The Extract By Junot Diaz Essay

Janna L. Kim (2007) discoursed (as cited in Vandenbosch & Eggermont, 2012) Media as a tool that can shape the perception of females on their ideal figure. “Sexual objectification in media is characterized by a striking emphasis on female appearance. The media’s ideal women are styled according to the latest fashion trends, and their bodies have all the right curves.” (p.

Women are sexually exploited in the media. In today’s society if people watch television programs such as Chingy featuring Snoop & Ludacris – Holidae; Charlie's Angels; the Z100 commercial with Britney Spears; or Baywatch they will see that the feminine image is presented differently than the masculine. In these programs men are typically placed in sexual situations fully clothed, while women are presented in provocative clothing or less. The camera will frequently zoom in on body parts to focus on the woman’s buttocks, midriff, and legs. Society is still dominated by men who control what people see. As a result women are increasingly portrayed as sex symbols as a way for a media company to turn

The objectifications of a woman have been known to be centered around the actions of a man. Cat-calling, slut shaming, and men being in a superior position while women are inferior or counted as their ‘objects’ are all parts of the dehumanizing nature of objectification. This indicates that women are centered around their appearance and feminine demeanor, and nothing else needs to be accounted for. However, there are other influences that have contributed to the vicious cycle society has on degrading women. Women objectify other women over similar matters as men, but not similar relevance in sociocultural context. Another contributor to women objectification is women’s self-objectification, in which they internally reflect on their appearance and demeanor to seek the approval of the observer. The last and most dominant factor that has been deemed the main culprit of turning women into objects is the culture of advertisement. Advertising has sexually objectified women for years, and is the backbone of the degradation of women in the real world. It also depicts unrealistic images of the female body and attitude that no female human being can actually live up to. The media has introduced the actions of sexual discrimination and harassment, and has influenced the ideas of how women should be treated. The combination of these three components are continuing the cycle of the objectification of women.

Analyzing a symbol as a literary convention used by author, Junot Díaz makes a way to identify the purpose of the device. In his novel, The Brief Wondrous Life of Oscar Wao (2007), the mechanism is used to develop an explicit character and point of view. The symbol is a sensory image that holds rich implication that is either a narrow or broad. Occasionally the reader is cast off by the author with an unknown meaning of the symbol hence is forced to create his own interpretation. The latter principle is intentionally carried out by the author as a literary hook to draw the attention of his audience to keep reading. Moreover, the author may also use in combination with the hook the method of utilizing pathos as a way of arousing the

An instruction manual on how to get a girl based on their ethnicity is what Junot Diaz wrote in the story “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie.” One central theme in the story is the idea of stereotypes. A stereotype is a preconceived notion about someone based on an outside characteristic they posses. These generalizations come from some truth but you can’t put everyone into a specific category based on their appearance. In this controversial story, Diaz uses the main character to talk about stereotypes and demonstrates how he treats women differently based on their race. The story shows the reader how

“Aguantando” means holding on. In the very first paragraph we see how important it is for the narrator, Yunior, to hold on to his father’s memory. Yunior lives with his mother (Mami), grandfather (Abuelo) and brother (Rafa). They live in a house where anything of value, including furniture, food, clothing and even Mami’s Bible is stained from a leaky roof. As a Hispanic male, believe me when I tell you there is nothing more sacred than Mami’s Bible in that home. Yet it is clear how important Papi’s pictures are because they’re always in a plastic sandwich bag to keep them dry. It’s also clear that Papi leaving was the

The paramount of social adversities facing the modern society is the divide between definitions of gender. Gender represents an abstract interpretation of sex and this notion is simply a societal construct. The establishment of gender has evolved into a tradition of humanity, however this tradition evolved into a social divide between masculinity and femininity. The pressure to conform to societal constructs of masculinity and femininity poisons society and branches off to toxic masculinity; such were nurtured from these figurative beliefs. Gender roles further stigmatize the victims who refuse to conform. However, gender roles has witnessed a revolution in modern times. The purpose of this collateral involves analyzing the evolution of gender roles present in media from mid 19th century to modern times. The period of time, or 1960’s, was chosen because of post World War II’s effects on stereotypes in society around the world. Post war not only challenged stereotypes but further kindled women’s role in the workforce and women began to fill in roles previously belonging to men. In later years, a radicalization of the feminist movement has spurred and our modern times is a witness to its ascension to the paramount of feminism. The media, since the 1960’s, has allowed society to be the primary witness. With the evolution of gender roles, the media must also adapt to the changes in societal views of gender roles and the entire feminist movement at large. This collateral seeks to

Despite the fact that many men continue to deny that women are objectified, being viewed as an object created solely as a means of pleasure for men is a reality for anyone who was born biologically female. Proving that women are considered less valuable than men is the statistic that women make only 70% of what men in a similar career earns (Ravelli & Webber 214). The sexaul double standard contributes to this idea as well which means that women who engage in sexual activities are “promiscuous” (Ravelli & Webber 237) or “whores” (Ravelli & Webber 237) while men who behave similarly are “Studs” (Ravelli & Webber 237) and women who do not engage in sexual activities are “virgins” (Ravelli & Webber 237) or “Madonna’s” (Ravelli & Webber 237). There are only two portrayals of women and both of these refer to her sexual activities. There are also outrageous definitions of beauty portrayed in the media to

Cho explains this by saying, that although women are stigmatized for being that sex, when they are denounced for being both a woman and a certain race, it can become a wholly different experience for an individual (351).

Junot Diaz has had profound success in his writing as he is able to incorporate personal experiences through a stylistic writing pattern in which he conveys the struggles and upheavals in the lives of his characters. Although these aspects of his writing have led to his prosperity as a writer, the novels and short stories he produces are not suitable for young adults and children because of controversial remarks present in his writing. Overall, Junot Diaz’s vulgarity and derogatory comments towards women and racial classes, in addition to the unexplained and unclear wording in his novels, are clear examples for why his literature should not be incorporated in the high school curriculum, despite his direct and rhythmic writing style.

The documentary “Miss Representation” deals with and discusses the sexualization of women within the media. It showcases everyone from movie stars to political leaders, and broadcasters to fifth graders. With such a wide range of women being showcased in the documentary, it goes on to prove that all women (and men), are affected in some way by this major problem within our media. The documentary showcases the sexualization of women in the media, the lack of powerful and independent women role models in the media, and the constant advertisements of sexual women throughout the world.

One cultural remnant of slavery within our society is the social idea that black bodies are hyper sexual. This can be seen in many forms throughout the media, including sexual images of black women in rap videos or the image of the black male as rapist construction. In both of these examples, their sexuality is perverted and presented as being overly aggressive and sexual, existing outside of the normalized engagement. This idea of black women being hyper sexual stems from black women being reduced to the racial caricature of the Jezebel, and this has its construction rooted in slavery, while the caricature was meant to justify the repeated rape of black women by their slave owners. For the black man, hyper masculinity in mainstream media and

(CA) Males and females’ disagreements between the two seem very difficult with rebuilding the way society and Multimedia sees both sexes male and female considerable different. As follows from the few examples shown above it seems hardly noticeable women have as much strength and knowledge as men, performing many of the same duties or holding similar the same positions in the same working field Multimedia has also proven this. Women who are already or somehow already fit into the image multimedia has portrayed them to fit into, pretty and sexy need not to use this characteristic and feel as if their beauty is a token, in hopes of catching the attention of another. It has been found, using this kind of tactic often leads to a form of sexual harassment, verbal or physical, harassment. This type of harassment occurs in the atmosphere of the two individuals which often involves a person by means of using their position in hopes of forcing unwanted sexual advances upon another verbally or sexually, usually towards a female figure woman many years ago this was life for them, today it is still mutual but have changed in so much. With the establishment of better laws prohibiting such acts. Nietzsche shares “I Love the one who is free of spirit and heart: thus, his head is only the entrails of his heart, but his heart drives him to his going under” (8).

In “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie” by Junot Diaz, the story highlights common stereotypes that the narrator picks out about girls that he is attempting to date. Stereotypes are often the first impression before the first impression, and can influence a man’s decision on how he is going to treat a girl based on her race and ethnicity. Diaz suggests that

The lack of representation showed in media scope of women’s issues relating to deceivability and precision of such media pictures is a typical topic. Deceivability infers the amount of the scope as well as additionally how the press outlines that scope. While women have turned out to be more noticeable as far as the amount of scope than previously, the confinement of the messages encompassing female political figures remains. The media portrays women and movie stars the same way as it portrays females in government. A woman’s body and appearance are exploited for