of him and during that age Amenhotep built many temples and other chapels. By the looks of it, it just looks like a giant doorstopper. But this artifact has great symbolism. The sphinx puts two things together and offers them to the gods, and that would be protective power of the lion with the royal function. It’s a lion’s body but transforms to human arms and hands. It has about

Both Etruscan and Roman tomb sculpture function to memorialize the departed allowing them to move on from the world of the living and seeks to comfort those who have lost the ones they love. The two societies have differing practices in regards to death and therefore sculptures concerning the subject are somewhat different with a few identifiable similarities. While both societies seek to comfort the living and commemorate the dead this is achieved through different approaches. The Etruscan Sarcophagus with reclining couple from Cerveteri, Italy and the Mummy of Artemidorus from Roman Egypt are two examples of contrasting representations of the dead. When analyzing tomb sculpture one of the main questions is whether the work adapts a retrospective approach (presentation of the deceased as they were in life) or a prospective one (the viewpoint of looking forward to life beyond the grave). While the Etruscan sarcophagus gives a more retrospective memorialization through the depiction of the couple in a state of regularity the Roman Mummy of Artemidorus presents a more prospective approach concerning the deceased through the emphasis of funerary practices.

The experience at the Carlos Museum brought to my attention the great detail that goes into not only the preparation, restoration, and conservation of corpses, but also what thought goes into the decision to display a corpse or not. Also, the connections between the treatment of human remains and the discovered corpse of Richard III reveal how the treatment of a corpse often indicates how it was viewed in

When I stepped out of the car onto the freshly paved road, I instantly recognized the smell of asphalt that was paved onto the street moments ago. I could hear the jackhammers pounding into the ground, making the ground shiver as if it was cold and the sound of power tools grinding into metal pierced my ears. As I looked up to the sky, I saw cranes towering above me and mirrored skyscrapers reflecting the bright, blinding light. In the distance, I could see the Art Museum with hundreds of people racing up the steps like tiny ants. At the top, stood the Rocky Balboa statue and other structures, with bystanders modeling for pictures as if they were on the red carpet.

I would like to include a brief explanation of the refocus of my initial question. Prior to my study tour, after several meetings with my study tour supervisor I was advised that I should broaden my question to investigate depictions and representations of religion within Mesopotamia, and simultaneously to keep an open mind regarding objects from European collections which could potentially help me narrow down my ideas if I was inspired to do so. During the study tour it became apparent that many of the objects which I had initially expected to be able to assist me in answering my question were not usable in my report. One of the major obstacles was the design of some exhibitions and displays. Although I found these exhibitions to be innovative and extremely accessible to the public, an unfortunate consequence was that various objects became difficult to properly represent through photography, obscured by magnifying glasses, mirrors and specialised lighting. These factors ultimately led to a minor refocus and a narrowing down of my question to focus on

I visited the Ancient American exhibit at the Field Museum and analyzed the voices that I heard within the different sections: the researchers, the curators or the people. Throughout the exhibit, I heard different voices, but the strongest voice I heard was the curators who put together the exhibit. The museum did a successful job at attaining all the facts about the Ancient Americans despite the lack of native people to get information from, but they were unsuccessful at capturing the people’s voice within the exhibit.

Plants, animals and minerals endowed with important magical or symbolic functions were allocated to museums of natural history, paintings and sculptures to museums of fine arts, armour and weaponry to military museums and textiles and crockery to museums of decorative arts. (Martin, 2012)

Although the St. Petersburg Museum of Fine Arts’ collection holds many treasures from a variety of eras and cultures, three pertained most to this course. Within the “Ancient World” exhibit, a Cycladic Idol, a Roman copy of Greek artist Praxiteles’s statue of Aphrodite, and a Red-figure Krater are on display. All three artworks trace the progression of Greek culture and the later Romans who imitated much of Greek culture and art.

Ancient sculpture took an important role in people’s daily life. Sculpture such as statues, busts, or reliefs were decorated in places like parks, home, famous buildings or gardens. According to research people during ancient time kept their sculpture in their houses of their ancestors or themselves. A lot of famous art work is influenced by other art of work. Which was brought into cultures and Art work such as, sculptures of god or goddess was created to show their affection toward art involved into cultures and religion.

When I was in 6th grade my family went on a trip to Paris France. While there we were able to explore the city and visit many well-known places such as the Eiffel Tower, Louvre and a royal palace called Versailles. The Versailles was originally built by a Louis XIII in 1623 as a hunting lodge. In the years to come the building went through a few big expansions. After Louis XIII died his son Louis XIV obtained Versailles and used it as his main residence and for the seat of the government of the Kingdom of France. Also, the Versailles had enough rooms to be used for most of the courtiers to stay there. My family and I were able to take a tour of the palace. While I was on the tour we came into a room known as the Hercules Room. I walked in the room as was shocked because of a sculpture in the middle of the room. Displayed in the middle of this room in an immaculate ancient palace was an enormous metal sculpture of a dog shaped balloon animal. Directly above the dog was a massive painting covering the ceiling named Apotheosis of Hercules which was the reason the room itself was named Hercules Room. The reason I was surprised when I walked into the room was because the dog balloon sculpture was extremely different than the ceiling above it and everything surrounding it making it seem out of place.