The Face On The Milk Carton Analysis

This book is a chapter book that contains appropriate age fitting vocabulary for children aged 8 to 12 year olds. Stolen Children contained no illustrations, having pictures throughout the book would have helped me understand the story line better. This book was very interesting and lead the reader to stay on their toes. There were 5 main characters in this book they were Amy who was the babysitter, Kendra the 3 year old girl, Smokey one of the kidnappers and Hugh another kidnapper. The main conflict of this book was when the girls (Amy and Kendra) had gotten kidnapped and were missing for a week. the setting of this book takes place in an old run down cabin that is in the middle of the woods. In the book, Peg Kehert wrote clues that Amy the character who plays the role as the babysitter gives off throughout the story.

In the novel, Their Eyes Were Watching God, by Zora Neale Hurston, Janie has allowed us to better understand the restraints that women in society had to deal with in a male dominated society. Her marriage with Logan Killicks consisted of dull, daily routines.  Wedding herself to Joe Starks brought her closer to others, than to herself.  In her final marriage to Vergible Woods, also known as Tea Cake, she finally learned how to live her life on her own.  In the novel, Their Eyes Were Watching God, Janie suffered through many difficult situations that eventually enabled her to grow into an independent person.

Near the beginning of the book, Janie develops an idealistic view of love whilst lying underneath a pear tree. She is young and naïve, enthralled with the beauty of spring. She comes to the conclusion that marriage is the ultimate expression of love and finds herself pondering why she does not have a partner. In the rashness of her hormone clouded brain, she is drawn to Johnny Taylor, who is nearly a stranger. This is her first experience formulating ideas about

Even before Joe’s death, Janie “was saving up feelings for some man she had never seen. She had an inside and an outside now and suddenly she knew not how to mix them.”(75) Joe’s influences controlled Janie to the point where she lost her independence and hope. She no longer knew how to adapt to the change brought upon her. When she finally settles and begins to gain back that independence, the outward existence of society came back into play. “Uh woman by herself is uh pitiful thing. Dey needs aid and assistance.”(90) Except this time Janie acted upon her own judgment and fell for someone out of the ordinary. Tea Cake was a refreshing change for Janie, despite the society’s disapproval. “Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”(128) This was what she had always dreamt of. When she was with Tea Cake, she no longer questioned inwardly, she simply rejected society’s opinions and acted upon her own desires.

Janie was raised by her grandmother who she calls Nanny that had previously lived the life as a slave. The young sixteen year old girl was brought to us as a product of

While the heart-shaped world in the drawing represents Janie’s world with both goodness and conflict in the form of light and darkness, it is surrounded by other important features such as religion and personal values that act as major influences to how her world works. Therefore, our drawing is a complete representation of not only Janie Mae Crawford’s views on the world from her perspective, but also her life itself as seen throughout the

Janie is married to two men, before she finds Tea Cake, that both suppress her individuality in their own ways. Janie's first husband, Logan Killicks, suppresses her by keeping her in a marriage that she can't fully, or at all, love the man she's married to. "Cause you told me Ah wuz gointer love him, and, and Ah don’t. Maybe if somebody was to tell me how, Ah could do it." Janie says she needs to be told how to feel about Logan in order for her to be able to love feel anything towards him at all. Janie is a mixture of the people around her because they're telling her to live and how to think. Janie can't bring herself to figure out how to do these things on her own so she ends up looking for the answers in the man she married, her grandmother, and her society. Joe Starks, Janie's second husband, keeps her from showing who she really wants to be by

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

Throughout the novel, Hurston describes Janie as a young woman with a compelling desire for seeking unconditional love. As Janie searches for her inner self, she begins life not knowing who she is. Janie endures harsh judgment from many people throughout the novel, which help build the qualities of independence and strength. Throughout everything she has learned, she matured and transitioned from a defiant teenager, to a woman in complete possession of herself. Janie 's quest for the “horizon” of herself finally lead her to a place in which she is defined, despite the society who denies her power because of her black ethnicity. The “horizon” demonstrates the distance one must travel in order to distinguish between illusion and reality, dream and truth, role and

Janie’s inner self is entirely composed of her desires, needs, and true feelings. When Joe dies, Janie is internally genuinely happy; However, she can only express this inwardly because she can’t portray her husbands death as a happy aspect to society. On the outside, Janie participates in the funeral and the requisite mourning period; while inwardly, rejoicing.

Janie is not afraid to defy the expectations that her grandmother has for her life, because she realizes that her grandmother's antiquated views of women as weaklings in need of male protection even at the expense of a loving relationship, constitute limitations to her personal potential. "She hated her grandmother . . . .Nanny had taken the biggest thing God ever made, the horizon " (Their Eyes 85-86).

Becoming an image herself looking in the mirror was an obvious and physical change seen in the story. "'Ah ain't been sleepin' so good for more'n uh week cause Ah been wishin' so bad tuh git mah hands in yo' hair. It's so pretty'" (Hurston 124). Letting loose her hair and Tea Cake telling her how pretty she was marked a new beginning for her and a time for a new image. Seeing herself in a new way, the mirror and Tea Cake helped her realize that she is a beautiful woman and she can be much better if she tried. Mirrors are always used to analyze oneself to be pleased, or to be displeased so you can adjust. In Janie's case however, she was surprised to see herself again and approved of her new, yet not so new self.

Janie is a black woman who asserts herself beyond expectation.  She has a persistence that characterizes her search for the love that she dreamed of since she was a girl.  Janie understands the societal status that her life has handed her, yet she is determined to overcome this, and she is resentful toward anyone or anything that interferes with her quest for happiness. "So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, "(Page 14)  laments Janie's grandmother as she tried to justify the marriage that she has arranged for her granddaughter with Logan Killicks. This paragraph establishes the existence of the inferior status of women in Janie's society, a status which Janie must somehow overcome in order to emerge a heroine in the end of the novel.